C.L. Taylor - The Missing

Mark compartmentalizes his life. He has the ‘boxes’ in his head he escapes into. I don’t. But at least I have Liz.

‘So how was it?’ she asks.

‘Awful.’

I tell her about Kira screaming, the booze, the cut foot, Jake’s interruption and the argument when we all got home.

‘I’m just so tired,’ I say as she swipes a box of tissues from the windowsill and pushes them towards me. ‘I just want Billy to come home and for this to be over. I miss him, Liz. I miss him so much.’

‘I know,’ she says. ‘I know you do.’

I pull a tissue from the box and dab at my cheeks. I hate that my default emotional reaction is crying. I wish I could shout and scream or punch something instead.

‘Sorry,’ I say.

‘For what? If you can’t snot all over your best friend’s kitchen where can you?’

I try not to cry in front of Mark and Jake because I don’t want them to worry about me but it’s different with Liz. Her kitchen is a safe haven. We’ve known each other since Liz and Lloyd moved next door when the boys were little. They’d play in the back garden while Liz and I would sit on deckchairs and chat. It was a tentative friendship at first, as we sussed each other out, but it wasn’t long before we started taking it in turns to do the school run and the odd bit of babysitting. The first time we went out for drinks we got so drunk we stopped being polite and properly opened up. We were both in tears by the end of the night. Since then we’ve been there for each other through everything – Lloyd walking out on Liz last year, my father-in-law’s heart attack and now Billy.

‘What you going to do now then?’ she asks, snapping off another piece of Galaxy and popping it into her mouth.

‘I need to get Mark and Jake in the same room as each other so they can sort out their differences.’

‘Claire …’ Liz reaches across the table and puts her hand over mine. ‘I’m only saying this because I love you but maybe you should let them sort it out in their own time. You’re going to make yourself poorly if you don’t let go.’

‘Let go of what?’

‘Of them. You’re not responsible for everyone else’s happiness, sweetheart.’

‘None of us are happy.’

‘Least of all you.’ She gives me a searching look. ‘Mark and Jake are going to butt heads from time to time – you need to accept that.’

‘They’ll kill each other if I don’t intervene.’

‘They won’t.’

‘Jake will move out.’

She makes a soft, sighing sound. ‘Would that be the worst thing in the world? He’s nineteen years old. He makes a good living as an electrician. He could afford a one-bedroom flat.’

‘What about Kira?’

‘There’d be enough space for her too. They pretty much spend all their time in his bedroom as it is from what you’ve said. And they’d have more space.’

‘But the house would be so empty without them. And besides, I want everything to be exactly the same as it was when Billy left. That way we can just go back to normal when he returns.’

My best friend gives me a long, searching look. She wants to comment but something is holding her back.

‘What is it?’

She shakes her head. ‘Doesn’t matter.’

‘Yes, it does. What were you going to say?’

‘I just think …’ She looks away and rubs her fingers over her lips. I’ve never seen her look this uncomfortable before. ‘I just think that maybe you’re putting your life on hold for something that might not happen. I think you should … prepare yourself for bad news. It’s been six months, Claire.’

I stand up abruptly. ‘I think I should go.’

‘Oh God.’ Liz stands up too. ‘I shouldn’t have said anything. Are you okay? You’ve gone very pale.’

‘I’m fine.’

‘I’ll make us some more tea. Are you sure you won’t have some chocolate? You look—’

‘I’m going to be sick.’ I sprint from the room, one hand to my mouth, and only just make it up the stairs and into the bathroom before my stomach convulses and I dry retch over the toilet.

‘Claire?’ Liz says from behind me. ‘Are you okay?’

‘I’ll be fine. I just need some water.’

As I twist the cold tap something in the bin by the basin catches my eye.

‘No!’ Liz shouts as I reach for the newspaper. ‘Claire, don’t! Don’t read that.’

I turn my back on her and angle myself into the corner of the room as I unfold the newspaper. Billy’s name is on the front cover.

BRAWL OVER MISSING BILLY

There’s a photo beneath the blaring headline: me, wide-eyed and frantic with Mark at my shoulder. I’m reaching across the journalists for Jake who has his head against the wall, his hands balled into fists on either side of his face.

Pandemonium broke out at the six-month appeal for missing Knowle schoolboy Billy Wilkinson yesterday when his mother, Claire Wilkinson (40), was interrupted during her message to camera as Jake Wilkinson (19), the missing boy’s older brother, burst into the council offices. Wilkinson, who was visibly intoxicated, was heard to shout that he had a right to speak. His mother Claire and father Mark (42) abandoned their appeal to intervene and Mark Wilkinson was heard to exclaim, ‘Get him out of here! Get him out of here!’ Mrs Wilkinson looked visibly upset as the family was bundled out of the room.

Bristol Standard reporter Steve James spoke to a neighbour who watched the appeal on the television. ‘We’ve never had any run-ins with the Wilkinsons. They seem like a perfectly normal family but you have to wonder whether someone knows more about Billy’s disappearance than they’re letting on.’

‘Claire!’ Liz snatches the newspaper from my hands before I can read another word. ‘It’s all crap. They make stuff up to sell copies. No one believes that shit.’

She reaches an arm around my shoulders but I twist away from her, knocking her against the basin in my desperation to get out of the bathroom. It’s unbearably hot and I can’t breathe.

I take the steps down to the hallway two at a time and wrench open the front door. The second I step outside I run.

I stand at the end of the bed with my feet pressed together and my arms outstretched and I tip backwards. The bedspread makes a delicious floop sound as I hit it and the bed springs squeak in protest. I can’t remember the last time I felt this happy.

‘No!’

I look to the right, in the direction of the voice, but there’s no one beside me on the bed. I’m alone in the room. There must be someone in the corridor. A woman arguing with her husband perhaps, although I can’t hear the low rumble of a male voice.

‘No!’

The voice again, quieter this time but closer, as though someone has spoken the word directly into my ear. I sit up in bed and pull my knees in to my chest.

‘NO!’

I clamp my hands to my ears but there’s no blocking out the woman’s voice as she shouts the word, machine-gun fast – NO, NO, NO, NO, NO.

It’s inside my head. The voice is coming from inside my head.

‘CLAIRE!’ it shouts. ‘I AM CLAIRE. I AM CLAIRE.’

Claire? Who is Claire? I recognize the name but I don’t want to. I don’t want to know who Claire is. I just want to get back to the seafront. Back to the sunshine and wind and the café on the edge of the pier.

‘I AM CLAIRE! I AM CLAIRE!’

The voice fills my brain, screaming and buzzing, and my head is vibrating and the light, happy feeling inside me is fading.

Dark. Light. Dark. Light.

My thoughts are dark and foggy, then brighter, clearer and then, just for a second – a split second – I know who Claire is, then the darkness returns and with it a confusion so disorientating my hands instinctively clench as I try to anchor myself to something, anything solid. There is something smooth and slippery soft under my fingers. Bed linen. I am sitting on a bed. But this is not my bed, this is not my room. There is a framed art print on the wall to my right: a faded Lowry, stick people milling around a town. There is a lone boy in the centre of the scene. He has his back to me. He’s looking at the crowd of people spilling out of one of the buildings. Who is he looking for? Who has he lost?