Sean Smith - Spice Girls - The Story of the World’s Greatest Girl Band

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'A compelling new book' Daily Express Intimate and revealing, Spice Girls is the definitive story of the world’s most iconic girl group. Through compelling new research and interviews, Sunday Times best-selling biographer Sean Smith reveals what life was really like for five fiercely independent and ambitious young women who were propelled to international fame in the 90s with unstoppable momentum. Quickly establishing themselves as the biggest success in British pop music since The Beatles, they were adored and admired in equal measure: the Spice Girls made a connection with millions of young women across the globe who were inspired by their enthusiasm for life and their famous Girl Power philosophy. The fab five became one of the most successful music acts in history, with more than 85 million record sales world-wide and nine UK number one singles. Throughout the years, their lives have garnered unprecedented levels of media interest and fans have keenly followed their ups and downs – the personal conflicts, celebrity break-ups, controversies and parenthood. One thing’s for sure: they are never boring. In 2019, the prospect of their reunion tour has led to an outpouring of adoration and excitement, proving that the Spice Girls truly are an enduring cultural phenomenon.

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Martin grew up playing cricket on the beach while his parents had to cope with the rampant racism of Britain during the post-war era when a commonplace sign in the windows of guesthouses would read, ‘No Irish, No Blacks, No Dogs’. It was a huge cultural change for Martin when his parents decided the time was right for him to join them in the middle of a northern winter. He had just turned nine. His new home was in the depressed and depressing area of Chapeltown in Leeds, where the Yorkshire Ripper committed so many grisly murders in the mid- to late seventies.

Melanie describes her handsome father as a ‘cool, charismatic dude’. On a Christmas Eve night out in Chapeltown, Martin, aged nineteen, met seventeen-year-old bubbly blonde Andrea Dixon. The attraction was mutual. She lived in the district of Seacroft, an area on the east side of the city, where the black population was practically non-existent at the time and skinhead gangs were thriving – which Melanie found particularly upsetting as she grew up.

They had been going out for more than two years, as well as taking the daring step of moving in together, before Melanie Janine Brown was born on 29 May 1975 at the Maternity Hospital in Leeds. They married three months later at the city’s register office, which was the first time their families had met.

Melanie still recalls being told of bus journeys when, as a baby, she would be handed to Martin to protect him, not her, as he was less likely to attract trouble when he was holding a tiny girl. Fortunately, in time, Martin and baby Melanie were properly accepted by Andrea’s family – and she by his, although everyone understood the difficulties they would face.

For much of her childhood, Melanie shared a room with her sister Danielle, who was five years younger. They got on about as well as sisters normally do – Melanie would be mean to her sibling who would run off and tell Dad.

Nobody could fault Martin’s work ethic. For most of his adult life he worked as a welder at the Yorkshire Imperial Metals factory in Stourton, a five-mile ride on his bicycle. Melanie proudly declared, ‘He worked his backside off to raise his family, never missing a shift.’ He would often work double the hours to make sure he could afford the annual summer camping holiday in the seaside resort of Abersoch in west Wales. Many of Melanie’s extended family would make the trip, which was the highlight of her year.

Andrea had left school at fifteen and took a number of low-paid jobs to do her bit for the family’s finances. She worked at the local C&A clothing store for eighteen years, as well as cleaning in an old people’s home. Her earnings would be invaluable when they discovered that their high-spirited daughter had a passion for dancing, which proved to be a good way of channelling her boundless energy. It was the one pursuit guaranteed to tire her out.

Melanie, aged nine, enrolled at the Jean Pearce School of Dance in Horsforth, a ten-minute bus ride up the road from the new family home in Kirkstall, Leeds. Jean was the doyenne of dance in the city. She had set up the school in 1945 and over the years had choreographed many amateur productions and pantos in the north of England.

Jean had also been responsible for the dancing in the popular Yorkshire TV series Young Showtime , which helped launch the careers of Joe Longthorne, Bonnie Langford and the Emmerdale favourite Malandra Burrows.

