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Agatha Christie: Collins Chillers

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Agatha Christie Collins Chillers

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From the Queen of Crime, the first time all of her spookiest and most macabre stories have been collected in one volume.“Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: that pure, crisp, absolute satisfaction.”—Tana FrenchFor lovers of the supernatural and the macabre comes this collection of ghostly and chilling tales from legendary mystery writer Agatha Christie. Fantastic psychic visions, spectres looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these stories.The Last Séance gathers twenty tales, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

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THE LAST SÉANCE TALES OF THE SUPERNATURAL BY Agatha Christie Copyright - фото 1THE LAST SÉANCE

TALES OF THE SUPERNATURAL BY

Agatha Christie

Copyright CONTENTS Cover Title Page Copyright The Last Séance In a Glass Darkly S.O.S. The Adventure of the Egyptian Tomb The Fourth Man The Idol House of Astarte The Gipsy Philomel Cottage The Lamp The Dream Wireless The Wife of the Kenite The Mystery of the Blue Jar The Strange Case of Sir Arthur Carmichael The Blue Geranium The Call of Wings The Flock of Geryon The Red Signal The Dressmaker’s Doll The Hound of Death Bibliography Also in this series About the Publisher

HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Collins Chillers edition published 2019

The AC Monogram Logo is a trade mark and AGATHA CHRISTIE, POIROT, MARPLE and the Agatha Christie Signature are registered trademarks of Agatha Christie Limited in the UK and elsewhere.

Copyright © Agatha Christie Limited 2019. All rights reserved.

www.agathachristie.com

Agatha Christie asserts the moral right to be identified as the author of this work.

Cover design © HarperCollins Publishers Ltd 2019

Cover illustration © Matt Griffin

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008336738

Ebook Edition © October 2019 ISBN: 9780008336745

Version: 2019-08-20

CONTENTS

Cover

Title Page THE LAST SÉANCE TALES OF THE SUPERNATURAL BY Agatha Christie

Copyright

The Last Séance

In a Glass Darkly

S.O.S.

The Adventure of the Egyptian Tomb

The Fourth Man

The Idol House of Astarte

The Gipsy

Philomel Cottage

The Lamp

The Dream

Wireless

The Wife of the Kenite

The Mystery of the Blue Jar

The Strange Case of Sir Arthur Carmichael

The Blue Geranium

The Call of Wings

The Flock of Geryon

The Red Signal

The Dressmaker’s Doll

The Hound of Death

Bibliography

Also in this series

About the Publisher

THE LAST SÉANCE CONTENTS Cover Title Page THE LAST SÉANCE TALES OF THE SUPERNATURAL BY Agatha Christie Copyright The Last Séance In a Glass Darkly S.O.S. The Adventure of the Egyptian Tomb The Fourth Man The Idol House of Astarte The Gipsy Philomel Cottage The Lamp The Dream Wireless The Wife of the Kenite The Mystery of the Blue Jar The Strange Case of Sir Arthur Carmichael The Blue Geranium The Call of Wings The Flock of Geryon The Red Signal The Dressmaker’s Doll The Hound of Death Bibliography Also in this series About the Publisher

Raoul Daubreuil crossed the Seine humming a little tune to himself. He was a good-looking young Frenchman of about thirty-two, with a fresh-coloured face and a little black moustache. By profession he was an engineer. In due course he reached the Cardonet and turned in at the door of No. 17. The concierge looked out from her lair and gave him a grudging ‘Good morning,’ to which he replied cheerfully. Then he mounted the stairs to the apartment on the third floor. As he stood there waiting for his ring at the bell to be answered he hummed once more his little tune. Raoul Daubreuil was feeling particularly cheerful this morning. The door was opened by an elderly Frenchwoman whose wrinkled face broke into smiles when she saw who the visitor was.

‘Good morning, Monsieur.’

‘Good morning, Elise,’ said Raoul.

He passed into the vestibule, pulling off his gloves as he did so.

‘Madame expects me, does she not?’ he asked over his shoulder.

‘Ah, yes, indeed, Monsieur.’

Elise shut the front door and turned towards him.

‘If Monsieur will pass into the little salon Madame will be with him in a few minutes. At the moment she reposes herself.’

Raoul looked up sharply.

‘Is she not well?’

Well!

Elise gave a snort. She passed in front of Raoul and opened the door of the little salon for him. He went in and she followed him.

Well! ’ she continued. ‘How could she be well, poor lamb? Séances, séances , and always séances ! It is not right—not natural, not what the good God intended for us. For me, I say straight out, it is trafficking with the devil.’

Raoul patted her on the shoulder reassuringly.

‘There, there, Elise,’ he said soothingly, ‘do not excite yourself, and do not be too ready to see the devil in everything you do not understand.’

Elise shook her head doubtingly.

‘Ah, well,’ she grumbled under her breath, ‘Monsieur may say what he pleases, I don’t like it. Look at Madame, every day she gets whiter and thinner, and the headaches!’

She held up her hands.

‘Ah, no, it is not good, all this spirit business. Spirits indeed! All the good spirits are in Paradise, and the others are in Purgatory.’

‘Your view of the life after death is refreshingly simple, Elise,’ said Raoul as he dropped into the chair.

The old woman drew herself up.

‘I am a good Catholic, Monsieur.’

She crossed herself, went towards the door, then paused, her hand on the handle.

‘Afterwards when you are married, Monsieur,’ she said pleadingly, ‘it will not continue—all this?’

Raoul smiled at her affectionately.

‘You are a good faithful creature, Elise,’ he said, ‘and devoted to your mistress. Have no fear, once she is my wife, all this “spirit business” as you call it, will cease. For Madame Daubreuil there will be no more séances .’

Elise’s face broke into smiles.

‘Is it true what you say?’ she asked eagerly.

The other nodded gravely.

‘Yes,’ he said, speaking almost more to himself than to her. ‘Yes, all this must end. Simone has a wonderful gift and she has used it freely, but now she has done her part. As you have justly observed, Elise, day by day she gets whiter and thinner. The life of a medium is a particularly trying and arduous one, involving a terrible nervous strain. All the same, Elise, your mistress is the most wonderful medium in Paris—more, in France. People from all over the world come to her because they know that with her there is no trickery, no deceit.’

Elise gave a snort of contempt.

‘Deceit! Ah, no, indeed. Madame could not deceive a new-born babe if she tried.’

‘She is an angel,’ said the young Frenchman with fervour. ‘And I—I shall do everything a man can to make her happy. You believe that?’

Elise drew herself up, and spoke with a certain simple dignity.

‘I have served Madame for many years, Monsieur. With all respect I may say that I love her. If I did not believe that you adored her as she deserves to be adored— eh bien , Monsieur! I should be willing to tear you limb from limb.’

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