Mark Burnell - Chameleon

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Trust no one but yourself…The second blockbuster thriller in the Stephanie Patrick series. The previous novel, The Rhythm Section, is soon to be a major motion picture from the producers of the James Bond film series, starring Jude Law and Blake Lively.She can’t escape her past…Stephanie Patrick thought her double life was over. But a call from her past throws her back into the world where international crime and terrorism meet.The target is Koba: a Russian criminal with influential connections, whose true identity remains a dangerous secret.From New York through Europe to Moscow, Stephanie tracks Koba. But in a game of betrayal where trust is weakness and violence is routine, one false move could prove fatal…

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I can see where this is leading. I need to find the culprit in order to prove that it’s not me. Although Alexander says he needs Koba and the disk, what he really wants is the Parisian assassin. He craves revenge because he feels responsible for Marshall’s death and this is the only way he can deal with that. Somebody else must pay. A life for a life. That’s what Magenta House trades in.

‘You chose to learn Russian. Why?’

‘For professional reasons. I was led to believe there’d be plenty of work for me – for Petra – in Russia. Or at least from Russian criminals.’

‘And was there?’

‘Actually, no. I never took a contract from a Russian, although I came into contact with quite a few.’

‘Where?’

‘Serbia, Cyprus, Latvia. In Paris and Zurich, too.’

‘Who led you to believe that learning Russian might be a good idea?’

‘Stern.’

‘You were in contact with Stern?’

The surprise in his voice was, itself, a surprise to Stephanie. ‘Yes.’

‘Do you know who Stern is?’

‘Of course not. That’s the whole point of him.’

Stern, the information broker. A man who existed only in the ether of the Internet, trading secrets and rumours for cash. Some said he was Swiss, others thought he was German. Or Austrian. Or even American. Like Alexander, a man with no first name. Or perhaps with several. Stephanie had always called him Oscar when they communicated. It had been his suggestion but she’d never believed that was his real name. He might once have been a spy although no one could agree for whom. Others said he’d been a journalist, or a mercenary. Stephanie had heard a theory that Stern didn’t exist at all, that he was a collection of people. Or perhaps a single woman.

‘Tell me about him.’

‘After Malta, I scanned all the old websites looking for messages for Petra. I didn’t expect to find anything but there he was, casting into the dark. I replied and we began to correspond, both of us cautious at first. Eventually, he told me he had work for me, if I was interested.’

‘How did your relationship evolve?’

‘We came to an arrangement. I agreed to let him act on my behalf. Essentially, he became my agent. It worked well because it meant I never met the client face-to-face. And no one ever met Stern. Everyone’s anonymity was protected. Stern used to joke that it was a perfect example of practical e-commerce. He said the Internet was invented for people like us.’

‘Sounds as though you two were made for each other.’

‘It was a relationship with no downside.’

‘You paid him, I suppose?’

‘He took fifteen per cent of the fees he negotiated on my behalf. On top of that, he offered other services, which I bought separately.’

‘Such as?’

‘Information, general or specific. Or reliable contacts in strange cities. That kind of thing.’

‘You never worried about that?’

‘Not unduly. If anything happened to me, he stood to lose money. And Stern hates to lose money.’

‘Don’t we all?’

His tone took her by surprise, so she stayed silent.

‘You know what I’m talking about, don’t you?’

She knew perfectly well. ‘No.’

‘One million and eighty thousand dollars, give or take some loose change.’

Stephanie felt herself harden. ‘I earned that money.’

‘It belonged to us.’

‘It belonged to Petra.’

‘Petra belonged to us.’

‘Petra belonged to nobody. Not then, not now.’

The colour began to drain from Alexander’s face. ‘You will return it.’

‘Are you a betting man?’

‘Petra was our creation. You were playing a part. Nothing more.’

‘What about after Malta?’

‘We’re talking about money earned before Malta.’

‘Well, guess what? Before Malta, after Malta, I don’t give a toss what you think. I was Petra. I’ve always been Petra. If you want the money, sue me.’

4

The first week is the worst. Some mornings, we talk in his office. On other mornings, we use a briefing room, or an office I’ve never seen before. It’s just the two of us. He makes occasional notes on paper, taking care to prevent me from seeing what he’s written. We break for lunch – an hour usually – then continue until five or six. Spending so much time alone with him is a form of claustrophobia.

At first, the questions are general, as he establishes a chronological order for everything that happened after Malta. I don’t mind that so much. Later, when he grows more specific, focusing on detail, I start to lie. Not all the time, only when it matters. I give him some dry bones to pick over, but I won’t give him my flesh and blood.

‘You’re wasting your time,’ I tell him on the fifth morning. ‘You have no idea whether what I’m telling you is the truth.’

‘Believe me, I’ll find out.’

‘Only if I let you.’

Which, on occasion, I do. Despite a general instinct to give him nothing, there are some exceptions. I want him to know that the Petra I became was better than the Petra that Magenta House created. When I describe how I infiltrated Mario Guzman’s fortified villa overlooking Oaxaca and then silently assassinated the Mexican drugs baron, I can hear the pride in my voice. Alexander pretends not to have noticed. And I’m happy for him to know how I lived in a shattered storm drain in Grozny for almost a week, before taking the single sniper’s shot that killed Russian General Vladimir Timoshenko.

I should feel too ashamed to boast about such things but I don’t. Not when I’m with him. Instead, I feel pleasure. That’s the corrupting effect he has on me.

At the end of each day, I try to leave my anger at Magenta House but it’s almost impossible. Another gruesome rush-hour ride on the Underground, a few groceries from Waitrose, an evening in front of the TV, a night of fractured sleep. I miss Laurent and the sound of the dogs barking in the valley. I miss the murmur of the cicadas, the scent of lavender and a glass of wine on the terrace.

On Friday afternoon, Alexander says, ‘Stern handled all your financial affairs, did he?’

‘He’s an information broker, not my accountant or banker.’

‘But he negotiated your contracts?’

‘Yes.’

‘How much money did you make through him?’

‘That’s none of your business.’

‘I’m making it my business.’

I shrug in an off-hand way. ‘A lot more than I took from you.’

Alexander looks absolutely furious.

I smile slyly. ‘A lot more.’

We move into the second week. Sometimes I’m moody and silent, sometimes I’m ready for a fight. We argue several times a day, which brings out the worst in my vocabulary. On Thursday afternoon, we have a stand-up row in his office. I storm out, slamming the door behind me. I don’t slow down until I’ve left the building. Rosie Chaudhuri catches up with me in Victoria Embankment Gardens.

She approaches me as though I’m a dog that bites. ‘Stephanie?’

I’m pacing but I’ve got nowhere to go. ‘What?’

‘You okay?’

‘What the fuck do you care?’

‘Hey …’

‘What is this? Good cop, bad cop? Are you going to sweet-talk me, then run back inside and tell him what I tell you?’

‘Is that what you think?’

It wasn’t. ‘You work in there, don’t you? For him …’

She looked disappointed, not cross. ‘I thought you knew me better than that.’

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