Victoria D. Alexander - Sociology of the Arts

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Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook Sociology of the Arts Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook: 
Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field, 
 is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.

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SOCIOLOGY OF THE ARTS

Exploring Fine and Popular Forms

Second Edition

Victoria D. Alexander

This second edition first published 2021 2021 John Wiley Sons Ltd All - фото 1

This second edition first published 2021

© 2021 John Wiley & Sons Ltd

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.

The right of Victoria D. Alexander to be identified as the author of this work has been asserted in accordance with law.

Registered Offices John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, USA John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Office 9600 Garsington Road, Oxford, OX4 2DQ, UK

For details of our global editorial offices, customer services, and more information about Wiley products visit us at www.wiley.com.

Wiley also publishes its books in a variety of electronic formats and by print‐on‐demand. Some content that appears in standard print versions of this book may not be available in other formats.

Limit of Liability/Disclaimer of Warranty While the publisher and authors have used their best efforts in preparing this work, they make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives, written sales materials or promotional statements for this work. The fact that an organization, website, or product is referred to in this work as a citation and/or potential source of further information does not mean that the publisher and authors endorse the information or services the organization, website, or product may provide or recommendations it may make. This work is sold with the understanding that the publisher is not engaged in rendering professional services. The advice and strategies contained herein may not be suitable for your situation. You should consult with a specialist where appropriate. Further, readers should be aware that websites listed in this work may have changed or disappeared between when this work was written and when it is read. Neither the publisher nor authors shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

Library of Congress Cataloging‐in‐Publication Data

Names: Alexander, Victoria D., author.

Title: Sociology of the arts : exploring fine and popular forms / Victoria D. Alexander.

Description: Second edition. | Hoboken, NJ, USA : Wiley Blackwell, 2020. | Includes bibliographical references and index.

Identifiers: LCCN 2020014461 (print) | LCCN 2020014462 (ebook) | ISBN 9780470672884 (paperback) | ISBN 9781118326527 (e pdf) | ISBN 9781118323465 (epub)

Subjects: LCSH: Arts and society.

Classification: LCC NX180.S6 A435 2020 (print) | LCC NX180.S6 (ebook) | DDC 306.4/7—dc23

LC record available at https://lccn.loc.gov/2020014461LC ebook record available at https://lccn.loc.gov/2020014462

Cover Design: Wiley

Cover Image: Self‐Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de, Rosemond (died1788) 1785, Gift of Julia A. Berwind, 1953/Metmuseum.org, Modern Greek Goddess © lambada/Getty Images

List of Illustrations

Elisabeth Louise Vigée Le Brun, Julie Le Brun Looking in a Mirror (1787), Detail
3.1 DVD Cover Sleeve for Ratatouille (2007)
3.2 Film Poster for Natural Born Killers (1994)
5.1 “Guan Ju,” a poem in the illustrated edition of the Book of Odes , calligraphy and watercolor by the Qianlong Emperor(Qing Dynasty)
5.2 Felicien Myrbach‐Rheinfeld, Candidates for Admission to the Paris Salon (late nineteenth century–early twentieth century)
6.1 Theatre Program for the London Production of the Musical Hamilton .
11.1 Titian, Diana and Actaeon (1556–1559)
12.1 Social Boundaries in Action, a New Yorker Cartoon by J. B. Handelsman
13.1 Alexandre Cabanel, The Birth of Venus (1863)
13.2 Piero della Francesca, The Baptism of Christ (ca.1450)
14.1 Artemisia Gentileschi, Judith Beheading Holofernes (1610)
14.2 Henri Gervex, Rolla (1878)

List of Tables

1.1 What is Art? Manifestations of Culture Included and Excluded from Consideration in This Book
5.1 Precepts of the French Academy
8.1 Three Definitions of “Artist”
12.1 Musical Styles included in the 1993 General Social Survey
12.2 Legitimate, Common, and Unauthorized Cultural Forms

List of Figures

4.1 Griswold’s Cultural Diamond
4.2 Modified Cultural Diamond
6.1 The Long Tail
10.1 Johann Sebastian Bach, Cantata BWV 140, “Wachet auf ruft uns die Stimme” (“Sleepers Awake”)
13.1 Myth as a Second‐Order Semiological System
13.2 Drawing after a Woodcut in Santo Brasca’s Itinerario di Gerusalemme (Milan, 1481)

List of Boxes

6.1 Change in the Film Fatal Attraction
8.1 The Romantic Vision of the Artist
9.1 Cowboys, Indians, and Western Movies
13.1 An Explanation of Piero’s Baptism of Christ

Preface and Acknowledgements

Since the first edition of Sociology of the Arts , the literature in the field has grown vibrantly, as more sociologists recognize the value of studying the fine and popular arts. As an arts sociologist, I am delighted. This has provided a challenge in updating this book, however. There is simply more literature out there and more wonderful studies than can be addressed here.

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