Lyn Spillman - What is Cultural Sociology?

1 Series title

2 Title page What is Cultural Sociology? LYN SPILLMAN polity

3 Copyright page

4 Acknowledgments

5 1 Introduction Rituals, symbols, values, norms, and categories The idea of culture Culture in sociology Cultural sociology and processes of meaning-making Three lenses on meaning-making processes Conclusion

6 2 Making Meaning Central Convention, structure, and materiality in symbolic forms Cognitive categories and symbolic boundaries Schemas, frames, valuation, commensuration Discursive fields, binary codes, narratives, and genres Materiality and iconicity Conclusion

7 3 Meaning and Interaction Intention and reference in processes of meaning-making Habitus and practice Cultural repertoires and strategies of action Idiocultures and subcultures Group styles and scenes Performance Conclusion

8 4 Producing Meaning The socio-historical context of meaning-making: beyond reflection theory Cultural reproduction, change, and the problem of “articulation” The production of culture Cultural fields Conclusion

9 5 Conclusion: Landscapes, Stages, and Fields Foundations and presuppositions of cultural sociology Landscapes, stages, and fields Exploring the cultural sociology of What is Cultural Sociology? What is missing from What is Cultural Sociology? Debates and difference among cultural sociologists Using the conceptual tools of cultural sociology

10 References

11 Index

12 End User License Agreement

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LYN SPILLMAN

polity

Copyright © Lyn Spillman 2020

The right of Lyn Spillman to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

First published in 2020 by Polity Press

Polity Press

65 Bridge Street

Cambridge CB2 1UR, UK

Polity Press

101 Station Landing

Suite 300

Medford, MA 02155, USA

All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

ISBN-13: 978-1-5095-2280-4

ISBN-13: 978-1-5095-2281-1 (pb)

A catalogue record for this book is available from the British Library.

Library of Congress Cataloging-in-Publication Data

Names: Spillman, Lyn, author.

Title: What is cultural sociology? / Lyn Spillman.

Description: Cambridge, UK ; Medford, MA : Polity, 2020. | Series: What is sociology? series | Includes bibliographical references and index. | Summary: “Offering a concise answer to the question “What is Cultural Sociology?,” this book provides an overview of what you need to know to do cultural sociology. Spillman demonstrates many of the conceptual tools cultural sociologists use to help understand how people make meaning, with vivid examples from this rich and ubiquitous feature of our lives”-- Provided by publisher.

Identifiers: LCCN 2019024009 (print) | LCCN 2019024010 (ebook) | ISBN 9781509522804 (hardback) | ISBN 9781509522811 (paperback) | ISBN 9781509522842 (epub)

Subjects: LCSH: Culture.

Classification: LCC HM621 .S653 2020 (print) | LCC HM621 (ebook) | DDC 301--dc23

LC record available at https://lccn.loc.gov/2019024009

LC ebook record available at https://lccn.loc.gov/2019024010

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by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NL

Printed and bound in the UK by TJ International Limited

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Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

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I am grateful for all my many encounters and conversations over the years with cultural sociologists who have developed the field from its inception to its diversity and strength today. They have made cultural sociology an intellectual home I could not have imagined when I first wondered long ago why sociologists did not seem to talk about culture. Among all these colleagues over the years, I have been particularly fortunate in the support, encouragement, and friendship of Jeffrey Alexander, Nina Eliasoph, Paul Lichterman, and Ann Swidler, even though each of them might well critique the picture of the field presented in this book.

I also thank Jonathan Skerrett, who motivated the project, Karina Jákupsdóttir, for her patience in seeing it through, and Justin Dyer, for his impressive copy-editing. The manuscript benefited from the comments of three anonymous reviewers. Michael Strand also offered helpful comments. Colleagues and students in Sociology at the University of Notre Dame create a stimulating environment for doing cultural sociology, and certainly enriched the picture presented here in many ways. Rebecca Overmyer provided enormous help by preserving time for this work among other responsibilities. Rachel Keynton, Robert Mowry, and Lilly Watermoon contributed essential background research at different stages of the project. I benefited from extended critical conversation on many of the topics included here with participants in my cultural sociology seminars. Especially fond thanks go to the seventy students who have worked with me over the years in preparation for advanced field examinations: I always finish our meetings feeling privileged by the opportunity. Russell Faeges helps in all these ways and many more and I thank him, too, for his sustained support.