John Passos - 3 books to know World War I

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:World War I.
– Three Soldiers by John Dos Passos
– The War That Will End War by H.G . Wells
– The Amazing Interlude by Mary Roberts RinehartThree Soldiers is a 1921 novel by American writer and critic John Dos Passos. It is one of the American war novels of the First World War, and remains a classic of the realist war novel genre.
During August 1914, immediately after the outbreak of the war, British author and social commentator H. G. Wells published a number of articles in London newspapers that subsequently appeared as a book entitled The War That Will End War. Wells blamed the Central Powers for the coming of the war and argued that only the defeat of German militarism could bring about an end to war. Wells used the shorter form of the phrase, «the war to end war», in In the Fourth Year (1918), in which he noted that the phrase «got into circulation» in the second half of 1914. In fact, it had become one of the most common catchphrases of the First World War.
The Amazing Interlude (1918) is a story about Sara Lee Kennedy, an innocent and idealistic nineteen year old American girl from Pennsylvania, who is touched by the plight and suffering of the soldiers battling on the front lines during WWI. Funded by the local women's charity, Sara Lee joins the Red Cross, travels to Europe over her fiancee's objections and meets Henri, an intriguing Belgian spy who helps her setup a soup kitchen near the Belgian front line.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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“Oh, boy,” said Chrisfield. “That ole wine sure do go down fast.... Say, Antoinette, got any cognac?”

“I'm going to have some more wine,” said Andrews.

“Go ahead, Andy; have all ye want. Ah want some-thin' to warm ma guts.”

Antoinette brought a bottle of cognac and two small glasses and sat down in an empty chair with her red hands crossed on her apron. Her eyes moved from Chrisfield to the Frenchman and back again.

Chrisfield turned a little round in his chair and looked at the Frenchman, feeling in his eyes for a moment a glance of the man's yellowish-brown eyes.

Andrews leaned back against the wall sipping his dark-colored wine, his eyes contracted dreamily, fixed on the shadow of the chandelier, which the cheap oil-lamp with its tin reflector cast on the peeling plaster of the wall opposite.

Chrisfield punched him.

“Wake up, Andy, are you asleep?”

“No,” said Andy smiling.

“Have a li'l mo' cognac.”

Chrisfield poured out two more glasses unsteadily. His eyes were on Antoinette again. The faded purple frock was hooked at the neck. The first three hooks were undone revealing a V-shape of golden brown skin and a bit of whitish underwear.

“Say, Andy,” he said, putting his arm round his friend's neck and talking into his ear, “talk up to her for me, will yer, Andy?... Ah won't let that goddam frog get her, no, I won't, by Gawd. Talk up to her for me, Andy.”

Andrews laughed.

“I'll try,” he said. “But there's always the Queen of Sheba, Chris.”

“Antoinette, j'ai un ami,” started Andrews, making a gesture with a long dirty hand towards Chris.

Antoinette showed her bad teeth in a smile.

“Joli garcon,” said Andrews.

Antoinette's face became impassive and beautiful again. Chrisfield leaned back in his chair with an empty glass in his hand and watched his friend admiringly.

“Antoinette, mon ami vous... vous admire,” said Andrews in a courtly voice.

A woman put her head in the door. It was the same face and hair as Antoinette's, ten years older, only the skin, instead of being golden brown, was sallow and wrinkled.

“Viens,” said the woman in a shrill voice.

Antoinette got up, brushed heavily against Chrisfield's leg as she passed him and disappeared. The Frenchman walked across the room from his corner, saluted gravely and went out.

Chrisfield jumped to his feet. The room was like a white box reeling about him.

“That frog's gone after her,” he shouted.

“No, he ain't, Chris,” cried someone from the next table. “Sit tight, ole boy. We're bettin' on yer.”

“Yes, sit down and have a drink, Chris,” said Andy. “I've got to have somethin' more to drink. I haven't had a thing to drink all the evening.” He pulled him back into his chair. Chrisfield tried to get up again. Andrews hung on him so that the chair upset. Then both sprawled on the red tiles of the floor.

“The house is pinched!” said a voice.

