Nikolai Tolstoy - Patrick O’Brian

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Patrick O’Brian: краткое содержание, описание и аннотация

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An intimate portrait of Patrick O’Brian, written by his stepson Nikolai Tolstoy.Patrick O’Brian was one of the greatest British novelists of the twentieth century, securing his place in literary history with the bestselling Aubrey–Maturin series, books that have sold millions of copies worldwide and been hailed as the best historical fiction of all time.An exquisite novelist, translator and biographer, O’Brian moved in 1949 to Collioure in the south of France, where he led a secluded life with his wife Mary and wrote all his major works. The twenty books that make up the beloved Aubrey–Maturin series earned O’Brian the epithet ‘Jane Austen at sea’ for their authentic depiction of Nelson’s navy, and the relationship between Captain Jack Aubrey and his friend and ship’s surgeon Stephen Maturin. Outside his triumphant popularity in fiction, O’Brian also wrote erudite biographies of both Pablo Picasso and Joseph Banks, as well as publishing translations of Simone de Beauvoir and Henri Charrière.In A Very Private Life, Nikolai Tolstoy draws upon his close relationship with his stepfather, as well as his notebooks, letters and photographs, to capture a highly researched but intimate account of those fifty years in Collioure that were the richest of O’Brian’s writing life. With warm and honest reflection, this biography gives insight into the genius of the little-known man behind the much-loved writing. Tolstoy also tells how, through a sad irony, unjust attacks on O’Brian’s private life destroyed much of the happiness he had gained from his achievement just as his literary career attained greater acclaim.

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In August of the following year she invited me to stay at Collioure. My stepmother had never disguised her dislike for me, and my father rarely showed me any affection. The time had come when I resolved to see the mother of whom I retained a bare half-dozen infant memories. That month I joined my father and stepmother for a typically strained holiday in northern Spain, and from there I journeyed at a leisurely rate in Spanish trains to Port Bou on the French Mediterranean frontier, and thence up the coast the three stops to Collioure. It being impossible to predict the precise time of my arrival, my mother remained on tenterhooks for two days. On the 29th she received ‘Letter from N., apparently woken up to the foolishness of going back to England before coming here, so he will reach Irun at 8 pm tomorrow en route for Collioure. I called on O[dette]., told her … Called on Tante & Marinette & told them: how they stared.’

Two days later: ‘Met trains all day, home beautifully neat under usual strain, but no Nikolai.’ Finally, on 1 September, I arrived at Collioure and made my way to the rue Arago. I climbed the steep staircase, knocked on the door, and there was my mother. I vividly recall Patrick standing a little behind, in that characteristic attitude which was to become so familiar, smiling with his head a little on one side and hands clasped before him.

My own emotions were confused, my mother being for me effectively a stranger, of whom I retained only the most fleeting of images. However, in consequence of my unhappy relationship with my father and stepmother, I found it exhilarating to find myself at home with contrastedly interesting and affectionate parents. My mother was understandably in raptures:

I had taught [her pupil] André his English, & P & I were sitting at tea when there was a knock, & it was N. Actually I am writing this on the 12th, being too excited before to write. I did not know how wonderful it would be to have N. again – Lord, Lord, I am so happy with P. & him, and so thankful. I would that R. were here too: he wrote to say that he is an Ordinary Seaman in the R.N., sounding very happy.

With hindsight, I fancy the visit might have gone better had Richard indeed been there, providing companionship of my own age. For the first fortnight all went well. My youthful enthusiasm for history overlapped closely – perhaps too closely – with Patrick’s own tastes. I browsed contentedly among his eclectic collection of books, which stood ranged against the wall in boxes he had carefully constructed to house them. We were a stone’s throw from the beach, and there was much to excite my passion for the Middle Ages in the ancient town. We travelled by bus to explore Andorra, still a wholly unspoilt medieval principality in the mountains.

