Stephanie Trigg - 30 Great Myths about Chaucer

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The facts and fictions that continue to shape our understanding of Chaucer and his place in literary tradition Is Chaucer the father of English literature? The first English poet? Was he a feminist? A political opportunist? A spy? Is Chaucer’s language too difficult for modern readers?
explores the widely held ideas and opinions about the medieval poet, discussing how ‘myths’ have influenced Chaucer’s reception history and interpretations of his poetry through the centuries.
This unique text offers original insights on the character of Chaucer, the nature of his works, the myths that inform our conceptions of Chaucer, and the underlying causes of these myths
Each accessible and engaging chapter focuses on a specific myth, including those surrounding Chaucer’s romantic life, political leanings, religious views, personal struggles, financial challenges, ideas about chivalry, representations of social class, and many others. More than simply correcting inaccurate facts or clarifying common misconceptions about Chaucer, the text delves deeper to address how the myths have shaped the critical interpretation and enduring literary legacy of Chaucer. This innovative volume:
Explores how generations of readers continue to shape understanding of Chaucer Highlights the intersection of medievalism and Chaucer studies Helps readers detach myths about Chaucer from critical readings of his works Examines whether myths about Chaucer are based on historical fact or literary interpretation Discusses the history of reading Chaucer in contexts of biography, criticism, and popular culture
is an indispensable resource for academics, researchers, graduate students, upper-level undergraduates, and general readers with interest in Chaucer and early English and Middle Ages literatur

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Table of Contents

1 COVER

2 ACKNOWLEDGMENTS

3 INTRODUCTION: MYTHICAL CHAUCER

4 Myth 1: CHAUCER IS THE FATHER OF ENGLISH LITERATURE

5 Myth 2: CHAUCER WAS THE FIRST ENGLISH POET

6 Myth 3: CHAUCER SUFFERED AN UNREQUITED LOVE

7 Myth 4: CHAUCER’S MARRIAGE WAS UNHAPPY

8 Myth 5: CHAUCER’S SON THOMAS WAS JOHN OF GAUNT’S BASTARD

9 Myth 6: CHAUCER’S LANGUAGE IS TOO DIFFICULT FOR MODERN READERS

10 Myth 7: THE CANTERBURY PILGRIMS REPRESENT ALL SOCIAL CLASSES AND CHARACTER TYPES

11 Myth 8: THE CANTERBURY PILGRIMS ARE BASED ON REAL PEOPLE

12 Myth 9: THE CANTERBURY PILGRIMS FORM A “MERRY COMPANY”

13 Myth 10: CHAUCER WAS A FEMINIST

14 Myth 11: CHAUCER WAS GUILTY OF RAPE

15 Myth 12: CHAUCER HAD A FALLING OUT WITH HIS BEST FRIEND

16 Myth 13: CHAUCER LIVED IN THE MIDDLE AGES

17 Myth 14: CHAUCER WAS A PROTO‐PROTESTANT

18 Myth 15: CHAUCER WAS ANTI‐SEMITIC

19 Myth 16: CHAUCER WAS A SPY

20 Myth 17: CHAUCER WAS A CROOK

21 Myth 18: CHAUCER WAS A POLITICAL OPPORTUNIST

22 Myth 19: THE WIFE OF BATH MURDERED HER HUSBAND

23 Myth 20: CHAUCER “OUTS” THE PARDONER

24 Myth 21: CHAUCER NEVER FINISHED THE CANTERBURY TALES

25 Myth 22: CHAUCER IS OBSCENE

26 Myth 23: CHAUCER WAS SKEPTICAL OF CHIVALRY

27 Myth 24: CHAUCER DESCRIBED HIMSELF IN HIS WORKS

28 Myth 25: CHAUCER WROTE THE FIRST NOVEL IN ENGLISH

29 Myth 26: CHAUCER WAS IN DANGER OF BEING THROWN IN DEBTOR’S PRISON

30 Myth 27: CHAUCER RENOUNCED HIS WORKS ON HIS DEATHBED

31 Myth 28: CHAUCER IS BURIED IN HIS OWN TOMB

32 Myth 29: CHAUCER WAS THE FIRST POET LAUREATE

33 Myth 30: CONTEMPORARY LITERARY THEORY IS IRRELEVANT TO CHAUCER

34 CODA

35 FURTHER READING Chaucer’s Works Backgrounds and Contexts Further Criticism Other Resources

36 WORKS CITED Chaucer Editions (All Works by Chaucer, Listed by Editor) Manuscripts Other Primary Texts Secondary Texts

37 INDEX

38 END USER LICENSE AGREEMENT

Guide

1 Cover

2 Table of Contents

3 Begin Reading

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30 GREAT MYTHS ABOUT CHAUCER

Thomas A. Prendergast and Stephanie Trigg

This edition first published 2020 2020 John Wiley Sons Inc All rights - фото 1

This edition first published 2020

© 2020 John Wiley & Sons, Inc.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.

The right of Thomas A. Prendergast and Stephanie Trigg to be identified as the authors of this work has been asserted in accordance with law.

Registered Office John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, USA

Editorial Office The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

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Limit of Liability/Disclaimer of Warranty While the publisher and authors have used their best efforts in preparing this work, they make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives, written sales materials or promotional statements for this work. The fact that an organization, website, or product is referred to in this work as a citation and/or potential source of further information does not mean that the publisher and authors endorse the information or services the organization, website, or product may provide or recommendations it may make. This work is sold with the understanding that the publisher is not engaged in rendering professional services. The advice and strategies contained herein may not be suitable for your situation. You should consult with a specialist where appropriate. Further, readers should be aware that websites listed in this work may have changed or disappeared between when this work was written and when it is read. Neither the publisher nor authors shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

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