She worked wonders with Melanie, barking at her to point her toes and helping her develop the priceless skill for a professional dancer of being able to pick up routines quickly, having been shown the steps just once. She was also anxious to broaden her young pupils’ experiences and arranged school trips to see touring productions of Miss Saigon and Cats . Another valuable contribution Jean made to Melanie’s future was in teaching her to do her best at auditions.

At dance classes Melanie made new friends, including a local girl, Charlotte Henderson, who remains her closest friend, despite all the ups and downs of later years. Another was Rebecca Callard, a petite, pretty girl, whose mother is the popular Coronation Street actress Beverley Callard, who plays Liz McDonald in the evergreen soap.

The two teenagers saw little of one another at Jean Pearce but became best pals when they started senior school and bumped into each other on the first day. They were the new girls at the Intake High School in the West Leeds district of Bramley. The focus there was less on traditional academic work and more on the arts subjects that interested them – music, drama and dance.

Rebecca, who would go on to become a successful actress, had already appeared on TV, was good fun and introduced Melanie to the delights of smoking Marlboro Lights. She also joined her for sticky-bun binges. The two girls used to spend their lunch money on cakes and pastries and eat the lot in one break. Surprisingly, Melanie never seemed to put on weight. The teenagers were very much partners in crime, even double-dating twin brothers at one time.

Neither girl was considered star material at school. They managed very small roles in a version of the musical Godspell but that was about it. The Brown household was not especially musical, and Melanie’s love of dance was not matched by an overwhelming desire to become a concert pianist or a professional singer. She didn’t have singing lessons until much later, preferring to release her pent-up energy by bashing the drums.

Like most teenagers, she watched Top of the Pops every week. Rebecca was a big fan of Bros but Melanie couldn’t bear them. Instead, she preferred two of the biggest female artists of the eighties. Both were strong figures. First was Tracy Chapman, whose multi-million-selling self-titled first album remains a pop classic. She sang ‘Fast Car’ and ‘Talkin’ Bout a Revolution’ at the seventieth-birthday tribute to Nelson Mandela at Wembley in June 1988 when Melanie was thirteen. They were arguably the highlights of the whole event, especially as she sang them twice, filling in when Stevie Wonder had an equipment problem.

Secondly, Melanie loved Neneh Cherry, who was one of the few mixed-race pop stars at the time. Neneh’s father was from Sierra Leone and her mother from Sweden. She had a distinctive style that included large medallions and rugby shirts that Melanie tried earnestly to copy.

Neneh caused a mild sensation when she performed her hit ‘Buffalo Stance’ on Top of the Pops in the autumn of that year. She was the first artist to appear on the show while heavily pregnant, which was not a look normally endorsed by the male-dominated music business. It was a bold move by a young woman who defied convention throughout her career – someone with whom Melanie Brown could readily identify. Nearly ten years later, a pregnant Melanie would follow that particular girl-power lead.

Needless to say, Neneh’s ‘stance’ caused a media storm. One male TV interviewer asked if it was safe for her to go on stage in her condition and received a sharp riposte: ‘Of course. I’m not ill.’ Neneh later elaborated, ‘I didn’t feel being pregnant took anything away from my sexuality, who I am, the woman.’

Melanie would stand in front of the mirror in her bedroom at home and pretend to be her favourite star, singing along, just as a million girls would later do when ‘Wannabe’ by the Spice Girls was an anthem for a young female generation.

Those schooldays were basically happy and uneventful for Melanie, even though she was occasionally chased home from school to her family’s house in Kirkstall, a fifteen-minute walk but much faster when you had to run like the wind.

It came as a great shock to everyone, then, when such a vibrant girl tried to take her own life for the first time. Melanie revealed this shocking event in her autobiography Catch a Fire , published in 2002 after the Spice Girls had finally split up. Her account is of an unhappy teenager feeling miserable and out of step with a world that didn’t understand her. She even fell out with Rebecca over a cruel and thoughtless remark Melanie had made. They didn’t speak for seven months.

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