Helen Monks Takhar - Precious You

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Precious You: краткое содержание, описание и аннотация

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2020’s must-read thriller is a powerfully gripping and unsettling story of obsession, revenge and deceit. This is a novel to shock you to your very core. Perfect for fans of Netflix’s You. ___‘A breathtaking debut’ SAMANTHA DOWNING ‘Deliciously dark and addictive’ ALICE FEENEY ‘Compulsive and disturbing’ ADELE PARKS ‘Hints of Gone Girl’ WILL DEAN ‘Twisted, shocking, terrific’ JO SPAIN ‘Nail-biting’ HARRIET TYCE ___Trusting you was my first mistake… At first Katherine dismisses her early-twenties intern as a millennial ‘snowflake’: soft, entitled, moralistic. But Lily’s youth and beauty remind Katherine of everything she once was, and she soon finds herself obsessively drawn to her new colleague. But is Katherine simply jealous of Lily’s potential – or does she sense that her intern has a dark hidden agenda? A disturbing picture begins to emerge of two women who are not what they seem – and who are desperate enough to do anything to come out on top.As their rivalry deepens and with their backs against the wall, the consequences are about to turn deadly… Explosive and provocative, with shocking twists at every turn, Precious You is an addictive, revenge-fuelled thriller for our age. ___‘Disturbing and zeitgeisty’ PHOEBE MORGAN ‘I was hooked’ KATE HAMER ‘Audacious, dark and smart’ PHOEBE LOCKE ‘I’m obsessed!’ LAURIE ELIZABETH FLYNN ‘A brutal beauty. WOW’ MIRANDA DICKINSON ‘A brilliantly twisted tale’ LISA HALL ‘My mouth was open’ CRESSIDA MCLAUGHLIN ‘Wickedly fun’ ANNA PITONIAK ‘Messed up and BRILLIANT’ LIZ LOVES BOOKS ‘Dark and twisted’ ANITA FRANK ‘A powerhouse of a debut’ EMMA COOPER ‘OMG. I loved it’ JOSIE LLOYD

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LIV LITTLE, EDITOR WWW.GAL-DEM.COM

Contents

Cover

Praise

About the Author

Title Page

Copyright

Note to Readers

Dedication

Katherine

Chapter 1

Lily

Chapter 2

Lily

Chapter 3

Lily

Chapter 4

Lily

Chapter 5

Chapter 6

Lily

Chapter 7

Chapter 8

Lily

Chapter 9

Lily

Chapter 10

Chapter 11

Lily

Chapter 12

Chapter 13

Lily

Chapter 14

Lily

Chapter 15

Chapter 16

Chapter 17

Lily

Chapter 18

Chapter 19

Lily

Chapter 20

Lily

Chapter 21

Chapter 22

Creep Feeder

Chapter 23

Chapter 24

Lily

Author Note

Acknowledgements

About the Publisher

Katherine

I’ve lost you in the neon river of high-visibility vests and chrome helmets flying ahead of my car towards the junction. You lot all look the same. Is that what they think of us ? I can hear Iain say. I fight my exhaustion, rub my gritty eyes and try to find you again.

I slept in my car last night. I had that dream again, the one I told you about, the one I’ve had every night since I laid eyes on you. I’m back at my mother’s farm. A darkness soaks into my bones; a black sky marbled with thick red veins envelopes me. Through the gloom, I see my top half is me today; a short swish of black hair, my strong arms shielded by a leather biker jacket. The bottom half is twelve-year-old me; my mother’s dirty cast-off jeans hanging off stringy legs. I’m starving. Barefoot, at first I’m treading on stubbled grass, but the terrain quickly changes; I’m stepping on burnt pasture, like a thousand tiny razors under my bony feet. My blood begins to wet the parched scrub below. Suddenly, the ground begins to separate into hundreds of deep gullies. My instinct is to freeze, but I know I must go forward; ahead of me is the gate to the far paddock and I have to reach it to end this nightmare and stop my hunger. And I can’t see her, but I know my mother is watching. She thinks I’ll never make it. She thinks me too weak; she always tried to keep me so. She’s willing me to stop, but I keep pushing forward, despite the pain, despite the hungry chasms at my feet that want to swallow me, I force myself to place one foot in front of the other to reach the gate.

I woke up aching, bent double in the backseat of my Mini. My life has come to this because of you: an existence played out slumped in Costa armchairs and the car I can’t afford to insure anymore. This morning I’d decided to drive. I didn’t know where or why until I spotted you on your bike. Then, I knew exactly what I had to do.

