A. L. Bird - Don’t Say a Word

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’A fast-paced, gripping thriller.’ B A Paris, bestselling author of Behind Closed Doors and The Breakdown'Intense and brilliantly uncomfortable reading' Lisa Hall, bestselling author of Between You and Me A happy child.Every parent knows the world can be scary. Lawyer Jen Sutton knows it better than most. And she’ll go to any length to protect her son from what – and who – lies outside their front door.A loving mother.Some might say she’s being overprotective. But isn’t it a mother’s duty to protect her child from harm?A family built on a lie.Jen has kept her secrets safe. Until the postcard arrives, signed by the one person she hoped would never catch up with her… and her new case begins to feel a little too close to home.One thing is clear: Jen has been found. Now, she faces a choice. Run, and lose everything? Or fight – and risk her son discovering the truth.Don’t Say a Word is the electrifying new psychological thriller from A.L. Bird – perfect for fans of C.L. Taylor and Sue Fortin.‘An absolutely jaw dropper and a must read for all.’ – Karen Whittard, Netgalley reviewer‘Readers hear claim that, “This book will leaving you guessing until the end.” I am glad to say that, for once, the claim is true.’ – M Scott, Netgalley reviewer‘Kept me up all night.‘ – Kathleen Johnson, Netgalley reviewer‘The psychological tension ramps up to a plot twist that took me completely by surprise.’ – Avonna Kershey, Netgalley reviewer‘Wow! A well deserved 5 stars, one of the best pyschological fiction books of this year so far!’ – Julia Beales, Netgalley reviewer‘One you get towards the end you better hope you’re not needed for anything because you will find yourself glued until the last word.’ – Tara Sheehan, Netgalley reviewer‘Impossible to put down.’ – Linda Strong, Netgalley reviewer‘A pacy, action-packed, brilliantly plotted psychological thriller with one hell of a showdown. I absolutely loved it!’ – Diane Jeffrey, author of Those Who Lie

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Oh, lovely Daniel. I can picture him now. In fact yes, I can – I pull up his profile shot on his chambers’ website.

He’s younger then – when he first got called to the bar, I bet. Clean-shaven still, not yet the confident permissive stubble of a man who’s made it. No empathy lines round the eyes yet, or mouth. But all the good signs in that smile and frank gaze that they will appear. Brown hair that is just brown – no coppers or goldens or anything fancy like that. Not a posh twat, Daniel. Lawyerly, yes. Decent, polite, yes. Well spoken, true – doesn’t drop the ‘t’ in Luton. But he went to his local comp like the rest of us. He mentions that, on the site. No names, but we get the message: normality. Not some private-school tosser.

But why is he calling? The case, yes, but I haven’t even had a briefing from Tim yet.

Could it be personal?

I should call him. Or is that going to be too awkward? Damn it. Bloody Tim not telling me more about the case – or I could fall back on that. Maybe I should wait until I’ve spoken to Tim?

But it would be good, wouldn’t it, after the window scare of lunchtime to hear a safe voice. An almost-friend voice? The voice of someone to whom I came very close to disclosing some of my shit. Too close. I had to rein it back.

I listen to the message again, then hit ‘call this sender’ before I can rethink it.

‘Earl Court Chambers?’ says a voice.

Oh. Of course. The clerks, not a direct dial.

‘Hi. It’s Jen Sutton from Rotham Wyatt. Is Daniel Farley around?’

‘Jen, good to hear from you. Dan’s been missing you!’

Oh good, so there’s clerks’ room gossip about us. Over nothing. How nice.

‘Ha, yes, well, the feeling’s mutual.’ Can’t explain it’s because of the case, I guess, if it’s so secret.

‘Let me put you through to Dan.’

There’s a silence, out of which emerges some Mozarty stuff. Then a voice.

‘Jen, hi!’

‘Hi, Daniel.’

Silence.

‘So I got your –’

‘I left you a –’

Over-keen laughter as we each start then stop sentences simultaneously. I can see that happening for the whole phone call.

‘You go,’ I tell Daniel. ‘You know why you were calling.’

‘Sure, fine,’ he says. He doesn’t sound fine. He sounds strangled, choked. Then he lets a bit of breath out. ‘Listen, Jen – I just wanted to say, really looking forward to working with you again. I know there was a bit of …’

He stumbles. I catch him.

‘Stuff?’ I say.

‘OK, yeah. Stuff. There was a bit of “stuff” last time but don’t worry about it, OK. I’m genuinely looking forward to working with you again.’

