Bret Harte - Essential Novelists - Bret Harte

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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Bret Harte wich are Gabriel Conroy and Clarence.
Bret Harte was the first American writer from the West Coast to gain an international reputation. He was instrumental in introducing frontier literature to eastern audiences. His stories established many of the basic characteristics of the western genre: rough, sarcastic humor, rustic dialect, and character types such as good-natured gamblers, greedy bankers, and prostitutes with hearts of gold.
Novels selected for this book:
– Gabriel Conroy.
– Clarence.This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

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"He couldn't have been more formal if Don José had been alive," she said to herself as she walked to her glass and dressing-table.

Arthur Poinsett entered the vacant drawing-room not in the best of his many humours. He had read in the eyes of the lounging vaqueros, in the covert glances of the women servants, that the story of his adventure was known to the household. Habitually petted and spoiled as he had been by the women of his acquaintance, he was half inclined to attribute this reference and assignment of his client's business to the hands of Mrs. Sepulvida, as the result of a plan of Father Felipe's, or absolute collusion between the parties. A little sore yet, and irritated by his recollection of the Padre's counsel, and more impatient of the imputation of a weakness than anything else, Arthur had resolved to limit the interview to the practical business on hand, and in so doing had, for a moment, I fear, forgotten his native courtesy. It did not tend to lessen his irritation and self-consciousness when Mrs. Sepulvida entered the room without the slightest evidence of her recent disappointment visible in her perfectly easy, frank self-possession, and after a conventional, half Spanish solicitousness regarding his health since their last interview, without any further allusions to their adventure, begged him to be seated. She herself took an easy chair on the opposite of the table, and assumed at once an air of respectful but somewhat indifferent attention.

"I believe," said Arthur, plunging at once into his subject to get rid of his embarrassment and the slight instinct of antagonism he was beginning to feel toward the woman before him, "I believe—that is, I am told—that besides your own business, you are intrusted with some documents and facts regarding a claim of the Donna Dolores Salvatierra. Which shall we have first? I am entirely at your service for the next two hours, but we shall proceed faster and with less confusion by taking up one thing at a time."

"Then let us begin with Donna Dolores, by all means," said Donna Maria; "my own affairs can wait. Indeed," she added, languidly, "I daresay one of your clerks could attend to it as well as yourself. If your time is valuable—as indeed it must be—I can put the papers in his hands and make him listen to all my foolish, irrelevant talk. He can sift it for you, Don Arturo. I really am a child about business, really."

Arthur smiled, and made a slight gesture of deprecation. In spite of his previous resolution, Donna Maria's tone of slight pique pleased him. Yet he gravely opened his note-book, and took up his pencil without a word. Donna Maria observed the movements, and said more seriously—

"Ah yes! how foolish! Here I am talking about my own affairs, when I should be speaking of Donna Dolores! Well, to begin. Let me first explain why she has put this matter in my hands. My husband and her father were friends, and had many business interests in common. As you have doubtless heard, she has always been very quiet, very reserved, very religious—almost a nun. I daresay she was driven into this isolation by reason of the delicacy of her position here, for you know—do you not?—that her mother was an Indian. It is only a few years ago that the old Governor, becoming a widower and childless, bethought himself of this Indian child, Dolores. He found the mother dead, and the girl living somewhere at a distant Mission as an acolyte. He brought her to San Antonio, had her christened, and made legally his daughter and heiress. She was a mere slip of a thing, about fourteen or fifteen. She might have had a pretty complexion, for some of these half-breeds are nearly white, but she had been stained when an infant with some barbarous and indelible dye, after the savage custom of her race. She is now a light copper colour, not unlike those bronze shepherdesses on yonder clock. In spite of all this I call her pretty. Perhaps it is because I love her and am prejudiced. But you gentlemen are so critical about complexion and colour—no wonder that the poor child refuses to see anybody, and never goes into society at all. It is a shame! But—pardon, Mr. Poinsett, here am I gossiping about your client's looks, when I should be stating her grievances."

"No, no!" said Arthur, hastily, "go on—in your own way."

Mrs Sepulvida lifted her forefinger archly.

"Ah! is it so, Don Arturo? I thought so! Well, it is a great shame that she is not here for you to judge for yourself."

Angry with himself for his embarrassment, and for the rising colour on his cheek, Arthur would have explained himself, but the lady, with feminine tact, did not permit him.

"To proceed: Partly because I did not participate in the prejudices with which the old families here regarded her race and colour, partly, perhaps, because we were both strangers here, we became friends. At first she resisted all my advances—indeed, I think she was more shy of me than the others, but I triumphed in time, and we became good friends. Friends, you understand, Mr. Poinsett, not confidants. You men, I know, deem this impossible, but Donna Dolores is a singular girl, and I have never, except upon the most general topics, won her from her habitual reserve. And I possess perhaps her only friendship."

"Except Father Felipe, her confessor?"

Mrs. Sepulvida shrugged her shoulders, and then borrowed the habitual sceptical formula of San Antonio.

"Quien sabe? But I am rambling again. Now for the case."

She rose, and taking from the drawer of the secretary an envelope, drew out some papers it contained, and referred to them as she went on.

"It appears that a grant of Micheltorena to Salvatierra was discovered recently at Monterey, a grant of which there was no record among Salvatierra's papers. The explanation given is that it was placed some five years ago in trust with a Don Pedro Ruiz, of San Francisco as security for a lease now expired. The grant is apparently regular, properly witnessed, and attested. Don Pedro has written that some of the witnesses are still alive, and remember it."

"Then why not make the proper application for a patent?"

"True, but if that were all, Don Arturo would not have been summoned from San Francisco for consultation. There is something else. Don Pedro writes that another grant for the same land has been discovered recorded to another party."

"That is, I am sorry to say, not a singular experience in our profession," said Arthur, with a smile. "But Salvatierra's known reputation and probity would probably be sufficient to outweigh equal documentary evidence on the other side. It's unfortunate he's dead, and the grant was discovered after his death."

"But the holder of the other grant is dead too!" said the widow.

"That makes it about equal again. But who is he?"

Mrs. Sepulvida referred to her papers, and then said—

"Dr. Devarges."

"Who?"

"Devarges," said Mrs. Sepulvida, referring to her notes. "A singular name—a foreigner, I suppose. No, really Mr. Poinsett, you shall not look at the paper until I have copied it—it's written horribly—you can't understand it! I'm really ashamed of my writing, but I was in such a hurry, expecting you every moment! Why, la! Mr. Poinsett, how cold your hands are!"

Arthur Poinsett had risen hurriedly, and reached out almost brusquely for the paper that she held. But the widow had coquettishly resisted him with a mischievous show of force, and had caught and—dropped his hand!

"And you are pale, too. Dear me! I'm afraid you took cold that morning," said Mrs. Sepulvida. "I should never forgive myself if you did. I should cry my eyes out!" and Donna Maria cast a dangerous look from under her slightly swollen lids that looked as if they might threaten a deluge.

"Nothing, nothing, I have ridden far this morning, and rose early," said Arthur, chafing his hands with a slightly embarrassed smile. "But I interrupted you. Pray go on. Has Dr. Devarges any heirs to contest the grant?"

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