‘Fine sight, hey?’ the Duke of Linaire asked as the coach stopped so they could wonder at the famous prospect of Darkmere Castle ahead.
‘Indeed,’ Colm replied, ‘caught by the afternoon sun like that it makes me wish I could paint.’
‘Would that I could as well,’ the Duchess observed ruefully.
‘Come now, m’dear, I never came across a lady who could hold a candle to you at watercolour.’
‘I want to paint as I see, not as I can,’ she objected, her gaze sharpening as the sun caressed the famous old fortress and the last rags of autumn leaves left on the noble trees planted to shelter it from the worst of the wind shone russet and gold.
‘We’ve lost her again, m’boy,’ the Duke said with an indulgent look at his wife. The Duchess collected her sketching equipment, then he jumped down to help her out of the coach. ‘I shall tell Farenze you’ll be along when the muse deserts you, my love,’ he added as his wife’s maid joined her with a resigned nod to say she would get her mistress up to the castle before daylight faded completely.
‘Hmm? Yes, that would be as well,’ the Duchess said absently, making rapid pencil strokes in her sketchbook to capture Darkmere with the low winter sun on it and an angry sea and sky behind.
‘I hope Lady Farenze is as tolerant as she seemed in London,’ the Duke said with a last proud look at his Duchess before they went on without her.
‘Since she asked me to come here with you, she must be,’ Colm said ruefully.
‘Nonsense, lad, you have to meet them sooner or later. I suppose we’ll soon find out if her ladyship’s forbearance extends to my bookishness and your aunt’s painting. We rely on you to do the polite, my boy; you do it so much better than we ever could.’
‘Then we had best not unpack too hastily.’
‘Don’t be such a defeatist, lad; you and Farenze have more in common than either of you realise.’
His daughter for one, Colm thought gloomily and doubted Miss Winterley would ever be a bond between them.
Lord and Lady Farenze welcomed the two guests who turned up without a blink. The Viscount even seemed mildly amused that the Duchess of Linaire had absented herself before she could even arrive and Lady Chloe was too good humoured to take offence where none was intended.
‘I have learned to love this wild and glorious place and often wish I could paint it myself,’ she told them when they turned up at her door a duchess short. ‘I lack both skill and talent with watercolour myself and am in awe of those with both. I should love to see your wife at work, your Grace, and promise not to be offended if she would rather not have a spectator. A true artist must be respected.’
‘I am sure my wife will be delighted,’ the Duke said and exchanged a wry glance with Colm at the thought of Barbara’s contempt for would-be artists who only wanted to talk of their own efforts. Polite dribbles of paint on expensive paper, the Duchess dismissed the correct and soulless watercolours that usually caused a young lady to be thought accomplished.
‘I don’t suppose she will, but if I promise not to make silly observations and sit still, maybe she will rescue me from being kept indoors and coddled half to death,’ Lady Farenze said with a militant look for her husband.
‘You may have to clean brushes, sharpen pencils and act artist’s assistant, Lady Farenze,’ Colm warned, as he concluded rumour was right and the lady must be with child again. ‘My aunt never intends to be a tyrant, but forgets everything but the next mix of colour and stroke of her brush once she is at work.’
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