Knowledge house - The Complete Fiction of H. P. Lovecraft - At the Mountains of Madness, The Call of Cthulhu

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The Complete Fiction of H. P. Lovecraft: At the Mountains of Madness, The Call of Cthulhu: краткое содержание, описание и аннотация

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This collection contains an active table of contents (HTML), which makes reading easier to make it more enjoyable.
The Stories included are:
–The Nameless City
–The Festival
–The Colour Out of Space
–The Call of Cthulhu
–The Dunwich Horror
–The Whisperer in Darkness
–The Dreams in the Witch House
–The Haunter of the Dark
–The Shadow Over Innsmouth
–Discarded Draft of «The Shadow Over Innsmouth»
–The Shadow Out of Time
–At the Mountains of Madness
–The Case of Charles Dexter Ward
–Azathoth
–Beyond the Wall of Sleep
–Celephaïs
–Cool Air
–Dagon
–Ex Oblivione
–Facts Concerning the Late Arthur Jermyn and His Family
–From Beyond
–He
–Herbert West-Reanimator
–Hypnos
–In the Vault
–Memory
–Nyarlathotep
–Pickman's Model
–The Book
–The Cats of Ulthar
–The Descendant
–The Doom That Came to Sarnath
–The Dream-Quest of Unknown Kadath
–The Evil Clergyman
–The Horror at Red Hook
–The Hound
–The Lurking Fear
–The Moon-Bog
–The Music of Erich Zann
–The Other Gods
–The Outsider
–The Picture in the House
–The Quest of Iranon
–The Rats in the Walls
–The Shunned House
–The Silver Key
–The Statement of Randolph Carter
–The Strange High House in the Mist
–The Street
–The Temple
–The Terrible Old Man
–The Thing on the Doorstep
–The Tomb
–The Transition of Juan Romero
–The Tree
–The Unnamable
–The White Ship
–What the Moon Brings
–Polaris
–The Very Old Folk
–Ibid
–Old Bugs
–Sweet Ermengarde, or, The Heart of a Country Girl
–A Reminiscence of Dr. Samuel Johnson
–The History of the Necronomicon

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Chapter III

Toward the end of June the phonograph record came—shipped from Brattleboro, since Akeley was unwilling to trust conditions on the branch line north of there. He had begun to feel an increased sense of espionage, aggravated by the loss of some of our letters; and said much about the insidious deeds of certain men whom he considered tools and agents of the hidden beings. Most of all he suspected the surly farmer Walter Brown, who lived alone on a run-down hillside place near the deep woods, and who was often seen loafing around corners in Brattleboro, Bellows Falls, Newfane, and South Londonderry in the most inexplicable and seemingly unmotivated way. Brown’s voice, he felt convinced, was one of those he had overheard on a certain occasion in a very terrible conversation; and he had once found a footprint or claw-print near Brown’s house which might possess the most ominous significance. It had been curiously near some of Brown’s own footprints—footprints that faced toward it.

So the record was shipped from Brattleboro, whither Akeley drove in his Ford car along the lonely Vermont back roads. He confessed in an accompanying note that he was beginning to be afraid of those roads, and that he would not even go into Townshend for supplies now except in broad daylight. It did not pay, he repeated again and again, to know too much unless one were very remote from those silent and problematical hills. He would be going to California pretty soon to live with his son, though it was hard to leave a place where all one’s memories and ancestral feelings centred.

Before trying the record on the commercial machine which I borrowed from the college administration building I carefully went over all the explanatory matter in Akeley’s various letters. This record, he had said, was obtained about 1 a.m. on the first of May, 1915, near the closed mouth of a cave where the wooded west slope of Dark Mountain rises out of Lee’s Swamp. The place had always been unusually plagued with strange voices, this being the reason he had brought the phonograph, dictaphone, and blank in expectation of results. Former experience had told him that May-Eve—the hideous Sabbat-night of underground European legend—would probably be more fruitful than any other date, and he was not disappointed. It was noteworthy, though, that he never again heard voices at that particular spot.

Unlike most of the overheard forest voices, the substance of the record was quasi-ritualistic, and included one palpably human voice which Akeley had never been able to place. It was not Brown’s, but seemed to be that of a man of greater cultivation. The second voice, however, was the real crux of the thing—for this was the accursed buzzing which had no likeness to humanity despite the human words which it uttered in good English grammar and a scholarly accent.

