‘Yes. Adaobi is doing her bachelor’s in London.’
‘Is that why you’re seeing him so often?’ His question came out in a near-croak, as though he needed to clear his throat.
She did not respond. Perhaps she had not heard him. It was clear that the file, the new contract, occupied her mind. She got up. ‘I’ll just make some notes for a minute in the study and join you.’
He wondered why he could simply not ask if she found Madu attractive and if she had ever been involved with him or, worse yet, was still involved with him. He was afraid. He moved towards her and put his arms around her and held her tightly, wanting to feel the beat of her heart. It was the first time in his life he felt as if he could belong somewhere.
1. The Book: The World Was Silent When We Died
For the prologue, he recounts the story of the woman with the calabash. She sat on the floor of a train squashed between crying people, shouting people, praying people. She was silent, caressing the covered calabash on her lap in a gentle rhythm until they crossed the Niger, and then she lifted the lid and asked Olanna and others close by to look inside.
Olanna tells him this story and he notes the details. She tells him how the bloodstains on the woman’s wrapper blended into the fabric to form a rusty mauve. She describes the carved designs on the woman’s calabash, slanting lines crisscrossing each other, and she describes the child’s head inside: scruffy plaits falling across the dark-brown face, eyes completely white, eerily open, a mouth in a small surprised O.
After he writes this, he mentions the German women who fled Hamburg with the charred bodies of their children stuffed in suitcases, the Rwandan women who pocketed tiny parts of their mauled babies. But he is careful not to draw parallels. For the book cover, though, he draws a map of Nigeria and traces in the Y shape of the rivers Niger and Benue in bright red. He uses the same shade of red to circle the boundaries of where, in the Southeast, Biafra existed for three years.
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