Kester Grant - The Court of Miracles

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Les Misérables meets Six of Crows in this page-turning adventure as a young thief finds herself going head to head with leaders of Paris's criminal underground in the wake of the French Revolution.In the violent urban jungle of an alternate 1828 Paris, the French Revolution has failed and the city is divided between merciless royalty and nine underworld criminal guilds, known as the Court of Miracles.Eponine (Nina) Thénardier is a talented cat burglar and member of the Thieves Guild. Nina's life is midnight robberies, avoiding her father's fists, and watching over her naïve adopted sister, Cosette (Ettie).When Ettie attracts the eye of the Tiger – the ruthless lord of the Guild of Flesh – Nina is caught in a desperate race to keep the younger girl safe. Her vow takes her from the city's dark underbelly to the glittering court of Louis XVII.And it also forces Nina to make a terrible choice – protect Ettie and set off a brutal war between the guilds, or forever lose her sister to the Tiger.

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“Tell me what happened to Ysengrim’s daughter when Rennart found her.”

I swallow. Ettie is obsessed with stories. And yet … what harm is there in finishing the tale? In giving her one last good thing before the end? And so I begin.

“Rennart the Fox went to the house of Ysengrim the Boar,” I say. “He stole into his lair in the darkness. There he found the daughter of Ysengrim, and he gazed upon her beautiful face as she lay sleeping.”

Ettie inches toward me and leans into me, like she did on the nights when she couldn’t sleep; like I did when Azelma relayed stories to me.

“It was for revenge that the Fox had come,” I continue, relaying the betrayal of Rennart by Ysengrim, the murder of his wife, the casting out of the Fox to a dark hell until he could escape and have justice.

But my voice grows unsteady. I try not to remember Azelma wrapping her arms about me like this, the warmth of her. Azelma, who protected me, who would never have done to me what I am contemplating doing to Ettie.

When a warm tear rolls down my cheek, she reaches up to wipe it from my chin.

“Don’t cry, Nina,” she says in her small voice.

And I know then that even for Azelma, my sister, even for her, I cannot go through with this. And the knowledge defeats me. For if I can’t exchange Ettie for Azelma, then I cannot save my sister at all. I’ve lost her again, lost her forever.

The pain of it slices at me, but I cannot let it drown me, not now. I did a terrible thing setting this plan in motion. Ettie’s life hangs in the great and terrible balance, and if I fall apart now, there will be no one else to help her. I must concentrate on the only thing I have any chance of changing now … I must think of Ettie.

I glance sideways at her. She is so vulnerable, in her oversized shirt and boots. Like the beast he is, the Tiger has gotten the scent of her. I made sure of that. He’ll come for her, and it will be my fault.

What am I going to do?

When we don’t return, they’ll look for me; they’ll know I had a hand in it. She can’t hide in this building forever. Nor can I.

Be useful, Azelma said the day she was taken, be smart, and stay one step ahead of everyone.

And then it comes to me. Breathtaking in its simplicity, really: the only way to protect someone is to give them to the protection of another Guild.

I remember Tomasis’s reaction when I was given to him, and I frown. No Guild will want the Tiger’s prey, for all the Lords fear the Tiger.

Except, perhaps, the Dead Lord.

I sit upright so suddenly that Ettie looks at me, blinking.

“What is it, Nina?”

My mind is racing as I begin to make a new plan, and I am faced with an inconvenient fact: no one has seen the Dead Lord or his Ghosts in weeks. His absence is strange enough to be whispered about in the Court. There is only one person who might know what has become of him.

The thought is so insane it is laughable.

What choice do I have?

“Where are we going?” Ettie asks.

“To find Lady Corday.”

“Who is Lady Corday?”

You don’t want to know.

“The Lady of the Assassins Guild.”

Ettie catches her breath. “Where will we find her?”

Somewhere no one goes—at least, not if they want to walk out alive.