I stop-start, tracking you through the clog of traffic edging towards De Beauvoir and into Shoreditch, then the City. At Liverpool Street you snake your way through stationary vehicles and out of my sight. Then, the jam begins to shift, allowing me to edge forward and mark you again, keeping just a few metres behind you as the traffic pushes down Gracechurch Street.

We’re nearly there.

Five cyclists have died on the junction ahead in the past year. Five young lives, just like yours, lost.

The car in front turns to give me free passage to the edge of the advanced stop line at the junction. I’ve got you in my sights. It’s as if the world has finally decided to take my side, but no sooner than I start to move forward, cyclists flood into the void ahead. I’m surrounded once more by glinting handlebars and fluorescent young bodies.

I’m stuck.

I search desperately for you up ahead, then in my rear-view. But you’ve disappeared. You’re going to enjoy another day on this earth; another day in my job, going home to my flat, tucking yourself into the bed my partner and I chose together.

Then, there you are.

You’ve pulled up right next to my door, your eyes focused on the lights ahead. Your body, that close to me again, makes my blood rise. You’re inches from me, I could reach out, grab your arm, and beg you to tell me once and for all: Why? When I was ready to help you, why did you set out to snatch everything that was mine?

You start to move away, squeezing through the other cyclists to the very front of the pack. You flash that smile of yours. Of course, they let you pass. That devastating smile. That smile is like the warmest sun and the brightest light. That smile has undone my life.

Behind you, I move ahead too, breaching the cyclists’ zone and causing various slaps on my Mini’s roof and cries of What the fuck do you think you’re doing, you stupid cow? to erupt as I force them out of my path. You swivel round to see what’s causing the uproar, but quickly turn back towards the lights, knowing they’ll change any second. You don’t notice my car creeping up right behind you, and you don’t wait for the green light before deciding to strike out on your own; up off your seat, powerful calves bearing down onto the pedals as you begin your acceleration. But it’s time you were stopped from getting ahead of me.

Your back wheel fills my sight.

I wonder what your body will feel like under me, as your bones crunch and collapse. I can almost smell your blood, running hot in the final moments before it gushes from you, cooling as it flows out onto the tarmac to drip into the waiting drains and down to an impassive Thames.

Only when this happens can I really begin again.

The lights change to green. I slam my foot down hard on the accelerator.

Chapter 1

Katherine

Six weeks earlier

I’ll never understand why they weren’t worried, those young things I saw every day at the bus stop, stretching free of their crammed houseshares and parental buy-to-lets in my neighbourhood, at least a mile from the nearest place they would actively choose to live. Why didn’t they care we hadn’t seen a bus for twenty minutes? I made a mental note to ask Iain why no one under thirty seemed arsed about being late for work anymore, then texted my deputy, Asif. I was hoping he’d have words of reassurance, something I could use to soothe my latest work-related crisis. That Monday was the first day of a brave new world at the magazine I edited: new owners, a new publisher, a shot at a new start. I knew it was critical I made a good impression, but the world was already screwing this for me by making all the buses disappear. I messaged Asif:

No bus. Confess late now or busk it?

And got back a not particularly helpful:

Nice weekend? New publisher already here. Not sure. Good luck. xxx

I can see myself that morning, gazing in the direction of my flat, the edges of its dried-out window boxes just visible from where I stood. I wore the oversized high-collared shirt I’d bought the day before, an ankle-length pencil skirt split to the thigh and the black biker I always wore to work. I wanted to show up looking just-pressed, but edgy and not desperate to fit into the new corporate regime I was facing, even though, of course, I was.

Mondays were already hard for me, even before that day. It wasn’t just that after twenty years I seemed to be getting worse at my job, not better, nor that the youth, hope and unbounded energy of my interns shoved the frustrated promise of my own formative years right back in my face with greater force every day. No, it was the awfulness, the horrifying dread, of the interns asking me, ‘What did you do this weekend?’

Compared to when I was at the height of my potential in my twenties, I felt invisible most of the time. But on Monday mornings I felt suddenly watched. I tried, as I so often did when I was surrounded by millennials, to minimise the damage to my pride. While they recounted their energetic tales of running around London, meeting other bright young things from north, south, east and western corners, as I had once done, I sat tight. I had done next to nothing with no one but Iain, and this could be exposed at any second. I’d sometimes manage to arrange phone interviews for 9 a.m. on Mondays, so I could block out their weekend lives and avoid their social and creative endeavours showing up my dead existence. If anyone got to ask me The Monday Morning Question, I’d recently taken to out-and-out lying, telling the interns, ‘We caught up with some old friends.’

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