Michael Wood - For Reasons Unknown

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Two murders. Twenty years. Now the killer is back for more…DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word.Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more…A darkly compelling debut crime novel, this is the start of a brilliant series, perfect for fans of Louise Penny and Val McDermid.Praise for Michael Wood:‘Crackling dialogue, dark wit and an exciting ending’ Mark Edwards‘DCI Matilda Darke is going places’ James Oswald‘I really enjoyed getting to know DCI Matilda Darke’ Robert Bryndza‘A beautifully written book with a dark heart and a secret that impacts on generations’ Sarah Ward‘A skilfully crafted and compelling debut that hooks from the off and will keep you guessing until the final page’ M.R. Hall‘Gripping, sad and unexpected’ Alex Marwood

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A murder investigation was launched and Jonathan was taken to hospital. He had no physical injuries but he was unresponsive. He did not react to any test by doctors and did not blink when a light was shone in his eyes. He was in a catatonic state. He was placed in a private room at Sheffield’s Children’s Hospital and guarded by a police officer who stayed with him all night. A missing person investigation was simultaneously launched to seek the whereabouts of fifteen-year-old Matthew Harkness. Neighbours saw him leave the house that morning to go to school but nobody remembered him coming home. In the days that followed, police investigated the lives of the Harkness family both personal and professional. Media interest was high and the story had the whole country gripped. Stefan’s sister Clara came down from Newcastle to look after Jonathan, who, after three days, had not uttered a word. Matthew was still missing.

‘I don’t like this,’ Rory said, putting the book down.

‘What? Is it badly written?’

‘Not just this book, the whole true crime thing. I find it gruesome. It’s so detailed and graphic. And another thing, how did Charlie Johnson know all the little details, like Jonathan’s mum shouting at him for playing Lego? Who told him that?’

‘I thought the same thing. Maybe he’s just using creative licence. Have you noticed what’s missing out of all of these files?’

‘No. What?’

‘A statement from Jonathan.’

‘Well, he went mute didn’t he?’

‘Yes, but for how long? Surely he started speaking again at some point. There’s a psychiatric report on him suffering from shock but that’s it. From the file’s point of view his aunt took him back with her to Newcastle and that’s it. I’m beginning to see why this case was never solved.’

Rory went back to reading the book, his lips moving slightly over each word. ‘Do you have those photographs of Jonathan taken at the scene?’

Matilda had been reading the post-mortem reports. She lifted a folder and then another, eventually finding the pack of pictures he wanted.

Rory rifled through them. He was unfazed by the blood-stained bed, the saturated carpet, and blood-spattered ceiling. Towards the back of the pack he found the pictures of Jonathan he was looking for.

Jonathan had been dressed like his father: white shirt, underwear but no trousers. They were caught by their attacker unawares. The pictures of the eleven-year-old showed him with a blank expression on his face. His hands were red with drying blood.

‘What do you make of this?’ He held up one of the photographs and waited while Matilda marked her place in the report with a Post-it note. She took the picture from him and studied it carefully.

‘What am I looking at?’

‘His hands.’

‘OK. Go on.’

‘Why are his hands covered in blood?’

‘Put yourself in his position, Rory; he’s just found his parents dead, he’s frightened. What does any small boy want when he’s frightened? His mum. He’ll have run over to her and tried to rouse her in some way. Of course his hands are going to be covered in their blood.’

‘Yes, fair enough. It wasn’t long after Stefan was killed before Miranda was killed. If Jonathan had gone into the bedroom then surely the killer was still in there too. Why didn’t the killer murder Jonathan as well as his parents?’

Matilda frowned. ‘Maybe the killer’s gripe wasn’t with Jonathan. Maybe it was all about the parents.’

‘But Jonathan must have seen the killer if he’d gone into the room.’

‘Well, according to Jonathan’s aunt, his mother came up the stairs and saw Jonathan on the landing with blood on him. He’d obviously gone into the bedroom and come back out again.’ She thought for a moment and then continued. ‘Remember back to when you were a kid and you wanted your parents’ attention? You don’t just walk into the room and wait until you’re allowed to speak; you call for them on your way to the room don’t you?’

‘I suppose.’

‘So the killer heard him coming and hid in the en suite until he left. There’s a big difference between killing an adult and killing a child. The majority of convicted killers are appalled by crimes against children.’

‘Yes. That’s true. I suppose that’s why paedophiles are kept apart from everyone else in prison,’ he said. ‘Hang on a minute, Jonathan’s aunt said his mother came up the stairs and found Jonathan with blood on him?’

‘Yes. So?’

‘Where did you get that from?’

Once again Matilda rifled through the mess of paperwork on her desk before she found the two-page document she was looking for. ‘A statement by Clara Harkness given in May 1995.’

‘That’s what, six months after the killings? Jonathan was living in Newcastle by then. So he was obviously talking.’

‘Obviously.’

‘Yet there’s still no statement from Jonathan Harkness. Why not?’

Matilda had to admit that she had no idea why Jonathan was never interviewed. On the other hand, maybe he had given a statement and it had somehow disappeared from the archive over the years. As she looked around the room at the opened boxes of evidence, the stacks of files and packs of photographs, she wondered if she had really been given all the information the ACC had promised. Already the case was throwing up more questions than answers. She was surprised to find DC Fleming so articulate. Where had this sudden intelligence come from?

Rory coughed. Matilda looked up and saw he was studying his watch. She turned back to her post-mortem report and was interrupted by a louder cough. Rory was still staring at his watch.

‘Is something the matter?’

‘Well, it’s just that…’ he seemed nervous and unable to make eye contact with his boss. ‘The thing is…the time.’

Matilda looked at her own watch. It was just after 4.15. ‘What about the…oh. You’ve been told about my curfew?’

‘Yes, sorry.’

‘Don’t apologize; it’s not your fault. Thank you for reminding me. I’d hate to get a detention on my first day back at school.’

They both laughed, but it wasn’t genuine.

‘Shall I continue reading up on the case?’

‘No. Why should you have to stay behind and I go home? Have an early finish. Go home to that girlfriend of yours.’

‘Oh. We’re engaged now, actually,’ he said, his cheeks reddening slightly in embarrassment.

‘Really? Congratulations. When’s the big day?’

‘We’ve not decided yet. Amelia is aiming for promotion so wants to get that out of the way before having to plan a wedding.’

‘What does she do?’

‘She’s a junior solicitor. She wants to specialize in criminal law.’

Matilda was tempted to say something about the potential for a conflict of interest in any of his cases going to court in the years to come, but the sweet smile that lit up his face was full of the innocence of youth. She didn’t want to spoil it for him. She found herself relaxing in Rory’s company. Before her nine month enforced sabbatical she saw Rory as just an annoyingly loud, over-eager DC who would need a serious change of personality if he expected promotion. However, cooped up in the broom cupboard and working on a one-to-one basis she was seeing him in a different light. He was warm and approachable.

‘So what have the others in the Murder Room been up to in my time away?’ The question surprised even Matilda. She had never engaged in gossip before, and although the personal lives of her team were important for her to know in order to find out how they were going to approach particular cases, she kept the majority at arm’s length.

‘Well Sian’s been bitten by the Great British Bake Off bug. She’s been trying out her skills on us, bringing in muffins and cakes. She’s actually quite good. She’s also just inherited a boat which she’s been harping on about for months.’

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