Julie Beard - Touch Of The White Tiger

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You're asking me to give up my career to love you? that's not fair, Marco.Angel Baker knew the risks. Every day she put her life on the line to protect those Detective Ric Marco and his overwhelmed police force couldn't. In twenty-second-century Chicago, victims of violent crimes turned to certified retribution specialists like Angel for justice. But when someone started murdering her colleagues, Angel had to unravel a cold-blooded conspiracy that led her to question the integrity–even the identity–of the only man who had touched her soul.

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“Okay, Del,” Marco said, massaging his frown away, “but this better be quick.”

“I heard she was here tonight,” Cy said as soon as he entered the darkened room.

Marco always turned down the lights when he interviewed a mole who had spent his life underground in Emerald City. It didn’t matter that Cy was blind. He would sense the lack of heat from the ceiling and know it was dark and feel safer.

“Who was here?” Marco asked casually.

“Angel Baker.” The stooped and disfigured young man said the name with such loathing that Marco’s arm hair bristled to a stand.

“If she were here, would that be all right with you, Scott?” he said, glancing down to make sure he said Cyclops’s birth name correctly.

“Call me Richard,” Cy said. He took a limping step forward.

According to the files Marco had quickly perused, Cy’s legs had been badly burned in the underground fire that had killed or disfigured most of his family about ten years ago. Cy was born and raised as a mole, one of the many descendants of Chicago’s homeless who had moved into the labyrinthine subway system in 2020 when the CTA abandoned the train tracks in favor of aboveground superconductor lines. Undesirable though the real estate might be, it had been dubbed Emerald City and had largely been left alone by Chicago politicians and law enforcement agencies.

The moles, who congregated in loose clanlike affiliations, often pirated gas from underground pipelines to light their dreary subway tunnels and stations. Cy’s clan had accidentally set off a gas explosion, and many of his family members were killed. Those who survived had been ravaged with burns and were treated like lepers by other clans.

Cy’s twisted scars, which covered most of his body, had left him lame and sightless in one eye. His disabilities and the loss of his loved ones had sent him over the edge. Delusional and frustrated by his misfortune, Cy had built an underground prison and hired out his services as a jailer to the various mobs, apparently enjoying his ability to control the fates of others. He called his prison the Globe and was fond of quoting Shakespeare.

“I’ll call you Richard if you’d like,” Marco said in his neutral therapist’s voice. “But according to your file, your name is Scott Owen. And I understand some call you Cyclops. The headlines refer to you as Cy. Who are you really?”

“‘I am a villain. Yet I lie: I am not. Fool, of thyself speak well: fool, do not flatter. My conscience hath a thousand several tongues, and every tongue brings in a several tale, and every tale condemns me for a villain.’”

“You’re quoting Shakespeare,” Marco said.

“Am I? I merely speak the words that come to mind.”

“Then what is on your mind? Captain Deloire tells me you wanted to talk to someone.”

He lurched forward and felt for the chair on the opposite side of the table. He slunk down into it and stared at Marco as if he could see. “She blinded me, you know. I had one good eye, and she thrust a stick into it to free that worthless old vagabond mother of hers.”

“I’m sorry for your loss.”

Cy laughed low like a feral hyena. “Don’t be. I’ll make her pay. That’s what I wanted to tell you. Let her know that I will find her if I have to walk through the city streets with a white cane. And when I do find her, I’ll make her pay. Tell her, Detective, that I am a hell-hound that crept from the kennel of my mother’s womb, and I will hunt Angel Baker down and kill her.”

After spilling his guts over the wrongs done to him by Angel, the Cyclops docilely answered Marco’s basic questions for an initial profile. As two guards took the prisoner away, Lieutenant Townsend entered the suite.

“Did you learn anything of use about Angel Baker?” Townsend said in his clipped British accent. “Deloire says the mole has information about her.”

Marco closed the file and handed it to the Q.E.D. director. “It’s all in here. The only thing I learned about Angel Baker is that she has one more enemy to worry about.”

“If she attacked this so-called Cyclops,” Townsend pressed, “perhaps we can add assault and battery to her case.”

Marco skewered him with a look of disgust. “The Cyclops is accused of starving people to death in his prison, Townsend. Aren’t you forgetting why he’s here?”

“I hope you aren’t forgetting why Angel Baker was here.”

“Let’s keep the two cases separate. Angel Baker confronted the Cyclops in order to free her mother from his underground prison. Is that a crime?”

“Perhaps we can make it one. Whose side are you on, Marco?”

“I’m on the side of justice, Townsend. Aren’t you?”

There was a long pause. Townsend’s gray eyes studied Marco with silent calculation, but no emotion.

And it was the lack of that simple but crucial spark of humanity that grated at Marco’s gut.

Marco had been heartened when legislators first decided to fund Q.E.D. He’d long thought it was time for legitimate law officers to regain control of the city. In spite of his shadowed past, Marco inherently believed in the law and the need for civility in civilization. But at what price? Did investigators really have to dehumanize themselves in order to catch the bad guys? Weren’t integrity and strength of character enough to face down evil?

“Your disdain for me, Detective, is obvious,” Townsend said. “But can you at least appreciate my dedication to law and order? Do you know how much I have sacrificed in the name of justice?”

Your humanity, Marco thought. “Yeah, you went under the knife so you could think like a computer. But I hope you’re going to keep me on the case. You just may need someone who has old-fashioned hunches to help you sort through all of your strategic and logical conclusions. I’m a psychologist. I’m into emotions.”

Marco walked away, but stopped when Townsend called his name.

“How is it you were the first on the scene of the crime, Detective? I didn’t get a chance to ask.”

Marco shrugged. “Fate, I guess. Right time at the right place. I happened to be in the neighborhood.” He grinned charmingly. “Don’t you worry. We’re going to nail her, Townsend. You and me. We’ll get that wicked Angel Baker if it’s the last thing we do.”

Townsend turned briskly and walked away. He may have lost his emotions, but he still recognized sarcasm when he heard it.

There was always a point when Marco realized that summer was over. It would take him by surprise, then make him wistful and, finally, restless for change. Sometimes it was the sunlight, that went from brilliant in June to a mellow August gold. Sometimes it was a noticeable crispness in the air. This morning, as he zoomed in his PD aerocar over the bridge to Little Venice, it was the mist that hugged the shoreline, looming in gray and foreboding tufts. The hawk—Chicago’s famously bitter and powerful wind—was getting ready to attack.

Marco made good time over the bridge and parked in the floating commuter lot that sat a quarter of a mile offshore. From there he’d have to take a turbo-gondola to his mother’s apartment.

To keep her safe, Marco had moved Natasha Marco Black here to the old neighborhood nearly twenty years ago when he’d broken with the R.M.O. Though she’d raised Marco here until he was five, she’d moved back to her old Russian neighborhood after his father, Luigi Marco, had died. On the north side, she settled down with a nice postal worker named George Black, who passed away five years later. Natasha and George had one son, Danny, Marco’s beloved kid brother.

As the gondola sliced through Lake Michigan’s choppy, dark water, inching down the Grand Canal, Marco inhaled the cool lake air. He admired the small palazzi as he passed, and the crooked line of multicolored town houses that towered over either side of the waterway.

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