Carolin Emcke - When I Say Yes

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How should we talk about desire, power and equality in the wake of the #Me Too debate?<br /> <br /> For Carolin Emcke, bestselling author and winner of the German Peace Prize, the debate demonstrates one thing above all: a conversation about abuse and sexuality has emerged that can no longer be stifled. Too many questions remain unanswered: which images and concepts shape our imaginings of desire and revulsion? How is violence exposed and obstructed? How do the norms and structures into which men, women and those in between must fit get constructed? What gets hushed up, and who remains powerless? How can the plurality of desire and sexuality be expressed, without sacrificing their intricacies? <br /> <br /> By interrogating her own experiences as well as social practices, music and literature, Emcke demonstrates the enduring complexity of the relationship between sexuality and truth.

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CONTENTS

1 Cover

2 Front Matter When I Say Yes Carolin Emcke Translated by Tony Crawford polity

3 When I Say Yes Notes

4 End User License Agreement

Guide

1 Cover

2 Begin Reading

Pages

1 iii When I Say Yes Carolin Emcke Translated by Tony Crawford polity

2 iv Originally published in German as Ja heißt ja und … © S. Fischer Verlag GmbH, Frankfurt am Main, 2019 This English edition © Polity Press, 2020 Excerpt from: Enis Maci, Eiscafé Europa: Essays. Originally published in German © Suhrkamp Verlag Berlin 2018. Reproduced here with kind permission of Suhrkamp Verlag. Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Polity Press 101 Station Landing Suite 300 Medford, MA 02155, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-13: 978-1-5095-4089-1 A catalogue record for this book is available from the British Library. The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: politybooks.com

3 v This text is based on a stage performance which premiered at the Schaubühne, Berlin, in December 2018.

4 vi You and I apart are easier to limit. – Kate Tempest, ‘Tunnel Vision’ Speaking about the nature of writing always includes speaking about the nature of speaking; it is a bridge to the second person, the third, the other. – Enis Maci, Eiscafé Europa

5 vii Acknowledgements I thank everyone, acquaintances and strangers, who have attended my solo evening Ja heißt ja und … at the Schaubühne in Berlin. To be able to experience in the theatre what it’s possible to set in motion by speaking about these issues, what is moving, what is disturbing, what is funny – has been both instructive and delightful. I thank everyone who has told me afterwards, in letters or in conversation, about their own experiences: that has been a precious gift. And it has changed my writing in this book. I thank not least the whole team at the Schaubühne, whose generosity, loving attention to detail, and ginger tea have made it all possible.

6 viii I thank not least the whole team at the Schaubühne, whose generosity, loving attention to detail, and ginger tea have made it all possible.

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When I Say Yes

Carolin Emcke

Translated by Tony Crawford

polity

Originally published in German as Ja heißt ja und … © S. Fischer Verlag GmbH, Frankfurt am Main, 2019

This English edition © Polity Press, 2020

Excerpt from: Enis Maci, Eiscafé Europa: Essays. Originally published in German © Suhrkamp Verlag Berlin 2018. Reproduced here with kind permission of Suhrkamp Verlag.

Polity Press

65 Bridge Street

Cambridge CB2 1UR, UK

Polity Press

101 Station Landing

Suite 300

Medford, MA 02155, USA

All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

ISBN-13: 978-1-5095-4089-1

A catalogue record for this book is available from the British Library.

The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

For further information on Polity, visit our website: politybooks.com

This text is based on a stage performance which premiered at the Schaubühne, Berlin, in December 2018.

You and I apart are easier to limit.

– Kate Tempest, ‘Tunnel Vision’

Speaking about the nature of writing always

includes speaking about the nature of speaking;

it is a bridge to the second person, the third, the other.

– Enis Maci, Eiscafé Europa

Acknowledgements

I thank everyone, acquaintances and strangers, who have attended my solo evening Ja heißt ja und … at the Schaubühne in Berlin.

To be able to experience in the theatre what it’s possible to set in motion by speaking about these issues, what is moving, what is disturbing, what is funny – has been both instructive and delightful.

I thank everyone who has told me afterwards, in letters or in conversation, about their own experiences: that has been a precious gift.

And it has changed my writing in this book.

I thank not least the whole team at the Schaubühne, whose generosity, loving attention to detail, and ginger tea have made it all possible.

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