Faye Kellerman - The Quality of Mercy

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A thrilling story set in Elizabethan London, from New York Times bestselling author Faye KellermanOne wrong move could lead to death…1593. Rebecca Lopez, daughter of Queen Elizabeth’s physician, enjoys a seemingly privileged life at Court. Yet she guards a dangerous secret. She is Jewish – and her forbidden faith could bring her downfall at any moment.One night, infuriated by the restrictions imposed upon her, she slips out of her household, disguised as a boy. There she crosses paths with a dashing and daring young man – a young man by the name of Will Shakespeare.As a dutiful Jewish daughter, Rebecca never considered falling in love with such an unsuitable man. But as she and Will become ensnared in a dangerous web of intrigue, secrets and murder, they must protect each other if they are to escape alive…

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“Nay. He wrote simply that you wish an audience with me.”

“Then I shall tell you the purpose,” Shakespeare said. “I’m trying to find out if a friend of mine passed through this town—Harry Whitman.”

Chambers paled. Shakespeare leaned forward.

“What do you know about him?” Shakespeare asked.

“Yes, well … He’s a great player, of course,” Chambers stammered.

Shakespeare said, “He lodged here often—”

“No!” cried Chambers. “Who told you that?”

“He stayed overnight—”

“No,” Chambers insisted.

Shakespeare took out a shilling.

“No,” Chambers said, hitting it out of his hands. “Not for love or money did he lodge here. Good day, sirrah!”

Chambers stalked away, but Shakespeare followed him. He grabbed the hostler’s arm.

“Are you challenging me?” Chambers said with sudden viciousness. His hand was clenched around the hilt of his rapier.

“I pray you,” Shakespeare said, “understand that I loved Harry, that he was most dear to me. If the tendrils of compassion wrap around your heart, let them squeeze it to remind you of the pain of untimely loss—of murder most fell.”

“Murder?”

Shakespeare nodded. Chambers had turned ashen.

“We cannot talk here in public,” Chambers whispered. “Too many open ears. Come with me.”

Shakespeare followed the hostler down a dim hallway dotted with rushlights housed in rusty wall sconces. At the end of the hall was a small, almost hidden door. Chambers took out a large, brass skeleton key and opened the lock.

Chambers’s private closet was spacious and brimming over with natural light. The walls were wainscoted with walnut panels below, forest-green silk cloth above the wood. Framed pictures of fish—all kinds of fish—abounded. A large mounted whitefish rested on a wooded mantel. Chambers pulled out a chair from a round table, offered it to Shakespeare, then sank wearily into his own chair, positioned across the table.

Shakespeare said, “Tell me what happened to Whitman.”

“I don’t know anything about a murder!” insisted Chambers. “As God is my witness, I speak the truth.”

“Then what do you know?”

“He lodged here.”

“For how long?” Shakespeare asked.

“Three … no, four … four days.”

“A long time,” Shakespeare commented. “Was that his usual length of stay?”

Chambers shook his head rapidly. “His longest visit ever. In the past he had stayed only a night. Last year he stayed two days. This time four.”

“Then why did you deny knowing him?” Shakespeare asked.

“I had my reasons,” Chambers said.

“And they were?”

Chambers didn’t answer. Shakespeare let it go and asked,

“How did Whitman pass the hours here?”

“In pursuit of pleasure,” Chambers said. “Your friend was fond of dicing.”

Shakespeare frowned. “Dicing?”

“Aye.”

Shakespeare said, “Harry enjoyed drinking, making merry. But dicing ? You’ve mistaken him for someone else.”

“No mistake. Whitman diced, gambled. And lost a great deal of money.”

“Tell me.”

Chambers became animated. “The first night his hap was sweet, his winnings large. But the last days of his stay—he was here for five days—”

“I thought you said four.”

“Four days then. Yes, it was four days. On the fourth night, when Harry became involved with a group of rogues—unscrupulous men—his luck suddenly changed.”

Shakespeare felt suddenly ired, frustrated. “He became someone’s coney—a dupe.”

Chambers nodded.

“You didn’t stop the rogues from cheating?”

Chambers said, “In my business one never interferes with gentlemen dicing. They become most resentful.”

Shakespeare asked him to continue.

“The stakes grew higher,” Chambers said. His eyes darted from side to side. “I know not exactly what happened, sir. It was said that Harry’s luck took a sudden turn for the better. Then it was discovered that Harry held in his pockets several pairs of false dice.”

Shakespeare cursed inwardly. Uncover things best left buried . He said, “Harry was many things—a philanderer and a carouser—but always an honest man.”

“Then it grieves me to tell you this, goodman, but in his possession were a flat carter-treys, a flat cinque-deuces, a barred carter-treys, and high fullam.”

“High fullam?”

“Dice weighed toward high numbers.”

“I don’t believe it,” Shakespeare said. “He was duped.”

“I was not there when the accusations were made, sir.”

“Where were you?” Shakespeare asked.

“I have a brother,” Chambers said. “He was in charge of the inn’s business that evening.”

“May I speak with him?” Shakespeare asked.

“He’s in Kent, sir.”

“Had you ever seen Harry dice on any previous visit here?” Shakespeare asked.

“Yes sir, I have.”

“You have?”

“Yes.” Chambers began to shake his left leg.

Shakespeare told him to complete the dreadful tale.

Chambers said, “The next morning I saw Harry paying off these men with big coins—angels, nobles, sovereigns .”

Where had Harry come to so much money? Shakespeare wondered. He asked, “The name of these rogues?”

“I divulge their identities only because you say he was a kindred spirit with your soul.”

“I speak honestly.”

“I only know two names. The leader—a vicious uprightman who’s quick with the sword—and his doxy.”

“His name?”

“Have respect for my soul. Do not breathe the name I’m about to utter.”

“On my honor.”

“And be careful for your hide,” Chambers warned. “He’s ruthless and evil.”

“I shall be wary,” Shakespeare said. “Pray, his name?”

“Mackering—George Mackering.”

Shakespeare groaned.

“You know him?” asked Chambers, frightened.

“By reputation only,” Shakespeare answered. “An atheist—a foul, cunning man. And deadly with a sword.”

Chambers swallowed back a dry heave.

Shakespeare said, “His woman is still Mary Biddle?”

Chambers nodded.

“Are they still here?” Shakespeare asked.

“No.”

“Back in London?”

“It seems likely. London is Mackering’s favorite place of operation.” Chambers paused, then said, “Pray, leave now.”

Shakespeare stood up and placed a shilling atop the table. Chambers snatched it up, bit it, and placed it in his purse before Shakespeare was out the door.

Chapter 8 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Chapter 61 Chapter 62 Chapter 63 Historical Summary Keep Reading About the Author Faye Kellerman booklist About the Publisher

All was not well with Roderigo Lopez. Raphael’s death had been a black cloud, a storm that had left no one in the family untouched. Rebecca was once again a single woman, and Miguel’s peculiarities were keeping her that way for the moment.

But now Lopez was preoccupied with a single thought—it had been nearly a month since he’d been called to court. Though it could not be proven, he knew in his heart that the Queen was deliberately shunning his counsel, her avoidance no doubt fueled by evil words from the damnable Essex. Royal blood ran thick through the earl’s veins—another stubborn redhead with a fiery temperament.

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