In her latest ripped-from-the-headlines tour de force, New York Times bestselling author Heather Gudenkauf shows how one small mistake can have life-altering consequences…
Veteran social worker Ellen Moore has seen the worst side of humanity—the vilest acts one person can commit against another. She is a fiercely dedicated children’s advocate and a devoted mother and wife. But one blistering summer day, a simple moment of distraction will have repercussions that Ellen could never have imagined, threatening to shatter everything she holds dear, and trapping her between the gears of the system she works for.
Meanwhile, ten-year-old Jenny Briard has been living with her well-meaning but irresponsible father since her mother left them, sleeping on friends’ couches and moving in and out of cheap motels. When Jenny suddenly finds herself on her own, she is forced to survive with nothing but a few dollars and her street smarts. The last thing she wants is a social worker, but when Ellen’s and Jenny’s lives collide, little do they know just how much they can help one another.
A powerful and emotionally charged tale about motherhood and justice, Little Mercies is a searing portrait of the tenuous grasp we have on the things we love the most, and of the ties that unexpectedly bring us together.
Praise for Heather Gudenkauf
‘Brilliantly constructed, this will have you gripped until the last page…’
— Closer
‘Deeply moving and lyrical…it will haunt you all summer’
— Company
5 stars: ‘Gripping and moving’
— Heat
‘Her technique is faultless, sparse and simple, and is a masterclass in how to construct a thriller… A memorable read…A technical triumph’
— Sunday Express
‘It’s totally gripping…’
— Marie Claire
‘Tension builds as family secrets tumble from the closet’
— Woman & Home
‘Set to become a book group staple’
— The Guardian
‘Deeply moving and exquisitely lyrical, this is a powerhouse of a debut novel.’
—Tess Gerritsen, No. 1 Sunday Times bestselling author
‘Fans of Jodi Picoult will devour this great thriller.’
— Red Magazine
‘Heart-pounding suspense and a compelling family drama come together to create a story you won’t be able to put down. You’ll stay up all night long reading. I did!’
—Diane Chamberlain, bestselling author of The Midwife’s Confession
‘A great thriller, probably the kind of book a lot of people would choose to read on their sun loungers. It will appeal to fans of Jodi Picoult.’
— Radio Times
‘A real page-turner’
— Woman’s Own
HEATHER GUDENKAUFis the critically acclaimed and New York Times bestselling author of The Weight of Silence,These Things Hidden and One Breath Away . Her debut novel, The Weight of Silence , was picked for The TV Bookclub . She lives in Iowa with her family.
Read more about Heather and her novels at www.HeatherGudenkauf.com.
Also by Heather Gudenkauf
THE WEIGHT OF SILENCE
THESE THINGS HIDDEN
ONE BREATH AWAY
Little Mercies
Heather
Gudenkauf
For my brothers and sisters
Contents
Cover
Back Cover Text
Praise for Heather Gudenkauf
About the Author
Title Page
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Epilogue
Acknowledgments
Endpages
Copyright
Chapter 1
When people find out what I do for a living their first question is always about the most horrendous case of child abuse I’ve encountered. I can be at a backyard barbecue or at a New Year’s Eve party or in the waiting room at the dentist’s office, or my husband’s baseball game. You must see so much, they say, shaking their heads, lips pursed in something like empathy, like I was the one who might have endured the beatings, the burns, the torrents of hateful words. Of course I don’t share any details about my clients and their families. So much has been stripped from the children that stagger in and out of my orbit; the very least I can do is honor their privacy. Come on, people urge, tell me. It’s bad, isn’t it? Like I’m dangling some salacious gossip in front of them. Like I’m keeping mum because I don’t want to offend their tender ears, upset their perfectly ordered worlds where all children are touched with gentle hands, spoken to with loving words and tucked warmly into beds with full stomachs.
Close your eyes, I once told the shortstop’s mother and she did, almost quivering in anticipation of the gory details. She nodded in compliance, cocking her head in my direction, preparing for what I will reveal next. Will I tell her about Mariah Crane, the seven-year-old whose mother held her head under water until there was no chance that her damaged brain could ever catch up with her growing body? Or will I tell them about the twins? Everyone has heard about the Twin Case, as it’s still known. Everyone wants to know more about the twins.
Now imagine the vilest things that can be done to a human being, I say. I let her think about this for a moment and I can see the slight spasm of revulsion skitter across her face. That’s what I’ve seen. She opens one eye to see if I’ll say anything else. But that’s all I have for her.
The only people I talk to about the Twin Case are my husband and Joe Gaddey. I was a newly minted social worker, just out of graduate school when I moved back to my hometown of Cedar City, the second largest city in Iowa, just behind Des Moines with a population of about one hundred ninety-five thousand. My husband moved to Cedar City to teach high school history and coach baseball, having grown up in the tiny town of Broken Branch, Iowa, where everyone is related, if not by blood then by marriage. We met through mutual friends and eventually settled into married life, ready to change the world. In the end I have struggled to not let the case change me.
Adam and I hadn’t even met yet when I was assigned my first social work case involving a set of six-year-old twin boys, a five-year-old girl, their mother, their father and a baseball bat. Only one of the boys survived. The family wasn’t new to the system; I had inherited the case from my predecessor and arrived for the first of my scheduled visits just as the emergency personnel were bringing out the first stretcher. Joe Gaddey was the officer positioned outside the front door. In a daze I moved toward him.
“And you are?” he asked. I couldn’t even speak, could only look up at him. I peeked around his solid girth, trying to peer into the house and was greeted with a terrible sight. I teetered on my high heels and grabbed on to his sleeve for support. “Whoa, now,” he said, steadying me. “You don’t want to see that.”
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