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SOCIOLOGY OF THE ARTS
Exploring Fine and Popular Forms
Second Edition
Victoria D. Alexander
This second edition first published 2021
© 2021 John Wiley & Sons Ltd
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.
The right of Victoria D. Alexander to be identified as the author of this work has been asserted in accordance with law.
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Library of Congress Cataloging‐in‐Publication Data
Names: Alexander, Victoria D., author.
Title: Sociology of the arts : exploring fine and popular forms / Victoria D. Alexander.
Description: Second edition. | Hoboken, NJ, USA : Wiley Blackwell, 2020. | Includes bibliographical references and index.
Identifiers: LCCN 2020014461 (print) | LCCN 2020014462 (ebook) | ISBN 9780470672884 (paperback) | ISBN 9781118326527 (e pdf) | ISBN 9781118323465 (epub)
Subjects: LCSH: Arts and society.
Classification: LCC NX180.S6 A435 2020 (print) | LCC NX180.S6 (ebook) | DDC 306.4/7—dc23
LC record available at https://lccn.loc.gov/2020014461LC ebook record available at https://lccn.loc.gov/2020014462
Cover Design: Wiley
Cover Image: Self‐Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de, Rosemond (died1788) 1785, Gift of Julia A. Berwind, 1953/Metmuseum.org, Modern Greek Goddess © lambada/Getty Images
Elisabeth Louise Vigée Le Brun, Julie Le Brun Looking in a Mirror (1787), Detail |
3.1 |
DVD Cover Sleeve for Ratatouille (2007) |
3.2 |
Film Poster for Natural Born Killers (1994) |
5.1 |
“Guan Ju,” a poem in the illustrated edition of the Book of Odes , calligraphy and watercolor by the Qianlong Emperor(Qing Dynasty) |
5.2 |
Felicien Myrbach‐Rheinfeld, Candidates for Admission to the Paris Salon (late nineteenth century–early twentieth century) |
6.1 |
Theatre Program for the London Production of the Musical Hamilton . |
11.1 |
Titian, Diana and Actaeon (1556–1559) |
12.1 |
Social Boundaries in Action, a New Yorker Cartoon by J. B. Handelsman |
13.1 |
Alexandre Cabanel, The Birth of Venus (1863) |
13.2 |
Piero della Francesca, The Baptism of Christ (ca.1450) |
14.1 |
Artemisia Gentileschi, Judith Beheading Holofernes (1610) |
14.2 |
Henri Gervex, Rolla (1878) |
1.1 |
What is Art? Manifestations of Culture Included and Excluded from Consideration in This Book |
5.1 |
Precepts of the French Academy |
8.1 |
Three Definitions of “Artist” |
12.1 |
Musical Styles included in the 1993 General Social Survey |
12.2 |
Legitimate, Common, and Unauthorized Cultural Forms |
4.1 |
Griswold’s Cultural Diamond |
4.2 |
Modified Cultural Diamond |
6.1 |
The Long Tail |
10.1 |
Johann Sebastian Bach, Cantata BWV 140, “Wachet auf ruft uns die Stimme” (“Sleepers Awake”) |
13.1 |
Myth as a Second‐Order Semiological System |
13.2 |
Drawing after a Woodcut in Santo Brasca’s Itinerario di Gerusalemme (Milan, 1481) |
6.1 |
Change in the Film Fatal Attraction |
8.1 |
The Romantic Vision of the Artist |
9.1 |
Cowboys, Indians, and Western Movies |
13.1 |
An Explanation of Piero’s Baptism of Christ |
Preface and Acknowledgements
Since the first edition of Sociology of the Arts , the literature in the field has grown vibrantly, as more sociologists recognize the value of studying the fine and popular arts. As an arts sociologist, I am delighted. This has provided a challenge in updating this book, however. There is simply more literature out there and more wonderful studies than can be addressed here.
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