By the time of my arrival, the walls and roof of the casot were all but completed. Like Richard, I assisted in my turn with the labours, my more modest contribution being attested to this day by a cement buttress beside the door bearing my initials. It was an exciting time for all, and my mother wrote exultantly: ‘We already plan next storey.’ (I am, incidentally, baffled by a writer’s claim that Patrick ‘built the hut by hand, something that O’Brian ironically would be ashamed of and very touchy about in later life when he became more established’. In reality, he was immensely proud of the fact that he had contributed so much of the labour, to which he regularly drew visitors’ attention when they called throughout the years that followed.)

I learned much about Patrick’s writing, and remember being particularly delighted by his good-humoured short story ‘The Virtuous Peleg’. His other writings were less to my adolescent taste, which was disinclined to stray beyond current obsessive enthusiasms. Unfortunately, those of his own works which would have appealed to me at the time remained inaccessible, since no copies of his early books published under the name Richard Patrick Russ were to be found in the house. Equally, the robustly exciting boys’ books The Road to Samarcand and The Golden Ocean had yet to be published.

It is hard for me now to be certain how far my faded image of those memorable three weeks remains entirely accurate. However, I do recall that after a week or so I began to find Patrick increasingly didactic and irritable, to an extent which swiftly became all but intolerable. Referring to himself on one occasion as ‘a writer who has been compared with Dostoevsky’ (which may conceivably have been true), he was openly contemptuous of my preferred reading: old-fashioned favourites such as Harrison Ainsworth, Charles Lever and R.D. Blackmore. Oddly enough, so far as I am aware Patrick had not read the one ‘good’ writer whose works I also loved – Walter Scott.[fn9] However, he possessed the 1839 ten-volume edition of J.G. Lockhart’s classic biography of his father-in-law, which on discovering my enthusiasm he presented to me during my stay. Glancing at it now, I suffer once again an acute pang of nostalgia, fancying myself back in the snug little flat at 39, rue Arago.

Today I remain shamefully conscious of the fact that the growing coldness which developed between us during my stay was very far from being Patrick’s sole responsibility, as I then believed it to be. I still recall with painful embarrassment how prone I was at the time to faults not uncommon among young men of twenty. Uncompromising political views, assertions of belief as incontrovertible fact, and related failings made me no more tolerable to my elders than many another immature youth awkwardly poised between adolescence and manhood.

On 13 September my parents’ old friend and colleague from their wartime service with Political Warfare Executive, the American academic Jack Christopher, came to stay. Lodgings were found for him with the Azémas, while he spent each day with us. A tall, mild-mannered scholar, he was co-author of a recently published two-volume History of Civilization . I recall Patrick’s humorously condemning the work, on the grounds that it omitted to mention a battle between the O’Tooles and the Danes – a joke repeated from a passage in The Golden Ocean , which he had just completed. While Jack was a model of discretion and politeness, Patrick at times used his presence to ‘punish’ me in a manner he not seldom employed when irritated, deliberately excluding me from conversations, in the course of which he occasionally let fall none too subtle allusions to my deficiencies.

Recollection of this first visit still pains me. Indeed, I was for long inclined to accept almost the entirety of blame for the mutual ill-feeling which increasingly pervaded my stay, until many years later I came to read my mother’s diary account of my visit: ‘N. left on 19th: when it started going bad I do not remember. Only I do remember being in the middle of it & trying & trying to think of something to bring things back to pleasantness.’

As her normal reaction to any such awkwardness was to support Patrick, right or wrong, I am inclined to infer that she sensed the faults were not all on one side. Long afterwards, I was told by their friend Mary Burkett that Patrick angrily declared on my departure that he would never allow me in the house again! This was the only such occasion of which I am aware when my mother put her foot down, insisting she would continue to see me regardless.

Fortunately the unpleasantness blew over, and the letter I wrote back after my return reads as though all had been warmth and light. Over the decades to come, I confess that Patrick and I continued at times to find each other difficult, or even downright insufferable. But each in his own way was, I believe, conscious that blame lay not all on one side, and such unpleasant clashes were invariably overcome and dismissed – lessening considerably, too, as the years passed by. However, there is no escaping the certainty that, had I not been my mother’s son, I would never have been invited to Collioure again.

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