Cathy Kelly - What She Wants

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A warm and funny novel about facing change in our live, from the internationally bestselling author Cathy Kelly.Do you know what you’ll be doing next year? Nicole, Virginia, Hope and Sam all thought they did.Hope Parker imagined that she’d be slogging it out as a working mum, trying to fit it in quality time with her young children, and doing her best not to burn her husband, Matt’s dinner.Her sister, Sam Jones, thought she’d be turning heads in her new job as a managing director of a record label, climbing to very top of the career ladder and having her photo emblazoned on the business pages as the toughest, most brilliant company boss around.Wild child Nicole Turner reckoned that she’d still be going for wild party nights with the girls, maybe singing a bit of karaoke, possibly snogging a guy here or there, and trying not to get fired for using the office phone to make personal phone calls.And grandmother Virginia Connell thought she’d still be happily married to her beloved Bill, teasing him for spending too much time on the golf course and not enough time walking the dog or cutting the grass.But they were all wrong. When life changes suddenly for each of these four women, thay have to look deep inside themselves to discover what they really want in order to survive the turmoil. And they discover that a sense of belonging, a loving family and good friends can make all the difference.

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Sam rubbed her eyes, not caring for once whether she’d smudge her mascara and give herself racoon eyes. Why did she have to feel ill now? Everything had been going swimmingly for the last eight working days. She loved Titus Records, adored her new job as managing director of the LGBK label, got hugely excited at the idea of developing people’s careers and making them international stars. It was a huge step up from being director of marketing at Plutoni-ous Records. Despite the long hours she’d been working, she’d gone home every night buzzing with an inner electricity at the thrill of the job she’d been fighting for every day of the past fifteen years.

But Lydia had been snuffling and sneezing all day Wednesday and had given Sam her germs. Lydia, a carefree twenty-five-year-old, could afford to take a few days’ sick leave. Sam, teetering on the abyss of forty and the most recently hired executive with a lot to prove, couldn’t. Illness in female execs was viewed with as much disfavour as working mothers racing home from important meetings to take care of toddlers with high temperatures. At least Sam, childless by choice, didn’t have to worry about the latter.

The telltale click of her door handle alerted her to the fact that someone was about to enter the office. Immediately, she jerked upright, flicked back her glossy dark blonde hair, and opened her eyes wide to banish the exhaustion from them.

The door opened abruptly to reveal Steve Parris. Sam mustered up her best, most professional smile. When the company chairman himself deigned to arrive at your office at half-past five on a Thursday evening, it was your duty to look alert, on top of things and enthusiastic. Not half-dead with flu symptoms.

Sam shoved her seat back and got to her feet in one fluid movement. ‘Steve, what can I do for you?’ she said, hoping to infuse her words with the correct amount of deference. In her two weeks at LGBK, the biggest label at Titus Records, she’d divined that Steve Parris, no matter how much he slapped workers on the back and went about with his hail-fellow-well-met routine, was a control freak who needed subservience the same way other people needed oxygen. Short and skinny, he was still a formidable presence in his black Prada suit. People who underestimated Steve because he was so physically unprepossessing rarely made the same mistake twice.

With his shock of hair, heavy eyebrows and disconcerting habit of smoking a cigar the size of a nuclear weapon all along the no-smoking corridors of Titus, Steve was the sort of man who made people nervous. Sam was no exception.

She was no coward but she knew Steve didn’t like her. He’d wanted a man for the job. The Titus European President, who was Steve’s superior, had wanted Sam. Steve had given in but he wasn’t happy about the decision.

‘Just dropped by,’ he said now, small black eyes constantly moving over Sam, her messy desk and the office, which was still only half-furnished. Sam had dumped the previous incumbent’s furniture, an act designed to show people that she was the new broom.

Sam smiled at him as warmly as she could manage. Steve never ‘just dropped by’.

