George MacDonald - 3 Books To Know Fantasy Literature

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Fantasy Literature.
– The King of Elfland's Daughter by Lord Dunsany.
– The Princess and the Goblin by George MacDonald.
– A Tale of The House of the Wolfings and All the Kindreds of the Mark by William Morris.The King of Elfland's Daughter is a 1924 fantasy novel by Anglo-Irish writer Lord Dunsany. It is widely recognized as one of the most influential and acclaimed works in all of fantasy literature. Although the novel faded into relative obscurity following its initial release, it found new longevity and wider critical acclaim when a paperback edition was released in 1969 as the second volume of the Ballantine Adult Fantasy series.
The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel «quietly suggest in every incident ideas of courage and honor.»
A Tale of the House of the Wolfings and All the Kindreds of the Mark is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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A man in a field not far was calling to horses, there were folk talking in a neighbouring lane, as Alveric stepped into the rampart of twilight; at once all these sounds grew dim, humming faintly, as from great distances: in a few strides he was through, and not a murmur at all came then from the fields we know. The fields through which he had come had suddenly ended; there was no trace of its hedges bright with new green; he looked back, and the frontier seemed lowering, cloudy and smoky; he looked all round and saw no familiar thing; in the place of the beauty of May were the wonders and splendours of Elfland.

The pale-blue mountains stood august in their glory, shimmering and rippling in a golden light that seemed as though it rhythmically poured from the peaks and flooded all those slopes with breezes of gold. And below them, far off as yet, he saw going up all silver into the air the spires of the palace only told of in song. He was on a plain on which the flowers were queer and the shape of the trees monstrous. He started at once toward the silver spires.

To those who may have wisely kept their fancies within the boundary of the fields we know it is difficult for me to tell of the land to which Alveric had come, so that in their minds they can see that plain with its scattered trees and far off the dark wood out of which the palace of Elfland lifted those glittering spires, and above them and beyond them that serene range of mountains whose pinnacles took no colour from any light we see. Yet it is for this very purpose that our fancies travel far, and if my reader through fault of mine fail to picture the peaks of Elfland my fancy had better have stayed in the fields we know. Know then that in Elfland are colours more deep than are in our fields, and the very air there glows with so deep a lucency that all things seen there have something of the look of our trees and flowers in June reflected in water. And the colour of Elfland, of which I despaired to tell, may yet be told, for we have hints of it here; the deep blue of the night in Summer just as the gloaming has gone, the pale blue of Venus flooding the evening with light, the deeps of lakes in the twilight, all these are hints of that colour. And while our sunflowers carefully turned to the sun, some forefather of the rhododendrons must have turned a little towards Elfland, so that some of that glory dwells with them to this day. And, above all, our painters have had many a glimpse of that country, so that sometimes in pictures we see a glamour too wonderful for our fields; it is a memory of theirs that intruded from some old glimpse of the pale-blue mountains while they sat at easels painting the fields we know.

So Alveric strode on through the luminous air of that land whose glimpses dimly remembered are inspirations here. And at once he felt less lonely. For there is a barrier in the fields we know, drawn sharply between men and all other life, so that if we be but a day away from our kind we are lonely; but once across the boundary of twilight and Alveric saw this barrier was down. Crows walking on the moor looked whimsically at him, all manner of little creatures peered curiously to see who was come from a quarter whence so few ever came; to see who went on a journey whence so few ever returned; for the King of Elfland guarded his daughter well, as Alveric knew although he knew not how. There was a merry sparkle of interest in all those little eyes, and a look that might mean warning.

There was perhaps less mystery here than on our side of the boundary of twilight; for nothing lurked or seemed to lurk behind great boles of oak, as in certain lights and seasons things may lurk in the fields we know; no strangeness hid on the far side of ridges; nothing haunted deep woods; whatever might possibly lurk was clearly there to be seen, whatever strangeness might be was spread in full sight of the traveller, whatever might haunt deep woods lived there in the open day.

And, so strong lay the enchantment deep over all that land, that not only did beasts and men guess each other's meanings well, but there seemed to be an understanding even, that reached from men to trees and from trees to men. Lonely pine trees that Alveric passed now and then on the moor, their trunks glowing always with the ruddy light that they had got by magic from some old sunset, seemed to stand with their branches akimbo and lean over a little to look at him. It seemed almost as though they had not always been trees, before enchantment had overtaken them there; it seemed they would tell him something.

But Alveric heeded no warnings either from beasts or trees, and strode away toward the enchanted wood.

CHAPTER III

The Magical Sword Meets Some of the Swords of Elfland

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When Alveric came to the enchanted wood the light in which Elfland glowed had neither grown nor dwindled, and he saw that it came from no radiance that shines on the fields we know, unless the wandering lights of wonderful moments that sometimes astonish our fields, and are gone the instant they come, are strayed over the border of Elfland by some momentary disorder of magic. Neither sun nor moon made the light of that enchanted day.

A line of pine trees up which ivy climbed, as high as their lowering black foliage, stood like sentinels at the edge of the wood. The silver spires were shining as though it were they that made all this azure glow in which Elfland swam. And Alveric having by now come far into Elfland, and being now before its capital palace, and knowing that Elfland guarded its mysteries well, drew his father's sword before he entered the wood. The other still hung on his back, slung in its new scabbard over his left shoulder.

And the moment he passed by one of those guardian pine trees, the ivy that lived on it unfastened its tendrils and, rapidly letting itself down, came straight for Alveric and clutched at his throat.

The long thin sword of his father was just in time; had it not been drawn he would have scarcely got it out, so swift was the rush of the ivy. He cut tendril after tendril that grasped his limbs as ivy grasps old towers, and still more tendrils came for him, until he severed its main stem between him and the tree. And as he was doing this he heard a hissing rush behind him, and another had come down from another tree and was rushing at him with all its leaves spread out. The green thing looked wild and angry as it gripped his left shoulder as though it would hold it forever. But Alveric severed those tendrils with a blow of his sword and then fought with the rest, while the first one was still alive but now too short to reach him, and was lashing its branches angrily on the ground. And soon, as the surprise of the attack was over and he had freed himself of the tendrils that had gripped him, Alveric stepped back till the ivy could not reach him and he could still fight it with his long sword. The ivy crawled back then to lure Alveric on, and sprang at him when he followed it. But, terrible though the grip of ivy is, that was a good sharp sword; and very soon Alveric, all bruised though he was, had so lopped his assailant that it fled back up its tree. Then he stepped back and looked at the wood in the light of his new experience, choosing a way through. He saw at once that in the barrier of pine trees the two in front of him had had their ivy so shortened in the fight that if he went mid-way between the two the ivy of neither would be able to reach him. He then stepped forward, but the moment he did so he noticed one of the pine trees move closer to the other. He knew then that the time was come to draw his magical sword.

So he returned his father's sword to the scabbard by his side and drew out the other over his shoulder and, going straight up to the tree that had moved, swept at the ivy as it sprang at him: and the ivy fell all at once to the ground, not lifeless but a heap of common ivy. And then he gave one blow to the trunk of the tree, and a chip flew out not larger than a common sword would have made, but the whole tree shuddered; and with that shudder disappeared at once a certain ominous look that the pine had had, and it stood there an ordinary unenchanted tree. Then he stepped on through the wood with his sword drawn.

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