Will Wiles - Plume

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‘Wiles is basically Kafka, if Kafka had spent more time in British hotels and pubs’ David BaddielWill Wiles both re-invents and murders the London novel, in a spectacular act of evil, surgical intensity’ Warren Ellis‘It’s outstanding’ Mail on Sunday, Event MagazineThe dark, doomy humour of Care of Wooden Floors mixed with the fantastical, anarchic sense of possibility of The Way Inn, brought together in a fast moving story set in contemporary London.Jack Bick is an interview journalist at a glossy lifestyle magazine. From his office window he can see a black column of smoke in the sky, the result of an industrial accident on the edge of the city. When Bick goes from being a high-functioning alcoholic to being a non-functioning alcoholic, his life goes into freefall, the smoke a harbinger of truth, an omen of personal apocalypse. An unpromising interview with Oliver Pierce, a reclusive cult novelist, unexpectedly yields a huge story, one that could save his job. But the novelist knows something about Bick, and the two men are drawn into a bizarre, violent partnership that is both an act of defiance against the changing city, and a surrender to its spreading darkness.With its rich emotional palette, Plume explores the relationship between truth and memory: personal truth, journalistic truth, novelistic truth. It is a surreal and mysterious exploration of the precariousness of life in modern London.

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‘It’s drifting this way,’ Kim from promotions said.

‘It’s just smoke,’ Mohit said.

‘When did it happen?’ I asked. I had reached my desk, which put me to the rear of the group, and I don’t think that any of them noticed my approach. Their eyes were on the plume.

‘When did what happen?’

‘Ray said it was an explosion …’

‘It doesn’t say,’ Ray said. ‘This morning.’

‘I think I …’ How to explain about the bubbles? If I said I saw the explosion I would sound ridiculous. ‘I think I felt it … The vibration …’

‘The earth moved for you?’ Kay asked, and a couple of people chuckled, Mohit and a golf wanker.

‘Now you mention it,’ Ray – woman Ray – said, ‘I think I felt it too.’

This prompted a more general and impossible-to-transcribe group conversation about who thought they had heard or felt what, whether it was possible to feel anything at this distance, and so on. I didn’t contribute much, and the group’s focus, such as it was, broke away from me. But Polly was still looking at me, and I frowned back, trying to figure out what I had said or done to earn this special attention. Her eyes darted down to my desk, which I was leaning against. My right hand was resting on one of the stacks of papers that are permanently encroaching on my keyboard and work space. It was this heap that Polly had glanced at, just a pile of torn-off notes, newspapers and magazines like the others, but I saw the top sheet, the one pinned under my hand, was not in fact mine at all. It was a yellow leaf from an American legal pad, and it was clipped, with many others like it, to a steel clipboard, which must have been left there by its owner while she was distracted by the drama at the window.

‘Excuse me,’ Polly said, and she grabbed her clipboard out from under my hand just as I lifted it to see what was written on it. Then she flipped the pages that had been folded over the back of the board to cover the sheet I had seen. But I had seen it. Columns of numbers – dates, times. The lowest line, the only one I saw in detail, read:

MONDAY: 10.11 12.05

Then two blank columns. I knew immediately, instinctively, what was recorded there, and what it meant. It was the time I had arrived that morning, and the time I had left for lunch, with spaces left for the times I returned from lunch and left the office at the end of the day. Polly was recording my movements – my latenesses, my absences, the myriad small (and not so small) ways I was robbing the magazine of time. The purpose of this record was obvious: she was building a case for my dismissal.