The recording phonograph and dictaphone had not worked uniformly well, and had of course been at a great disadvantage because of the remote and muffled nature of the overheard ritual; so that the actual speech secured was very fragmentary. Akeley had given me a transcript of what he believed the spoken words to be, and I glanced through this again as I prepared the machine for action. The text was darkly mysterious rather than openly horrible, though a knowledge of its origin and manner of gathering gave it all the associative horror which any words could well possess. I will present it here in full as I remember it—and I am fairly confident that I know it correctly by heart, not only from reading the transcript, but from playing the record itself over and over again. It is not a thing which one might readily forget!

(INDISTINGUISHABLE SOUNDS)

(A CULTIVATED MALE HUMAN VOICE)

…is the Lord of the Woods, even to… and the gifts of the men of Leng… so from the wells of night to the gulfs of space, and from the gulfs of space to the wells of night, ever the praises of Great Cthulhu, of Tsathoggua, and of Him Who is not to be Named. Ever Their praises, and abundance to the Black Goat of the Woods. Iä! Shub-Niggurath! The Goat with a Thousand Young!

(A BUZZING IMITATION OF HUMAN SPEECH)

Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!

(HUMAN VOICE)

And it has come to pass that the Lord of the Woods, being… seven and nine, down the onyx steps… (tri)butes to Him in the Gulf, Azathoth, He of Whom Thou hast taught us marv(els)… on the wings of night out beyond space, out beyond th… to That whereof Yuggoth is the youngest child, rolling alone in black aether at the rim…

(BUZZING VOICE)

…go out among men and find the ways thereof, that He in the Gulf may know. To Nyarlathotep, Mighty Messenger, must all things be told. And He shall put on the semblance of men, the waxen mask and the robe that hides, and come down from the world of Seven Suns to mock…

(HUMAN VOICE)

…(Nyarl)athotep, Great Messenger, bringer of strange joy to Yuggoth through the void, Father of the Million Favoured Ones, Stalker among…

(SPEECH CUT OFF BY END OF RECORD)

Such were the words for which I was to listen when I started the phonograph. It was with a trace of genuine dread and reluctance that I pressed the lever and heard the preliminary scratching of the sapphire point, and I was glad that the first faint, fragmentary words were in a human voice—a mellow, educated voice which seemed vaguely Bostonian in accent, and which was certainly not that of any native of the Vermont hills. As I listened to the tantalisingly feeble rendering, I seemed to find the speech identical with Akeley’s carefully prepared transcript. On it chanted, in that mellow Bostonian voice… “Iä! Shub-Niggurath! The Goat with a Thousand Young!…”

And then I heard the other voice . To this hour I shudder retrospectively when I think of how it struck me, prepared though I was by Akeley’s accounts. Those to whom I have since described the record profess to find nothing but cheap imposture or madness in it; but could they have heard the accursed thing itself , or read the bulk of Akeley’s correspondence (especially that terrible and encyclopaedic second letter), I know they would think differently. It is, after all, a tremendous pity that I did not disobey Akeley and play the record for others—a tremendous pity, too, that all of his letters were lost. To me, with my first-hand impression of the actual sounds, and with my knowledge of the background and surrounding circumstances, the voice was a monstrous thing. It swiftly followed the human voice in ritualistic response, but in my imagination it was a morbid echo winging its way across unimaginable abysses from unimaginable outer hells. It is more than two years now since I last ran off that blasphemous waxen cylinder; but at this moment, and at all other moments, I can still hear that feeble, fiendish buzzing as it reached me for the first time.

“Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!”

But though that voice is always in my ears, I have not even yet been able to analyse it well enough for a graphic description. It was like the drone of some loathsome, gigantic insect ponderously shaped into the articulate speech of an alien species, and I am perfectly certain that the organs producing it can have no resemblance to the vocal organs of man, or indeed to those of any of the mammalia. There were singularities in timbre, range, and overtones which placed this phenomenon wholly outside the sphere of humanity and earth-life. Its sudden advent that first time almost stunned me, and I heard the rest of the record through in a sort of abstracted daze. When the longer passage of buzzing came, there was a sharp intensification of that feeling of blasphemous infinity which had struck me during the shorter and earlier passage. At last the record ended abruptly, during an unusually clear speech of the human and Bostonian voice; but I sat stupidly staring long after the machine had automatically stopped.

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