Chrisfield saw Judkins standing over him, a grin on his large red face. He got to his feet and sat sulkily in his chair again. Andrews was already sitting opposite him, looking impassive as ever.

The tables were full now. Someone was singing in a droning voice.

“O the oak and the ash and the weeping willow tree,

O green grows the grass in God's countree!”

“Ole Indiana,” shouted Chris. “That's the only God's country I know.” He suddenly felt that he could tell Andy all about his home and the wide corn-fields shimmering and rustling under the July sun, and the creek with red clay banks where he used to go in swimming. He seemed to see it all before him, to smell the winey smell of the silo, to see the cattle, with their chewing mouths always stained a little with green, waiting to get through the gate to the water trough, and the yellow dust and roar of wheat-thrashing, and the quiet evening breeze cooling his throat and neck when he lay out on a shack of hay that he had been tossing all day long under the tingling sun. But all he managed to say was:

“Indiana's God's country, ain't it, Andy?”

“Oh, he has so many,” muttered Andrews.

“Ah've seen a hailstone measured nine inches around out home, honest to Gawd, Ah have.”

“Must be as good as a barrage.”

“Ah'd like to see any goddam barrage do the damage one of our thunder an' lightnin' storms'll do,” shouted Chris.

“I guess all the barrage we're going to see's grenade practice.”

“Don't you worry, buddy,” said somebody across the room.

“You'll see enough of it. This war's going to last damn long....”

“Ah'd lak to get in some licks at those Huns tonight; honest to Gawd Ah would, Andy,” muttered Chris in a low voice. He felt his muscles contract with a furious irritation. He looked through half-closed eyes at the men in the room, seeing them in distorted white lights and reddish shadows. He thought of himself throwing a grenade among a crowd of men. Then he saw the face of Anderson, a ponderous white face with eyebrows that met across his nose and a bluish, shaved chin.

“Where does he stay at, Andy? I'm going to git him.”

Andrews guessed what he meant.

“Sit down and have a drink, Chris,” he said, “Remember you're going to sleep with the Queen of Sheba tonight.”

“Not if I can't git them goddam....” his voice trailed off into an inaudible muttering of oaths.

“O the oak and the ash and the weeping willow tree,

O green grows the grass in God's countree!”

somebody sang again.

Chrisfield saw a woman standing beside the table with her back to him, collecting the bottles. Andy was paying her.

“Antoinette,” he said. He got to his feet and put his arms round her shoulders. With a quick movement of the elbows she pushed him back into his chair. She turned round. He saw the sallow face and thin breasts of the older sister. She looked in his eyes with surprise. He was grinning drunkenly. As she left the room she made a sign to him with her head to follow her. He got up and staggered out the door, pulling Andrews after him.

In the inner room was a big bed with curtains where the women slept, and the fireplace where they did their cooking. It was dark except for the corner where he and Andrews stood blinking in the glare of a candle on the table. Beyond they could only see ruddy shadows and the huge curtained bed with its red coverlet.

The Frenchman, somewhere in the dark of the room, said something several times.

“Avions boches... ss-t!”

They were quiet.

Above them they heard the snoring of aeroplane motors, rising and falling like the buzzing of a fly against a window pane.

They all looked at each other curiously. Antoinette was leaning against the bed, her face expressionless. Her heavy hair had come undone and fell in smoky gold waves about her shoulders.

The older woman was giggling.

“Come on, let's see what's doing, Chris,” said Andrews.

They went out into the dark village street.

“To hell with women, Chris, this is the war!” cried Andrews in a loud drunken voice as they reeled arm in arm up the street.

“You bet it's the war.... Ah'm a-goin' to beat up....”

Chrisfield felt his friend's hand clapped over his mouth. He let himself go limply, feeling himself pushed to the side of the road.

Somewhere in the dark he heard an officer's voice say:

“Bring those men to me.”

“Yes, sir,” came another voice.

Slow heavy footsteps came up the road in their direction. Andrews kept pushing him back along the side of a house, until suddenly they both fell sprawling in a manure pit.

“Lie still for God's sake,” muttered Andrews, throwing an arm over Chrisfield's chest. A thick odor of dry manure filled their nostrils.

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