I did my best to hide the fact that I had seen the numbers and guessed their meaning. Grey oblivion enclosed my panicking mind on all sides, squeezing in. I pulled the chair from under my desk and sat down heavily. Polly was no longer looking at me. Instead she was staring fixedly out of the window, jaw tense, clipboard clutched to chest, being scrupulous about not looking at me. The grey closed in, appearing in my peripheral vision, cutting off my oxygen. I hit the space bar to rouse my computer and that small action felt like an immense drain on my resources. Fainting was a real possibility. No air. Horrible implications were spreading outwards from what I had seen, a thickening miasma of betrayal and threat. Firing an employee was cheaper than making them redundant – perhaps that was Polly’s game. Perhaps she was collecting a dossier against me to spare someone else, a friend, an ally: Freya? Kay? Mohit? But of those names, none was more clearly on the axe list than mine. If I was already doomed, and they could save themselves that redundancy payment into the bargain …

Unread emails. Hundreds of new tweets. Fifty new Tumblr posts. I looked at the latter, not able to face the clamour of Twitter, and it was a good choice – calming. Attractive concrete ruins. Unusual bus shelters in Romania. Book covers from the 1970s. Silent gifs of pretty popstars. New Yorker cartoons. Feel-good homilies and great strings of people agreeing with heartfelt, bland statements against racism and injustice.

But the smoke was there, too. A camera-phone photograph on the blog of another magazine, showing the same plume we could see but over a different roofline. A much better photograph from the feed of Bunk, F.A.Q.’s company, taken from a higher angle and showing the column’s base, orange destruction under buckling industrial roofs, in a necklace of emergency-service blue lights.

More of my colleagues were returning from lunch, some unaware of what was going on in the east, others brimming with urgency, disappointed to find that we all knew about the fire already. There was a volatile, excitable atmosphere in the office. Having an unusual event like this, a news event, so very visible in front of us all was turning people into restless little broadcasters, vectors for the virus of knowing, eager to find audiences as yet uninfected with awareness of it. This floor of this building was dead, saturated, so the group broke up and the spectators went to their phones and their keyboards to email, tweet, update Tamesis, Facebook, Instagram, WhatsApp, Snapchat – transmit, transmit, tell, tell. And all with this weird glee, the perverse euphoria that accompanies any dramatic news event taking place nearby, even a terrible event. Any other day, I would be among them – I felt that rush, that fascination, but at a distance, behind a firewall of private pain – but all I could do was gaze at my screen, barely seeing, hand dead on my mouse.

‘Crazy.’

Polly was at my side. I had no idea how long she had been standing there, but I knew I had done nothing in that time, not the slightest movement.

‘What?’

She nodded at my screen. It was still showing the Bunk picture of the fire.

‘Crazy,’ she repeated. ‘I wonder how they got that shot? The high angle … Helicopter? From the look of it, it’s amazing no one was hurt.’

Her tone was pleasant – just a regular chat between co-workers, as if nothing had happened, or was about to happen. A very casual assassin.

‘Long lunch?’ she asked.

Aha, I thought, here we go. I patted the book I had taken with me – Pierce’s Murder Boards , decorated with a jolly fringe of fluorescent sticky bookmarks. ‘Was doing some background. Working. Notes. Ready for tomorrow.’

‘Oh, good.’ Polly appeared genuinely pleased by this, which only intensified my suspicion that a trap lay ahead. ‘Have you looked at your emails? I’ve set things up with De Chauncey’s people – 3 p.m. tomorrow, at their Shoreditch branch. Easy-peasy.’

‘Right,’ I said. Grim tidings, but it didn’t feel like the gut-shot I had been expecting. Her chirpiness was concealing something, I knew. Sure enough, the trap revealed itself. She adopted Clipboard Pose #2: Moses, supporting it with the left forearm and laying her right palm on the attached papers, as if drawing from them some inviolable truth.

‘I wonder if you could do something else for me?’

I didn’t reply. Maybe I shuddered.

‘I’m trying to do some planning. To see if we can get past living hand-to-mouth, as we have been. When you have a spare moment, do you think you could jot down some future subjects for profiles? Your top ten people you would like to interview for the magazine.’

‘The thing is, what with De Chauncey …’

‘Eddie’s keen to see this as well.’

‘I just spoke with Eddie.’

‘I think he said to help me out with the front? This is what I want you to do. Just this.’

I coughed, throat dry, and the action churned the liquid lunch in my stomach, acid frothing, rising.

‘Just give me your target list,’ Polly continued, no less sanguine. ‘You must have people you’re pursuing? Ideas? Ambitions?’

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