Paul Heyse - 3 Books To Know Nobel Prize in Literature

It was this feeling that now overpowered her, and in addition to all the exciting emotions of these hours, the gayety, and the unusual indulgence in wine, fairly intoxicated her senses. A wild, fiendish rage took possession of her soul. When the aria from Mozart was over, she said curtly: "You are not in good voice, child; the champagne is beginning to revenge itself. You mustn't sing another note, or you'll be terribly hoarse to-morrow." And without heeding Marquard's remonstrance, she commenced a stormy improvisation. A string broke with a rattling sound—she did not notice it; a second and third—she played steadily on. Mohr, who had pushed his chair behind hers, while Marquard sat in the darkness on a little sofa beside Adèle, was in a perfect delirium of ecstacy. He had never heard her play so before, and was musician enough to say to himself that the greatest masters would be delighted if they could hear her improvise in such a mood. More than once he turned toward the two couples and enthusiastically tossing his long arms, endeavored to attract their attention to what this wonderful genius was producing. But he seemed to be alone in his admiration, at least to Marquard as he incessantly whispered in the ear of the singer, this remarkable playing seemed nothing more than the roaring of a storm, and Edwin, at this moment, believing himself unnoticed as the light without had at last wholly died away, had caught a curl of Toinette's hair and was holding it in his hand. Now he cautiously bent forward and pretending to fasten the string of the curtain, hastily pressed the soft tress to his lips. At the same moment the fourth string snapped, a sharp discord rang through the powerful passages, and the player started up pushing back her chair. "No more!" she cried in a hollow tone. "It's killing me! Air! Air!"

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