Walt Whitman - The Complete Works of Walt Whitman

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This carefully crafted ebook: «The Complete Works of Walt Whitman» is formatted for your eReader with a functional and detailed table of contents.
Table of Contents:
Poetry:
Leaves of Grass (The Original 1855 Edition):
Song of Myself
A Song for Occupations
To Think of Time
The Sleepers
I Sing the Body Electric
Faces
Song of the Answerer
Europe the 72d and 73d Years of These States
A Boston Ballad
There Was a Child Went Forth
Who Learns My Lesson Complete
Great Are the Myths
Leaves of Grass (The Final Edition):
Inscriptions
Starting from Paumanok
Song of Myself
Children of Adam
Calamus
Salut au Monde!
Song of the Open Road
Crossing Brooklyn Ferry
Song of the Answerer
Our Old Feuillage
A Song of Joys
Song of the Broad-Axe
Song of the Exposition
Song of the Redwood-Tree
A Song for Occupations
A Song of the Rolling Earth
Birds of Passage
A Broadway Pageant
Sea-Drift
By the Roadside
Drum-Taps
Memories of President Lincoln
By Blue Ontario's Shore
Autumn Rivulets
Proud Music of the Storm
Passage to India
Prayer of Columbus
The Sleepers
To Think of Time
Whispers of Heavenly Death
Thou Mother with Thy Equal Brood
From Noon to Starry Night
Songs of Parting
Sands at Seventy
Good-Bye My Fancy
Other Poems
Novels:
Franklin Evans
Life and Adventures of Jack Engle
Short Stories:
The Half-Breed
Bervance; or, Father and Son
The Tomb-Blossoms
The Last of the Sacred Army
The Child-Ghost
Reuben's Last Wish
A Legend of Life and Love
The Angel of Tears
The Death of Wind-Foot
The Madman
Eris; A Spirit Record
My Boys and Girls
The Fireman's Dream
The Little Sleighers
Shirval: A Tale of Jerusalem
Richard Parker's Widow
Some Fact-Romances
The Shadow and the Light of a Young Man's Soul
Other Works:
Manly Health and Training
Specimen Days
Collect
Notes Left Over
Pieces in Early Youth
November Boughs
Good-Bye My Fancy
Some Laggards Yet
Letters:
The Wound Dresser
The Letters of Anne Gilchrist and Walt Whitman

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Somehow I have been stunn’d. Stand back!

Give me a little time beyond my cuff’d head, slumbers, dreams, gaping,

I discover myself on the verge of a usual mistake.

That I could forget the mockers and insults!

That I could forget the trickling tears and the blows of the

bludgeons and hammers!

That I could look with a separate look on my own crucifixion and

bloody crowning.

I remember now,

I resume the overstaid fraction,

The grave of rock multiplies what has been confided to it, or to any graves,

Corpses rise, gashes heal, fastenings roll from me.

I troop forth replenish’d with supreme power, one of an average

unending procession,

Inland and sea-coast we go, and pass all boundary lines,

Our swift ordinances on their way over the whole earth,

The blossoms we wear in our hats the growth of thousands of years.

Eleves, I salute you! come forward!

Continue your annotations, continue your questionings.

39

The friendly and flowing savage, who is he?

Is he waiting for civilization, or past it and mastering it?

Is he some Southwesterner rais’d out-doors? is he Kanadian?

Is he from the Mississippi country? Iowa, Oregon, California?

The mountains? prairie-life, bush-life? or sailor from the sea?

Wherever he goes men and women accept and desire him,

They desire he should like them, touch them, speak to them, stay with them.

Behavior lawless as snow-flakes, words simple as grass, uncomb’d

head, laughter, and naivete,

Slow-stepping feet, common features, common modes and emanations,

They descend in new forms from the tips of his fingers,

They are wafted with the odor of his body or breath, they fly out of

the glance of his eyes.

40

Flaunt of the sunshine I need not your bask — lie over!

You light surfaces only, I force surfaces and depths also.

Earth! you seem to look for something at my hands,

Say, old top-knot, what do you want?

Man or woman, I might tell how I like you, but cannot,

And might tell what it is in me and what it is in you, but cannot,

And might tell that pining I have, that pulse of my nights and days.

Behold, I do not give lectures or a little charity,

When I give I give myself.

You there, impotent, loose in the knees,

Open your scarf’d chops till I blow grit within you,

Spread your palms and lift the flaps of your pockets,

I am not to be denied, I compel, I have stores plenty and to spare,

And any thing I have I bestow.

