Nikolai Tolstoy - Patrick O’Brian - A Very Private Life

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An intimate portrait of Patrick O’Brian, written by his stepson Nikolai Tolstoy. Patrick O’Brian was one of the greatest British novelists of the twentieth century, securing his place in literary history with the bestselling Aubrey–Maturin series, books that have sold millions of copies worldwide and been hailed as the best historical fiction of all time. An exquisite novelist, translator and biographer, O’Brian moved in 1949 to Collioure in the south of France, where he led a secluded life with his wife Mary and wrote all his major works. The twenty books that make up the beloved Aubrey–Maturin series earned O’Brian the epithet ‘Jane Austen at sea’ for their authentic depiction of Nelson’s navy, and the relationship between Captain Jack Aubrey and his friend and ship’s surgeon Stephen Maturin. Outside his triumphant popularity in fiction, O’Brian also wrote erudite biographies of both Pablo Picasso and Joseph Banks, as well as publishing translations of Simone de Beauvoir and Henri Charrière. In A Very Private Life, Nikolai Tolstoy draws upon his close relationship with his stepfather, as well as his notebooks, letters and photographs, to capture a highly researched but intimate account of those fifty years in Collioure that were the richest of O’Brian’s writing life. With warm and honest reflection, this biography gives insight into the genius of the little-known man behind the much-loved writing. Tolstoy also tells how, through a sad irony, unjust attacks on O’Brian’s private life destroyed much of the happiness he had gained from his achievement just as his literary career attained greater acclaim.

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Grim personal experience of the terrible financial crash of 1929 had left my grandfather with a visceral aversion to dispersion of capital.

Richard’s initial experience at Cardinal Vaughan had been less than happy. As his friend Bob Broeder further recalls:

As time went on he was the subject of verbal bullying and was given a nickname – ‘Sheep’s Brains’ … Things came to a head one day, when a large lad (who later went on to play rugby for the Wasps) confronted Richard & threatened him with violence. By this time I had had enough and although smaller than this lad I told him in no uncertain terms to pack it in. Psychology worked and he never troubled Richard again, the other boys saw what had happened and they in their turn left Richard alone.

Before long he had settled down well, at least with his fellow pupils. Writing to Collioure, he cheerfully declared: ‘Dear Daddy … I hope I pass the common entrance to St Pauls, though I am quite happy where I am.’ He and Bob Broeder had become fast friends. The latter retains a vivid memory of Richard’s cramped little home:

As time went by I was invited to his home to meet his mother. They lived in a flat on the first floor at 237, Kings Road Chelsea. Adjacent to the first floor landing was the kitchen/dining area then up some more stairs to the living room – quite large and very cold in Winter, despite a small fire.

I found his mother Elizabeth a small, charming and very well spoken lady with whom I had a good rapport. Little mention was ever made about his father, except that he lived in the south of France. At that age you accept things readily and don’t question.

Subsequently, Bob found conditions at Richard’s home materially improved:

One day I arrived at Richard’s home and went into the living-room with him, discovered it was no longer cold but nicely warm. He pointed to a brand new stove that had been installed in the fireplace and which gave out a marvellous warmth …

One Christmas I was invited to Christmas dinner. Elizabeth had prepared a wonderful feast. There was a complete roasted goose with all the trimmings – it was an unforgettable occasion. Elizabeth was a kind and generous lady who worked hard as a seamstress. I often saw her patiently repairing nylon stockings for customers. Such luxury items were hard to come by and then very expensive. She also worked at the Chelsea Arts Club in the evening.

Richard was now thirteen, when a combination of factors served to place his relationship with his father on an altogether happier basis. No longer confined in isolated contiguity with his at times testy parent, he was also outgrowing tiresome childish failings which all too easily provoked Patrick’s simmering wrath. The permanent rift which was one day to develop between them lay far in the future, and as will be seen did not in any case originate with Patrick. It looks as though Richard’s eventual decision to abandon relations with his father led him (as may too often occur in such unhappy cases) to reinterpret or confuse his memories of the past. Looking back from 2000, he recalled of this period:

Later, my father moved to France and I was delighted to return to my mother. Over the years I continued to visit my father and Mary but our relationship didn’t develop much further. He was not an easy person to get near. He was not affectionate; there were no quick hugs or pats on the shoulder. Nor was there much fun about him. Everything was a little bit heavy. He could also be very, very sarcastic. There was one incident that I remember clearly. He was extremely good at sharpening knives. ‘That looks interesting,’ I thought, so I had a go. His comment was: ‘I’ve seen angle-irons sharper than that.’ He could have thought of something pleasant to say.

I can confirm that Patrick was instinctively averse to ‘quick hugs or pats on the shoulder’, which he had rarely experienced in his own childhood. But so in my experience were many fathers at that time, and this, like much else in Richard’s subsequent assessment, suggests judgements formed in a radically different era. While the clumsy attempt at humour (which I suspect the knife-sharpening exchange to have been) may or may not have upset the boy at the time, there exists abundant evidence that Richard’s memory in later life could deceive him in material respects.

In the 1950s Patrick appears to have been unaware of any suggestion of coldness in their relationship. Pondering the matter, he jotted in a notebook:

The dialogue between a man and his son an inner dialogue. The well-known lack of communication is no more than a lack of contact on the surface – words, formal communication – and in fact the generations are linked to a sometimes intolerably intimate degree – secret glances instantly and wholly understood, disapproval felt, affectations detected hopelessly because hereditary …

This passage is further interesting, suggesting as it does Patrick’s sincere, if at times excessive, concern to eradicate failings in his son which he ascribed to his own boyhood experience.

Richard, like many of us on occasion, was undoubtedly capable of unconsciously ‘editing’ his early childhood memories long years after the event. An illuminating example is provided by an episode he recounted in a press interview, in which he attacked his father’s memory. ‘When I was five he sent me a present – a bottle of malt and cod liver oil, something no five-year-old would want. That was the year that [Richard’s sister] Jane died.’ [7] Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

This reads as though it were a direct memory of a long-distant event. In reality, he first learned of it from a letter discovered by his mother Elizabeth in ‘an old box’, which she sent to Richard’s daughter Joanna. Elizabeth’s letter is undated, but since Joanna was born in 1969 it is unlikely to have been written before the 1980s. The trove of material discovered in the old box included the letter in question (also undated), which conveyed birthday wishes and what Patrick described as ‘a rather revolting sort of birthday present – to wit, some malt and cod-liver oil. But reflect that it is good for you, and see if you can enjoy it.’ To this Patrick appended some amusing verses and accompanying sketches, after the style of Hilaire Belloc.

Elizabeth, whose memory must in this case be preferred to that of her then infant son, wrote that he was at the time not five as he later asserted, but ‘about 3 years old’ – i.e. two years before his sister Jane died. In view of Richard’s age, the letter plainly represented a jeu d’esprit , intended for the mother’s amusement rather than that of the small unlettered infant. Furthermore, given that we know nothing of the context, it seems not unlikely that Richard really was ill (his birthday was at the beginning of February), and the announcement that the medicine was a birthday present reflected nothing more than a private joke to be shared with his mother. Indeed, the letter concludes with a mock-sinister verse about a scorpion, on which Patrick commented: ‘I’m afraid that last one won’t appeal to you very much, but your mother might like it.’ [fn9] Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

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