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Robert Howard: 3 books to know Weird West

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Robert Howard 3 books to know Weird West

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:Weird West.
– The Mound – H. P. Lovecraft – The Horror from the Mound by Robert E. Howard – The Dead Remember by Robert E. HowardWeird West is a subgenre that combines elements of the Western with another genre, usually horror, occult, fantasy, or science fiction. When supernatural menaces of horror fiction are injected into a Western setting, it creates the horror Western. Writer G.W. Thomas has described how the two combine: «Unlike many other cross-genre tales, the weird Western uses both elements but with very little loss of distinction. The Western setting is decidedly 'Western' and the horror elements are obviously 'horror.'» This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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When morning came—a cloudy though not a threatening morning—the whole village turned out to see me start across the dustblown plain. Binoculars shewed the lone man at his usual pacing on the mound, and I resolved to keep him in sight as steadily as possible during my approach. At the last moment a vague sense of dread oppressed me, and I was just weak and whimsical enough to let Grey Eagle’s talisman swing on my chest in full view of any beings or ghosts who might be inclined to heed it. Bidding au revoir to Compton and his mother, I started off at a brisk stride despite the bag in my left hand and the clanking pick and shovel strapped to my back; holding my field-glass in my right hand and taking a glance at the silent pacer from time to time. As I neared the mound I saw the man very clearly, and fancied I could trace an expression of infinite evil and decadence on his seamed, hairless features. I was startled, too, to see that his goldenly gleaming weapon-case bore hieroglyphs very similar to those on the unknown talisman I wore. All the creature’s costume and trappings bespoke exquisite workmanship and cultivation. Then, all too abruptly, I saw him start down the farther side of the mound and out of sight. When I reached the place, about ten minutes after I set out, there was no one there.

There is no need of relating how I spent the early part of my search in surveying and circumnavigating the mound, taking measurements, and stepping back to view the thing from different angles. It had impressed me tremendously as I approached it, and there seemed to be a kind of latent menace in its too regular outlines. It was the only elevation of any sort on the wide, level plain; and I could not doubt for a moment that it was an artificial tumulus. The steep sides seemed wholly unbroken, and without marks of human tenancy or passage. There were no signs of a path toward the top; and, burdened as I was, I managed to scramble up only with considerable difficulty. When I reached the summit I found a roughly level elliptical plateau about 300 by 50 feet in dimensions; uniformly covered with rank grass and dense underbrush, and utterly incompatible with the constant presence of a pacing sentinel. This condition gave me a real shock, for it shewed beyond question that the “Old Indian”, vivid though he seemed, could not be other than a collective hallucination.

I looked about with considerable perplexity and alarm, glancing wistfully back at the village and the mass of black dots which I knew was the watching crowd. Training my glass upon them, I saw that they were studying me avidly with their glasses; so to reassure them I waved my cap in the air with a show of jauntiness which I was far from feeling. Then, settling to my work I flung down pick, shovel, and bag; taking my machete from the latter and commencing to clear away underbrush. It was a weary task, and now and then I felt a curious shiver as some perverse gust of wind arose to hamper my motion with a skill approaching deliberateness. At times it seemed as if a half-tangible force were pushing me back as I worked—almost as if the air thickened in front of me, or as if formless hands tugged at my wrists. My energy seemed used up without producing adequate results, yet for all that I made some progress.

By afternoon I had clearly perceived that, toward the northern end of the mound, there was a slight bowl-like depression in the root-tangled earth. While this might mean nothing, it would be a good place to begin when I reached the digging stage, and I made a mental note of it. At the same time I noticed another and very peculiar thing—namely, that the Indian talisman swinging from my neck seemed to behave oddly at a point about seventeen feet southeast of the suggested bowl. Its gyrations were altered whenever I happened to stoop around that point, and it tugged downward as if attracted by some magnetism in the soil. The more I noticed this, the more it struck me, till at length I decided to do a little preliminary digging there without further delay.

