August Nemo - Essential Novelists - Thomas Hardy

They told him it was a red brick building some little way further on. Also that the gentleman himself had just passed along the street not five minutes before.

"Which way?" asked Jude with alacrity.

"Straight along homeward from church."

Jude hastened on, and soon had the pleasure of observing a man in a black coat and a black slouched felt hat no considerable distance ahead. Stretching out his legs yet more widely, he stalked after. "A hungry soul in pursuit of a full soul!" he said. "I must speak to that man!"

He could not, however, overtake the musician before he had entered his own house, and then arose the question if this were an expedient time to call. Whether or not he decided to do so there and then, now that he had got here, the distance home being too great for him to wait till late in the afternoon. This man of soul would understand scant ceremony, and might be quite a perfect adviser in a case in which an earthly and illegitimate passion had cunningly obtained entrance into his heart through the opening afforded for religion.

Jude accordingly rang the bell, and was admitted.

The musician came to him in a moment, and being respectably dressed, good-looking, and frank in manner, Jude obtained a favourable reception. He was nevertheless conscious that there would be a certain awkwardness in explaining his errand.

"I have been singing in the choir of a little church near Melchester," he said. "And we have this week practised 'The Foot of the Cross,' which I understand, sir, that you composed?"

"I did—a year or so ago."

"I—like it. I think it supremely beautiful!"

"Ah well—other people have said so too. Yes, there's money in it, if I could only see about getting it published. I have other compositions to go with it, too; I wish I could bring them out; for I haven't made a five-pound note out of any of them yet. These publishing people—they want the copyright of an obscure composer's work, such as mine is, for almost less than I should have to pay a person for making a fair manuscript copy of the score. The one you speak of I have lent to various friends about here and Melchester, and so it has got to be sung a little. But music is a poor staff to lean on—I am giving it up entirely. You must go into trade if you want to make money nowadays. The wine business is what I am thinking of. This is my forthcoming list—it is not issued yet—but you can take one."

He handed Jude an advertisement list of several pages in booklet shape, ornamentally margined with a red line, in which were set forth the various clarets, champagnes, ports, sherries, and other wines with which he purposed to initiate his new venture. It took Jude more than by surprise that the man with the soul was thus and thus; and he felt that he could not open up his confidences.

They talked a little longer, but constrainedly, for when the musician found that Jude was a poor man his manner changed from what it had been while Jude's appearance and address deceived him as to his position and pursuits. Jude stammered out something about his feelings in wishing to congratulate the author on such an exalted composition, and took an embarrassed leave.

All the way home by the slow Sunday train, sitting in the fireless waiting-rooms on this cold spring day, he was depressed enough at his simplicity in taking such a journey. But no sooner did he reach his Melchester lodging than he found awaiting him a letter which had arrived that morning a few minutes after he had left the house. It was a contrite little note from Sue, in which she said, with sweet humility, that she felt she had been horrid in telling him he was not to come to see her, that she despised herself for having been so conventional; and that he was to be sure to come by the eleven-forty-five train that very Sunday, and have dinner with them at half-past one.

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