Roz Watkins - Cut to the Bone

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Cut to the Bone: краткое содержание, описание и аннотация

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The stunning new DI Meg Dalton novel from Roz Watkins, the acclaimed author of The Devil’s Dice and Dead Man’s Daughter.***A DISTURBING DISAPPEARANCEWhen beautiful young social-media star Violet Armstrong goes missing in the middle of a scorching Peak District summer, the case sparks a media frenzy.A CHILLING MURDERThe clock is ticking for DI Meg Dalton and her team to find Violet before online threats explode into real-life violence. And then the blood and hair of a young woman are found in an empty pig trough at the local abattoir…AN IMPOSSIBLE CRIMEThe more Meg finds out about this unnerving case, the more she becomes convinced that something very, very bad has happened to Violet. With temperatures rising and the press demanding answers, the case is about to take a terrifying turn…

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‘No. Who is she?’

‘Violet Armstrong.’

I looked at him for a beat longer than the driver should, our disagreement forgotten. ‘ The Violet Armstrong?’

‘Yep. Bikini-barbecue-babe Violet Armstrong. Poster girl for carnivores everywhere. Missing from an abattoir.’

‘Jesus. What was she doing at an abattoir?’

‘I think she works there. Bit weird, I know. Especially with someone as controversial as her. It’s when “turning up in one piece” is way too literal.’

‘Thanks for that, Jai. No doubt there’ll be some banal explanation involving a dodgy boyfriend or a runaway pig.’

Jai laughed and I felt the atmosphere loosen. ‘Yeah,’ he said. ‘If I was a pig I’d run away from her and her barbecue tongs.’

On the horizon, tendrils of smoke drifted upwards, reminding me we were near the wildfire. ‘This weather’s got to break soon,’ I said. ‘We’ll get monsoon rains.’

‘Most of which will no doubt end up in my basement.’

I hadn’t yet been inside Jai’s new house, even though it was round the corner from mine, but he seemed obsessed with his damp basement. Maybe he’d been droning on to Suki about pumps and that was part of her problem.

We followed a narrow lane through gates into a concrete yard. A slab-sided grey building sat in front of us, sanitised and anonymous, giving away nothing about what went on inside.

‘Are you going to be okay with this?’ Jai said.

My head filled with images from abattoir videos posted by animal rights groups and shared by my friends on Facebook, just to improve my mental well-being and sleeping patterns. I didn’t need to see the real thing, especially in my current state of mind. Or hear it. This abattoir did pigs. Pigs squealed.

‘I’ll be okay,’ I said. ‘I’m more worried about the missing girl.’ But it struck me like an electric shock that I wasn’t that worried about the girl – at least not to my usual PhD-level. Was I so worn down from watching Gran die that I’d lost some vital part of myself? It scared the hell out of me. If I didn’t care about my job to the point of virtual mania, who even was I?

‘You do know she’s famous because she barbecues burgers in a bikini?’ Jai said. ‘A phrase I wouldn’t advise saying when drunk.’

‘Yeah. She simultaneously dumps on feminism and animal rights in an impressive double whammy.’ I could keep the banter going while I had my mini existential crisis, but our camaraderie felt forced. I’d thought I was doing the right thing by being super-nice about his girlfriend, thus removing any question of whether I liked him a little too much for a colleague, but I’d obviously got it all wrong.

We pulled up in the yard and heaved ourselves out of the car. The sun sliced through the hot air, making the car windows so shiny it hurt to look at them. A few uniforms were buzzing around. We had a lot of missing person calls, but this one had triggered a red-button-push.

The door to the abattoir building swung open and a skinny blonde woman came out at a gallop. ‘Goodness, it’s warm. I hope we’re not wasting your time. I’m not wanting to make a fuss, but I thought we should call just in case …’

‘Shall we pop inside a minute?’ I said. ‘I’m Detective Inspector Meg Dalton and this is Detective Sergeant Jai Sanghera. What’s your name?’