8 8. The Dealers of Death 9. The Dead 10. La Vallée de Misère 11. The Dead Lord 12. Les Oubliettes 13. The Miracle Court 14. The Master’s Hand PART THREE: The Bread Price The Tale of the Six Little Mice 15. The Fountain 16. The Dead Trial 17. The Pont Neuf 18. Of Drownings 19. The Dauphin of France 20. Ettie’s Tale 21. The Sisters 22. The Mesmerist 23. Les Diamants de la Couronne 24. The Bread Price 25. The Stripes of the Cat PART FOUR: The Black Cat’s Hunting How the Tiger Got His Stripes 26. The Société des Droits de l’Homme 27. Gray Brother 28. Master of Knives 29. Of Paper and Rats 30. What the Lords Said 31. The Dead Lord’s Word 32. She Who Was Lost 33. The Ruined Flesh 34. The Truth 35. Inspector Javert 36. A Little Fall of Rain 37. The Courier 38. The Tiger’s Lair 39. The Black Cat’s Father 40. The Death Song 41. The End of the Tale Les milles remerciements—en ordre chronologique About the Publisher

The Dealers of Death 8. The Dealers of Death 9. The Dead 10. La Vallée de Misère 11. The Dead Lord 12. Les Oubliettes 13. The Miracle Court 14. The Master’s Hand PART THREE: The Bread Price The Tale of the Six Little Mice 15. The Fountain 16. The Dead Trial 17. The Pont Neuf 18. Of Drownings 19. The Dauphin of France 20. Ettie’s Tale 21. The Sisters 22. The Mesmerist 23. Les Diamants de la Couronne 24. The Bread Price 25. The Stripes of the Cat PART FOUR: The Black Cat’s Hunting How the Tiger Got His Stripes 26. The Société des Droits de l’Homme 27. Gray Brother 28. Master of Knives 29. Of Paper and Rats 30. What the Lords Said 31. The Dead Lord’s Word 32. She Who Was Lost 33. The Ruined Flesh 34. The Truth 35. Inspector Javert 36. A Little Fall of Rain 37. The Courier 38. The Tiger’s Lair 39. The Black Cat’s Father 40. The Death Song 41. The End of the Tale Les milles remerciements—en ordre chronologique About the Publisher

In times past, terrible wars threatened to tear the Miracle Court apart, which is why the Law was created to govern all the Guilds. But even with the Law, the Guilds can’t quite give up the moldering suspicions that make them so distrustful of one another. The location of almost every Guild House is a closely guarded secret, known only to Femi and the People of the Pen. One of the exceptions is this house.

The building is impressive: tall, ancient, built of white marble. Its architecture is spare compared with the extravagant Gothic style of its decaying neighbors.

My mouth goes dry looking at it. They say it used to house the finest undertakers in all of France; some say it still does. We walk up a manicured path of smooth white stone leading to a large terrace. The front door is tall and black; its knocker is a heavy brass skull.

The Assassins don’t need to hide their Guild, because members of the Miracle Court usually aren’t foolish enough to seek them out.

I take a deep breath, wrap my fingers around the cold brass, and rap on the door. The noise thunders through the house, and an eerie, unnatural silence answers us. I pray that no one opens the door.

No one does.

“Are you sure this is the right place?” Ettie whispers.

It’s the right place.

No one may enter a Guild if they are not a child of that Guild. It is a Law of the Miracle Court. The punishment for entering a Guild House uninvited varies by Guild. Thieves like to hang people from the Pont Neuf by their nether regions, which could be why no one ever tries to visit them. There are stories that say entering the front door of the Assassins Guild without an invitation leads to instant decapitation via hidden guillotine. Invitations are scarce. We’ll have to do without one today.

Every nerve in my body is alive with dread as I push the heavy door open. That it’s not locked frightens me more than I can say. I pause for a moment. No guillotine falls.

We stare down a long corridor lit by dim sconces; the floor is a chessboard of black and white marble. There’s a small fountain gurgling delicately at its far end.

Beside me, Ettie is rigid and quiet. My fear is contagious.

“Good hunting,” I call as loudly as I dare, making Ettie jump. My greeting goes unanswered.

“Maybe they’re not home,” Ettie offers. I shake my head.

The Bats are always home.

We walk down the corridor; my heart beats a wild staccato.

This Guild House, like its children, is stark, elegant, and devoid of feeling.

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