Me too, I think. But I don’t fill the silence, in case there are more words to come.

More silence.

‘OK, well anyway,’ he continues, ‘this case looks like a really intense one. I don’t know if you’ve seen the exhibits file yet. It’s –’

‘I’m looking forward to working with you, too, Daniel.’

There’s another pause. A baby pause.

‘Thanks, Jen.’ His voice is softer now. Less manic. ‘I’m glad.’

‘We’ll speak soon, OK? On the case.’

‘Yes, on the case.’

I want to say: ‘And on more “stuff” too.’ But I don’t.

‘Bye, then,’ I say instead.

‘Bye.’

We hang up.

I take a deep breath and close my eyes. It’s times like this I wish it wasn’t so tricky being me. That I could simply have ended the call by suggesting a drink. It’s not just the childcare angle. It’s the caring for my child. The guard goes down slowly, slowly, slowly. Otherwise how do you know who you can trust?

Chapter 5

‘This is for you.’

With a thud, something lands on my desk.

I look up. A file. The cover is blank. Above the file, Tim.

This must be what Daniel was talking about.

I open the file up, and just get to see a sheet saying ‘The Crown v Rhea Stevens. Exhibits’, before Tim closes the cover again.

‘Have a flick through this,’ Tim tells me, his voice quiet, low. There’s no one around my desk (he’s chosen his moment well, if he’s that fussed about secrecy) but he’s still cautious. ‘Good to go in cold, before I’ve given you the background. Then when we chat you can tell me what you make of it. What you think it’s best to do. I’d really value your opinion – fresh pair of eyes, and all that.’

‘Sure, thanks,’ I say. I stroke the cover. Daniel is reading this too.

Snap out if it, you daft girl. You’ve not even kissed him; you can’t go soppy for him. Focus on the professional side. Someone giving a damn about my opinion for a change, not just looking at me with a sad face like Bill – give the girl a chance, but no proper work.

‘Watch out for the photo at page 5,’ he mutters. ‘It’s a shocker. Don’t say I didn’t warn you.’

He walks off.

I can’t not open the file now.

And there it is. Straight away.

The old world.

A single wrap of cocaine on a dusty floor.

I slam the file shut.

I close my eyes.

I try to dispel the image.

But I can’t. Because that’s all it took, that time. Well, almost all. That and another nineteen wraps like it.

And the promise of more.

I need some, oh what do I need – air. That’s it. Some air.

I push back my chair and head for the door.

I walk straight into Bill.

‘Oh, good. You’re ready for the meeting,’ he says.

Meeting? Oh. Of course. Note-taking. I dart back to my desk and grab my notebook.

‘Forgot this!’ I say, holding up my notebook. ‘Silly!’

I don’t think I can manage any more words without cracking in two.

Bill looks at me closely.

‘You all right, Jen? You’re a little pale.’

‘New face powder,’ I say. An old line, like they used to use. When it wasn’t the wraps.

‘Ah, fine – well, maybe back to the old one, hey? Golden Jen works best!’ He does an embarrassed laugh. Maybe he thinks I’m going to start talking about feminine hygiene products next.

We go into the meeting room. I slip into a seat next to Bill. He is nice and big and comforting. Like a dad. Not my dad, obviously. Even when he was alive. But Mr Typical Dad. A sturdy shoulder to cry on. To fly you up into the air in his strong arms and make you feel like you can defy gravity.

Perhaps I should just tell him. Perhaps I should have a quiet word and say: look, I can’t get involved in Tim’s case. I don’t know what it’s about but I looked at one picture and now it’s all I can do to stop my brain flashing back there. Back to her. Back to him.

But then, even Bill wouldn’t understand the reaction to that single wrap. Nobody could. Except me and my conscience. Not that I did anything wrong. You’d have done the same in my situation. Or at least, you should have done, if you didn’t want to end up dead.

So, no. We don’t tell Bill. We hold our pen nicely and we mechanically take some notes. And we – from the corner of one eye – look at the clock while it ticks all the way round to when I can go collect Josh. He’ll make everything better. He always does.

The clock is ticking too fast, though. They’re still in mid-meeting flow, and it’s already 3.30. I have to leave 3.40 to get there for 4 if I want a parking space, 3.45 if I just want to double-park and grab. Later than that, and he’s hanging around the school gates, thinking something is more important to me than him. Or ready for someone else to grab.

I start shifting around in my seat. Then a flick of the wrist to look at my watch: 3.31. If only I were more important to these men. Then I could say, ‘OK, let’s be wrapping up now.’

Oh. Unfortunate language.

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