Jane Sullivan: When He Was Bad...

“Why not?”

“Because you’re not the kind of man—”

“Not the kind of man you should want? God, Sara, you’re dying for a man like me.”

“Nick—”

“A man who can’t wait to drive you absolutely wild in ways you can’t even imagine. You want all those things as much as you want your next breath, Sara. And that’s exactly what I’m going to give you.”

Pulling her forward, he smothered her mouth in a kiss. He held her tightly, his kiss raw and hot and possessive; he made her mind go blank and her insides turn to mush.

So this is what it’s supposed to feel like.

Sara thought about the other kisses she’d experienced over the years, those bland, boring, halfhearted attempts that had been cool and hesitant and had left her dying for more. Dying for this. And now she wondered what other wondrous things might be out there that she’d been missing all her life.

She had a feeling this man knew every one of them.

Dear Reader,

The moment this story came to mind, I couldn’t wait to write it. Nick Chandler is my favorite kind of bad boy, one whose good looks, abundance of charm and killer smile are so disarming that he can talk his way into any woman’s heart.

But what happens when the woman Nick wants is Sara Davenport, a psychologist who has written a book that teaches other women how to resist heartbreakers like him? And what happens when the expert on avoiding the bad boy falls for him herself?

The conflict between the good girl and the bad boy is always such fun to write. I hope you enjoy the story!

Visit my Web site at www.janesullivan.com for news of future releases, or write to me at jane@janesullivan.com. I’d love to hear from you!

Best wishes,

Jane Sullivan

HARLEQUIN TEMPTATION

854—ONE HOT TEXAN

898—RISKY BUSINESS

960—TALL, DARK AND TEXAN

HARLEQUIN DUETS

33—STRAY HEARTS

48—THE MATCHMAKER’S MISTAKE

When He Was Bad…

Jane Sullivan

www.millsandboon.co.uk

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To my editor, Jennifer Green.

Thank you for your enthusiasm about my books, your editorial advice that always improves them, and your sense of humor that makes my life as a writer a whole lot more fun. I love writing for Harlequin, and you’re the reason why.

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

He’s a daredevil on a motorcycle, a rebel with his own cause, a careless heartbreaker or an intriguing man of mystery.

He’s a handsome devil with a buff bod, or a tattooed badass spoiling for a fight. He’s a seductive charmer who will bring out the best in you.

And the worst.

He’s a self-absorbed loner, aloof and jealous and tantalizingly possessive, attracting you with enough charisma for ten men; at the same time, he holds you at arm’s length.

Caught up in the thrill of the chase, you try to grasp his heart and soul, only to feel him slipping away like sand through your fingers.

And while you know you should resist, with just a crook of his finger and a devastating smile, off you go with him, your mind filled with delusions of taming this enigmatic man. And when he has you melting under his hypnotic gaze, falling so fast your head is spinning, that’s when he leaves you like a shadow in the night, never to be seen again…

SARA DAVENPORT knew every one of those men inside and out. She could quote their characteristics, chapter and verse—every nuance of behavior, every game they played, every brand of falsehood that passed their lips. After all, she’d written the book on bad boys.

Literally.

She took a sip of coffee, then sat back on the sofa in her office and spread her planner out in her lap. Next to her, Karen paged through her own planner, lining out their schedule for the coming week.

“I’ve set up book signings for Wednesday and Thursday evening,” Karen told her. “They’re here in Boulder, so there’s no travel involved.” She flipped to another page. “I arranged a phone interview for you with a regional magazine in Charleston. The reporter will e-mail you tomorrow to set up a time. And I booked you for a Friday evening Internet chat with a reader’s group in Spokane.”

Sara made a few notes. “Wow. You’re keeping me busy.”

Karen smiled. “Busy is good. It won’t be long before your name is a household word.”

Sara didn’t doubt that. Her friend’s PR wizardry was a big reason the book had been successful so far. Karen knew just which newspapers and magazines to target with advance reading copies to garner the most articles and reviews. She’d brought Sara untold numbers of new readers by suggesting she pair a minilecture with book signings. She’d gotten her a cameo in Cosmopolitan. All that publicity had put Sara on the fast track to success, but still it was hard for her to believe that she’d barely turned thirty and already her dream was coming true.

Not that she’d intended for things to work out the way they had. She’d initially envisioned the book as an expansion of her dissertation, a serious examination of the psychological, social and emotional reasons women make poor choices in men. But one year, three edits and a show-stopping cover later, it had become a shorter, slicker book with a pop psychology tone and a title that made her cringe: Chasing the Bad Boy.

Sara was still hiding her face over that, but she couldn’t argue with success. The book was heading for its third printing, her editor wanted another book and Sara’s message was getting out in a way that never would have happened through her private psychology practice or her seminars alone.

“Oh, yeah,” Karen said. “One more thing. I called the program director at KZAP this morning.”

Sara came to attention. “What for?”

“To book you on a radio show.”

Sara felt a surge of apprehension. “Radio? No. I don’t want to do radio.”

“But you can reach a lot of people on a radio show. And it has an advantage that advertising doesn’t.”

“What’s that?”

“It’s free.”

“No. Radio is unpredictable. It’s too easy to say the wrong thing and get embarrassed.”

“Come on, Sara. You’re in front of audiences all the time.”

“Right. Doing seminars. It’s friendly territory. I have notes, and I’m in control. I don’t like open-ended situations. They’re recipes for disaster.”

“You know your subject, and you’re a great speaker. What is there to worry about?”

“I just don’t want—” Sara stopped short. “Wait a minute. KZAP? Isn’t that the station with Dr. Frieda?”

“Yeah.”

Okay. Now, maybe that wouldn’t be so bad. Discussing her book with a medical doctor, maybe getting into the physiological aspects of attraction, taking questions from her listeners…how tough could that be?