As I turned up the soil with my trench-knife I could not help wondering at the relative thinness of the reddish regional layer. The country as a whole was all red sandstone earth, but here I found a strange black loam less than a foot down. It was such soil as one finds in the strange, deep valleys farther west and south, and must surely have been brought from a considerable distance in the prehistoric age when the mound was reared. Kneeling and digging, I felt the leathern cord around my neck tugged harder and harder, as something in the soil seemed to draw the heavy metal talisman more and more. Then I felt my implements strike a hard surface, and wondered if a rock layer rested beneath. Prying about with the trench-knife, I found that such was not the case. Instead, to my intense surprise and feverish interest, I brought up a mould-clogged, heavy object of cylindrical shape—about a foot long and four inches in diameter—to which my hanging talisman clove with glue-like tenacity. As I cleared off the black loam my wonder and tension increased at the bas-reliefs revealed by that process. The whole cylinder, ends and all, was covered with figures and hieroglyphs; and I saw with growing excitement that these things were in the same unknown tradition as those on Grey Eagle’s charm and on the yellow metal trappings of the ghost I had seen through my binoculars.

Sitting down, I further cleaned the magnetic cylinder against the rough corduroy of my knickerbockers, and observed that it was made of the same heavy, lustrous unknown metal as the charm—hence, no doubt, the singular attraction. The carvings and chasings were very strange and very horrible—nameless monsters and designs fraught with insidious evil—and all were of the highest finish and craftsmanship. I could not at first make head or tail of the thing, and handled it aimlessly until I spied a cleavage near one end. Then I sought eagerly for some mode of opening, discovering at last that the end simply unscrewed.

The cap yielded with difficulty, but at last it came off, liberating a curious aromatic odour. The sole contents was a bulky roll of a yellowish, paper-like substance inscribed in greenish characters, and for a second I had the supreme thrill of fancying that I held a written key to unknown elder worlds and abysses beyond time. Almost immediately, however, the unrolling of one end shewed that the manuscript was in Spanish—albeit the formal, pompous Spanish of a long-departed day. In the golden sunset light I looked at the heading and the opening paragraph, trying to decipher the wretched and ill-punctuated script of the vanished writer. What manner of relic was this? Upon what sort of a discovery had I stumbled? The first words set me in a new fury of excitement and curiosity, for instead of diverting me from my original quest they startlingly confirmed me in that very effort.

The yellow scroll with the green script began with a bold, identifying caption and a ceremoniously desperate appeal for belief in incredible revelations to follow:

RELACIÓN DE PÁNFILO DE ZAMACONA Y NUÑEZ, HIDALGO DE LUARCA EN ASTURIAS, TOCANTE AL MUNDO SOTERRÁNEO DE XINAIÁN, A.D. MDXLV

En el nombre de la santísima Trinidad, Padre, Hijo, y Espíritu-Santo, tres personas distintas y un solo. Dios verdadero, y de la santísima Virgen nuestra Señora, YO, PÁNFILO DE ZAMACONA, HIJO DE PEDRO GUZMAN Y ZAMACONA, HIDALGO, Y DE LA DOÑA YNÉS ALVARADO Y NUÑEZ, DE LUARCA EN ASTURIAS, juro para que todo que deco está verdadero como sacramento...

I paused to reflect on the portentous significance of what I was reading. “The Narrative of Pánfilo de Zamacona y Nuñez, gentleman, of Luarca in Asturias, Concerning the Subterranean World of Xinaián, A. D. 1545” ... Here, surely, was too much for any mind to absorb all at once. A subterranean world—again that persistent idea which filtered through all the Indian tales and through all the utterances of those who had come back from the mound. And the date—1545—what could this mean? In 1540 Coronado and his men had gone north from Mexico into the wilderness, but had they not turned back in 1542? My eye ran questingly down the opened part of the scroll, and almost at once seized on the name Francisco Vasquez de Coronado. The writer of this thing, clearly, was one of Coronado’s men—but what had he been doing in this remote realm three years after his party had gone back? I must read further, for another glance told me that what was now unrolled was merely a summary of Coronado’s northward march, differing in no essential way from the account known to history.

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