I do not ask who you are, that is not important to me,

You can do nothing and be nothing but what I will infold you.

To cotton-field drudge or cleaner of privies I lean,

On his right cheek I put the family kiss,

And in my soul I swear I never will deny him.

On women fit for conception I start bigger and nimbler babes.

(This day I am jetting the stuff of far more arrogant republics.)

To any one dying, thither I speed and twist the knob of the door.

Turn the bed-clothes toward the foot of the bed,

Let the physician and the priest go home.

I seize the descending man and raise him with resistless will,

O despairer, here is my neck,

By God, you shall not go down! hang your whole weight upon me.

I dilate you with tremendous breath, I buoy you up,

Every room of the house do I fill with an arm’d force,

Lovers of me, bafflers of graves.

Sleep — I and they keep guard all night,

Not doubt, not decease shall dare to lay finger upon you,

I have embraced you, and henceforth possess you to myself,

And when you rise in the morning you will find what I tell you is so.

41

I am he bringing help for the sick as they pant on their backs,

And for strong upright men I bring yet more needed help.

I heard what was said of the universe,

Heard it and heard it of several thousand years;

It is middling well as far as it goes — but is that all?

Magnifying and applying come I,

Outbidding at the start the old cautious hucksters,

Taking myself the exact dimensions of Jehovah,

Lithographing Kronos, Zeus his son, and Hercules his grandson,

Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,

In my portfolio placing Manito loose, Allah on a leaf, the crucifix

engraved,

With Odin and the hideous-faced Mexitli and every idol and image,

Taking them all for what they are worth and not a cent more,

Admitting they were alive and did the work of their days,

(They bore mites as for unfledg’d birds who have now to rise and fly

and sing for themselves,)

Accepting the rough deific sketches to fill out better in myself,

bestowing them freely on each man and woman I see,

Discovering as much or more in a framer framing a house,

Putting higher claims for him there with his roll’d-up sleeves

driving the mallet and chisel,

Not objecting to special revelations, considering a curl of smoke or

a hair on the back of my hand just as curious as any revelation,

Lads ahold of fire-engines and hook-and-ladder ropes no less to me

than the gods of the antique wars,

Minding their voices peal through the crash of destruction,

Their brawny limbs passing safe over charr’d laths, their white

foreheads whole and unhurt out of the flames;

By the mechanic’s wife with her babe at her nipple interceding for

every person born,

Three scythes at harvest whizzing in a row from three lusty angels

with shirts bagg’d out at their waists,

The snag-tooth’d hostler with red hair redeeming sins past and to come,

Selling all he possesses, traveling on foot to fee lawyers for his

brother and sit by him while he is tried for forgery;

What was strewn in the amplest strewing the square rod about me, and

not filling the square rod then,

The bull and the bug never worshipp’d half enough,

Dung and dirt more admirable than was dream’d,

The supernatural of no account, myself waiting my time to be one of

the supremes,

The day getting ready for me when I shall do as much good as the

best, and be as prodigious;

By my life-lumps! becoming already a creator,

Putting myself here and now to the ambush’d womb of the shadows.

42

A call in the midst of the crowd,

My own voice, orotund sweeping and final.

Come my children,

Come my boys and girls, my women, household and intimates,

Now the performer launches his nerve, he has pass’d his prelude on

the reeds within.

Easily written loose-finger’d chords — I feel the thrum of your

climax and close.

My head slues round on my neck,

Music rolls, but not from the organ,

Folks are around me, but they are no household of mine.

Ever the hard unsunk ground,

Ever the eaters and drinkers, ever the upward and downward sun, ever

the air and the ceaseless tides,

Ever myself and my neighbors, refreshing, wicked, real,

Ever the old inexplicable query, ever that thorn’d thumb, that

breath of itches and thirsts,

Ever the vexer’s hoot! hoot! till we find where the sly one hides

and bring him forth,

Ever love, ever the sobbing liquid of life,

Ever the bandage under the chin, ever the trestles of death.

Here and there with dimes on the eyes walking,

To feed the greed of the belly the brains liberally spooning,

Tickets buying, taking, selling, but in to the feast never once going,

Many sweating, ploughing, thrashing, and then the chaff for payment

receiving,

A few idly owning, and they the wheat continually claiming.

This is the city and I am one of the citizens,

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