Ann Troup - The Lost Child

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The Lost Child: краткое содержание, описание и аннотация

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Mandy Miller disappeared from Hallow’s End when she was just 3 years old. She was never found.‘The Lost Child is complex, mysterious and highly compelling reading.’ - Reviewed the BookThirty years on, Elaine Ellis is carrying her mother’s ashes back to Hallow’s End to scatter them in the place that she once called home. Elaine has never been there, but it’s the only place Jean talked about while she was growing up – so it seems as good a place as any.As Elaine settles into her holiday cottage in the peaceful Devonshire village, she gets to know the locals; family she never knew she had, eccentric and old-fashioned gentry, and new friends where she would least expect them. But she is intrigued by the tale of the missing girl that the village still carries at its heart, and which somehow continues to overshadow them all. Little does she know how much more involved in the mystery she will become…For fans of K.L Slater, Diane Chamberlain and C.L. TaylorWhat readers are saying about The Lost Child‘atmospheric, haunting and quite dark’ – Book boodle‘An unusual, beautifully written mystery.’ – The Disorganised Author‘A fabulous book that gripped me and left me wanting more!’ – Compelling Reads‘You won't spot the twists and turns coming and they will keep you on the edge of your seat!! You just won't want to put this book down until you find out what happens at the end!’ – Becky Lock

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Elaine didn’t know what to say to make the old woman feel better, ‘You can’t watch kids all the time, you mustn’t blame yourself,’ she said gently.

Miriam sighed and shook her head, ‘It’s a good job I never had any of my own, lord knows what would have happened. I’d have liked to though, still… it wasn’t to be.’

‘Did you ever marry?’ Elaine seized the chance to steer the conversation into more comfortable waters.

Miriam hauled herself up, groaning with the effort, ‘Nearly, once. I was engaged, lovely chap he was. Peter Handley’ she said, a beatific smile smoothing the creases of her face, making her look almost young again. ‘But he broke it off the week before the wedding.’

Elaine was saddened by this. Miriam struck her as a woman who would have thrived on a diet of marriage and motherhood. ‘That’s terrible, did you ever find out why?’

Miriam paused, a single snow-white towel in her hand, which she stroked thoughtfully. ‘I did. Esther decided that it was her Christian duty to tell him that I wasn’t pure – he was getting damaged goods.’

Elaine was profoundly shocked, she was aware that all this had happened a long time ago but surely that kind of Victorian high morality had waned by then. ‘That’s awful, why would she do such a thing?’

Miriam looked away, busily picking up the rest of the towels. ‘It was different back then, people were different back then, especially here in the country. Esther was a very proud woman, a good woman… but she didn’t understand too much about how people tick.’ Miriam paused and let out a weary sigh, ‘I suppose she thought she was doing the right thing’

Elaine couldn’t accept that, surely ruining another’s prospects was never the right thing. She thought about making a case for Esther’s guilt but the look on Miriam’s face told her that she would be better off holding her tongue.

They stood in silence for a moment, all actions interrupted, all movement suspended by their thoughts.

Miriam shook her head, snapping herself out of her reverie. ‘Anyway, I must get on. By the way, what happened to the mantel clock? I came in to dust earlier and it’s gone.’

Elaine felt a sudden flush of embarrassment, ‘Oh, sorry, don’t worry I haven’t broken it. It’s just that the ticking and the chimes get on my nerves so I put it in the cupboard under the stairs. Sorry.’

‘Oh, I like a loud tick on a clock, very soothing I find, oh well never mind. I’ll put it back when you’ve gone otherwise her ladyship will think you stole it!’ she laughed.

Elaine lingered in the bedroom long after Miriam had gone, her hand resting on the crisp white linen that adorned the bed. She inhaled, drawing in the aroma of wind, sun and good fresh air that mingled with the soap that Miriam had diligently sealed into the fabric with a hot iron. It was the smell of hard work and pride, of devotion to duty, of living a small life and finding satisfaction in the little things.

