Ramona Richards - The Face of Deceit

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Her parents had been killed before her very eyes, though Karen O'Neill could barely remember that childhood horror.Now an art buyer is dead and Karen's famous face" vases are being shattered. What about the vases led to the cold-blooded killing? Art expert Mason DuBroc believes the clues are in the clay. That the creepy face Karen molds is motive for murder.Has someone recognized himself in her work? Karen must know something she shouldn't. Something her subconscious has held on to for years. And something a crazed killer will do anything to keep buried…with Karen.

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Karen molded the wet earth back into a ball but didn’t restart the wheel, suddenly aware of how tense her shoulders were and how much her back and arms ached. “Four-fifty,” she repeated. Almost four hours had passed since she’d sat down at the wheel. Not unusual, though. When the wheel began to turn, the moist clay changing shape beneath her hands, Karen lost track of time, space, even the air around her. Her aunt, Evie, not understanding how Karen could so completely lose herself in the artwork, called it “that thing with the clay.” When she worked, Karen’s world narrowed to the wheel and the clay, and the only sensations that she remained aware of were the musty smell of damp earth and the feel of the water and earth beneath her hands. She’d been known to work five hours straight as her art formed under her hands. As a result, she usually let Lacey out before she sat down at the wheel, but this afternoon she’d forgotten.

Karen stood, rolling her shoulders, and went to the sink to wash her hands. Time for a break, more coffee, maybe check to see if there were new orders on her fax machine. Or e-mail from Mason. She pulled the towel from the waistband of her jeans and dried her hands.

Karen paused, her hands wrapped in the worn towel, looking at a shelf holding nine vases similar to the ones Mason planned to bid on. Each stood about eighteen inches high, broad at the base, a bit narrower in the middle and flared at the top with the edges jagged and wild, points and curves going in all directions. “Face vases” were not unique in the world of ceramics, but what made Karen’s vases distinctive was the face itself. Neither male nor female, it was a horror mask, twisted and grotesque on some, leering and grinning realistically on others. The vase colors were a kaleidoscope nightmare, swirling around the face in stripes and curls. Although each vase featured different colors, the face remained the same, which was especially noticeable when they were lined up together. The same down-turned eyes, full lips and white streaks slicked back from the scalp. Of course they’re the same, she thought ruefully. They come from the same source.

Tossing the towel over the edge of the sink, Karen headed upstairs, pausing to glance out the windows at the back of the studio at Lacey, now in the process of stalking a wayward butterfly. The metal of the stairs chilled her feet, so she scuffed them a bit on the carpet of the small dining area that separated the stairs from the kitchen. She poured the last cup from the lunchtime pot of Kona into a ceramic mug, and headed up the stairs near her front door.

A polite scratching on the door stopped her, and she opened it. “Already?” she asked as Lacey strolled past her, tail held high. “I thought you were on a butterfly hunt out back.”

No meow this time, just a thank-you figure eight around Karen’s ankles. Then both of them headed upstairs to Karen’s office, where an odd-looking sheet of paper slowly peeled its way through her fax. She pulled it off the machine and turned it around.

The fax had rendered it black and white, but the sheet was clearly a page from an auction house catalog, and Karen grinned as she recognized the angular, dramatic handwriting of the phrase scrawled across the bottom.

Lot 21 could be your salvation. Lot 21, which consisted of four unique vases of Karen’s own design.

“Sorry, Mason,” she murmured, her eyes bright with amusement. “My salvation comes from a much higher source.”

Yet she knew what he meant, and she glanced at the Felix the Cat clock on the wall behind her computer: 5:05. The auction must be over by now. The fax machine clicked and whirred again, and a second sheet emerged. This one was white, with only four lines scrawled across it.

$8,000!!! Didn’t get them. Will talk to agent who did. See you tomorrow!! M

The paper fluttered, blurring the words, as her hands shook. “Eight thousand?” Her knees weakened and Karen sat hard in her office chair. Tears blurred her eyes. Two thousand apiece! She’d never gotten more than five hundred for one of her vases. Mason DuBroc had succeeded in almost quadrupling their value.

Velvety fur brushed her ankles, and Karen glanced down as Lacey circled around her bare feet again. Her hands still quivering, she clicked her tongue and, with a rattling purr and tinkling bell, the eight-pound fur ball landed in her lap. Karen scratched the cat beneath the chin and was rewarded with a swish of Lacey’s thick tail.

“Lacey.” The shudder in her voice did not surprise her. Karen felt as if she were shivering from head to toe. “I’d better get back to work.” She nodded, then reached for the phone. “First I have to call Jane.”

Jane insisted on taking Karen to Portsmouth to celebrate, buying her dinner in a cozy boutique restaurant near the water. When they returned, midnight had come and gone, but Karen still felt wired and restless. Wandering into the office, she found fourteen new orders for “face vases” waiting on the fax machine. She glanced through them, overwhelmed. “Oh, Mason. What have we done?”

Sleep helped. The next morning a much calmer Karen awoke early and this time let Lacey out before she even showered. Then she took her first coffee of the day out on the back deck of the house, raising it toward the heavens. “Thank You, Lord,” she said aloud. She settled in one of the deck chairs and sipped again, then set the cup on the deck rail and looked out over the yard, feeling blessed. The sun struggled to get above the tallest trees, barely illuminating the May morning with bands of gold shot through the mist. Karen’s hair, still darkened from its normal red-gold sheen by her morning shower, dried quickly in the early-morning breeze, and she fluffed it before picking up the mug again.

This was her time. Prayer time. The day never felt quite right without it. The sun now winked at Karen over the top of her tallest birch, and she closed her eyes for a moment. Taking a deep breath, she whispered, “Thank You, Lord. I know Your hand is in all this, all along. Thanks for bringing Mason to Jackson’s Retreat to write his book, and thank You for…”

Inside, her phone rang, interrupting her thoughts. She scowled, then looked upward, waiting for the answering machine to pick up. When it did, she returned to her prayer, moving from praise to requests, the last one for herself. “Help me understand all this and Your will in it, Lord.”

She sat for a few more moments, enjoying the coffee and the morning air, then headed back inside. She hoped Mason would come by early to talk about the auction, but she had not heard from him since yesterday’s fax. Karen left her cup on the bottom step of the staircase, then bounded up, her hair flapping against her neck. Fifteen minutes later, she’d scooted into a pair of jeans and a light sweater, plus her hiking boots in case Mason wanted to walk into Mercer. She’d gone light on the makeup and turned on the blow-dryer long enough that her hair wouldn’t completely frizz out as it finished air drying. A touch of mousse, and she was ready just about the time the doorbell rang.

“Coming!” Karen yelled, her boots clumping on the stairs. She kicked over the cup and fussed at herself as she picked it up, thankful it was empty but wishing with a fleeting thought that she had time for another cup of her Kona. She unlocked the front door, pulling it open.

Her cheerful “Good morning!” faded away as she stared at the two men on the front porch. Mason was there, but he looked as solemn as she’d ever seen him. Behind him, oversized hat in hand, stood Tyler Madison, the local police chief.

Mason cleared his throat, but Tyler spoke first. “I hate to bother you this early, Karen, but we’ve got to talk about your broken vases.” He cleared his throat. “Broken vases,” he repeated, “and a murder.”

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