‘You’re going to see Density tonight,’ he said, half-question, half-statement…

That was it, Sam realized. Density, the band Steve himself had signed at huge expense, and who had just finished recording their first album, were performing in a small club in Soho. Sam, as head of the label they were signed to, would be very involved with their future, so it would be interesting to see them live for the first time. A future that would mean big trouble for Steve and Sam if they didn’t make it. He was in her office to make sure that she was giving his protégés every help, so that their album would be a mega success and he’d get the kudos for signing them. If it wasn’t, someone’s head would roll and Sam would bet her enamelled golly badge that it wouldn’t be Steve’s.

For the first time, Sam felt the strain of being the boss. Suddenly she wondered why she hadn’t stuck with her enjoyable first job all those years ago in the film distributors where the biggest stress was looking after some neurotic movie star on a promotional tour who wanted Earl Grey tea and lemon in a motorway café where the only serious menu choice was what sauce you got with your deep fried chicken. But no, she’d wanted power and a fabulous career and had left the film industry to spend fifteen frantic years in the music business. Fifteen years of hard slog to end up with Steve Parris growling at her every day. Had it been ambition or masochism? It was the flu talking, she thought, angry with herself for such weakness.

‘I’m really looking forward to seeing Density live,’ she said now. ‘I love the parts of the album I’ve heard.’

Steve’s beetle eyebrows bristled and the small black eyes got smaller and meaner.

‘You mean you haven’t heard it all before?’ he barked.

‘I’ve heard most of the tracks but they’re remixing three. The producer is going to send the final version tomorrow,’ Sam said, trying to remain cool.

‘Jeez, you should have heard it before tonight. It’s out in a month. I’ll see you at the gig tonight and we’ll talk about the album tomorrow,’ he said, slamming the door shut on his way out.

Sam sank back into her chair and automatically put one finger to her mouth to nibble the nail. Shit, shit, shit.

She shuffled her papers again and then made up her mind. An executive decision. After all, she was a bloody executive, so she could make a decision. She was flu-ey, she had a gig to go to and she really needed to change her clothes if she wasn’t to look like a complete dork at the gig. The change of clothes she’d meant to bring was still sitting in the hall of the flat where she’d left it this morning. Wearing a suit, even if it was a pretty slick grey one with a discreet DKNY label, she’d stand out like an elderly sore thumb amidst crowds of combat-trousered trendies with Kangol hats and trainers. Bugger the paperwork: she was going home to mainline anti-flu products and to change her clothes. She locked her door and walked past the glass offices, and past the open-plan section of the fifth floor, LGBK’s centre of operations. Luckily, Steve’s office was on the seventh floor, with all the Titus presidents, vice presidents, and other assorted control freaks. She hoped nobody was looking at her, sure she had a guilty look on her face that said ‘Going Home Early’.

But even though she didn’t know it, as she strode along the glass corridor, people were looking; people just looked at Sam Smith. Not that she was beautiful or supermodel-tall or startling in any movie star way. But because energy emanated from her like electricity and because she moved like a dynamo.

At five foot six, Hope was two inches taller, physically bigger, and yet when the sisters were together, Sam was the one people noticed.

While her sister was a mixture of pale shades, with fragile colouring and a rounded, welcoming face, Sam was the opposite: all strong colours and strong features. Sam’s hair, mouse at birth, was long and a gleaming dark blonde. She had it blow-dried at a salon most lunchtimes and it fell in severe, gleaming straightness to her shoulder blades. It was a classy look, one which she’d deliberately chosen so that people would look at her and instantly know she was a player: a somebody. Her face was oval with a strong chin, a long straight nose and slanting eyebrows that showed up intensely coloured tawny brown eyes. Her skin was darker than Hope’s, almost olive. In the summer, she could pass for an Italian because she went a rich, golden brown. At school, people never believed she and Hope were sisters. Only their mouths were similar: they shared the same soft plump lips, a feature which made Hope look unsure and innocent and which gave Sam the look of a woman who’d had collagen injections. To counteract this model-girl plumpness, Sam drew her lipliner inside her natural lip line and only ever wore pale lipstick so as not to draw attention to her mouth. Hope’s mouth was vulnerable and slightly sexy, both looks Sam was keen to avoid. As far as Sam was concerned, once you let your hard-as-nails façade down, you were finished in business.

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