*

Miriam made her way back to her own cottage, carrying in her arms the linen from Elaine’s bed and trailing the dirty linen of the past in her wake. The girl’s questions had stirred old and painful memories. It had never been Miriam’s fault that lads had preferred her to Esther, and it hadn’t been her fault that she’d failed to grasp the facts of life. Even at the age she was now she had never quite grasped what birds and bees had to with it and why no one had told her at sixteen that babies didn’t come by stork. They came by fear, pain and shame. She didn’t want to dwell on that, there were some rocks that were better never turned, and what crawled beneath that one didn’t bear thinking about.

The pain of Peter’s rejection had never left her but had become a familiar ache. Sometimes it was almost comforting, an indication that she had once been loved. Esther had said that she did what she did as an act of love, that truth was love. Miriam had never quite believed it. Esther’s idea of love had always been such a strident thing and too black and white for the real world. Miriam had often wondered if Esther’s sensibilities were founded more in jealousy and possession than in love.

Esther could never have married; she would have seen the expectation of intimacy, the mutual need, as an affront. Even now, trapped in her dysfunctional body, she resented need. Miriam could see it and feel it, coming off her sister in waves of discontent. Esther had always done the right thing, as she saw it, and was bitter that God had seen fit to reward her by incarcerating her in a flesh and bone prison. She had never said that, but it was what Miriam saw every time she looked into Esther’s eyes – fear and resentment.

When she looked back, Miriam was sure that’s what had made Esther send Peter away, that and an over-entitled sense of morality. Fear that she would have to relinquish control over her sister in favour of a man, and resentment that she would never have a similar choice. Miriam had enduring faith in the premise that the mills of God would grind slow, but they would grind sure. There was no room for bitterness, only duty. Miriam’s duty to care for her sister was a cold dish, served with every bit of sisterly love she could muster. It was Miriam’s pleasure to offer her care, and Esther’s detestation to receive it.

*

At six o’clock Elaine heard a noise outside the door, a slight shuffling as if someone was hovering and hesitating. Knowing it couldn’t be Brodie or Miriam – who would both have just knocked and walked in – she waited a moment, reluctant to open the door to someone unknown. When she was certain that no one was lurking, she opened the door and discovered to her revulsion that her stealthy visitor had left a dead rabbit on her doorstep. Had Jean’s ashes not accompanied the corpse she would have felt deeply afraid. An anonymous gift of carrion was hardly likely to be a good thing, but the presence of the urn reassured her that this was Derry’s idea of a favour.

‘The gift of death’ she said aloud as she put Jean on a shelf in the porch.

Using a carrier bag turned inside out as a glove, she bent to retrieve the rabbit. Her lip curled at the feel of its cold flesh through the plastic and with a shudder of revulsion she picked it up. Holding it before her, the bag swinging from the very tips of her fingers, she walked over to Miriam’s cottage and knocked on the kitchen door. Miriam struck her as a woman who would know exactly what to do with the thing.

*

Miriam seemed pleased with the donation, even offering to demonstrate how the animal could be skinned and prepared for cooking. An offer which Elaine emphatically declined on the grounds that it would be knowledge that she would never use. She much preferred to receive her meat already butchered into nice, neat anonymous chunks. While Miriam busied herself hanging the rabbit in the shed ready for the next day, Elaine was left alone in the quiet, cluttered kitchen.

It was a room that told its history in the paraphernalia which it held. Copper jelly moulds adorned the walls and heavy pans hung on butcher’s hooks from a rickety laundry rack suspended from the ceiling by a system of ropes and pulleys.

Miriam had left her sitting at a scrubbed pine table from which a faint tang of carbolic soap rose to tingle in her nose. It was a smell that conjured images of childhood and Jean’s obsession that cleanliness was next to Godliness; it wasn’t an aroma which brokered happy memories for Elaine. The kitchen formed a tableau that interior designers would have died for and purveyors of retro chic would have drooled over – it was a haven of vintage style that had cost Miriam nothing but a lifetime of utility and frugality. Yet it resonated the warmth of her personality in a way that no designer could replicate and no money could buy. Everything about the room smacked of Miriam’s matronly country charm, with just enough chaos to make it interesting. Elaine tried to picture a black clad, brooding Brodie at the table and had to smile at the incongruity of the image. She was still smiling when Miriam returned.

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