‘Anna Finchley. I own the abattoir.’

I wasn’t sure if it was subconscious sexism or ageism, but I was surprised at that revelation. There was a touch of the gangly teenager or new-born foal about her, although she must have been in her thirties. She didn’t look like an abattoir-owner.

‘Not being melodramatic, but do you think it’s the animal rights people?’ she said.

‘What makes you say that?’

‘We’ve had threats. And someone’s smashed the CCTV.’ Anna shook her head. ‘But surely, they wouldn’t … Maybe she went for a walk or …’

I looked at the sun-scorched hills in the distance. A faint smell of smoke hung in the air. It wasn’t an ideal spot for a hike.

‘How far are we from the reservoir?’ Jai said.

The beauty of Ladybower Reservoir seemed to act as a magnet for death. It was well known, to us at least. If some poor soul was planning to slit an artery and bleed to death in north Derbyshire, there was a fair chance Ladybower would be the destination of choice.

Anna said, ‘It’s just over the hill.’

‘Let’s take a few details inside,’ I said. ‘Can we see the smashed CCTV?’

Anna led us through a door into a grey corridor and on into a small room. The building was functional rather than swish, but had been recently renovated. So far, it was mercifully free of butchered animals.

I leaned to peer at the CCTV box, which looked like it had been set about with a baseball bat. I stepped back to let Jai see. ‘They’ve taken the hard drive,’ he said.

‘Let’s get this area sealed off and processed,’ I said.

We shuffled out of the room. A man was walking towards us down the corridor. He was lean, toned, and good-looking in a rough, footballer kind of way, and he moved like a man with something to prove.

Anna said, ‘What is it, Gary?’ I sensed tension between them. A slight narrowing of his eyes; a fractional curling of her upper lip. ‘This is my brother,’ Anna said. ‘He works here too.’

The man held up an expensive-looking, glittery, and clearly now evidentially compromised object. We needed to get the scene under control. ‘I found a watch,’ he said. ‘It—’

‘That’s Violet’s,’ Anna said. ‘Why on earth would she take off her watch? Where did you find it?’

‘If you’d let me finish, I’d tell you. I don’t know why she’d have gone there – it wasn’t in the area she cleans. It’s bloody weird, if you ask me.’

‘Just tell us where it was, Gary!’

‘It was beside the pig pens.’ He shot Anna a look that was almost accusing. ‘And there’s blood on it.’

2

Anna Finchley led us into an office containing a desk and four chairs. White-painted walls were covered with a surprising collection of abstract art – the kind with blobs of colour that my dad would say a three-year-old could do – and a prominent TV screen. Anna sank down on one of the chairs, crossing her legs and arms as if protecting herself.

‘Sit on that side if you want the window-view and the art,’ she said. ‘I sit here so I can monitor the CCTV. When it’s working. And I hate to be negative, but Violet’s not careless with her stuff. Why would she have dropped her watch? She shouldn’t even have been by the pig pens. And why would it have blood on it?’

Jai and I sat opposite her and didn’t answer her questions. She could run the scenarios on her own. I watched her face as she did so. Not giving much away.

‘When did you last see Violet?’ I asked.

Anna blinked a couple of times and looked to the ceiling. ‘The day before yesterday,’ she said. ‘I stayed late and I saw her at the start of her shift.’

‘And how was she?’

Anna shook her head and frowned. ‘Not that I’d necessarily notice, because I didn’t spend long talking to her, but she seemed fine.’

‘Could you talk us through this morning? Were you the first to arrive?’

‘I got here at about eight. Daniel had come in earlier and fed the pigs. Daniel Twigg. I think he’d messed up the amounts though, because they’d left loads. Maybe it was because he wasn’t feeling well – he’s gone home ill. I didn’t realise anything was wrong at first. Violet’s car’s parked round the side so I didn’t see it.’ Anna pushed her hair back behind her ears. ‘I got the pigs killed. Then cleaned up their pen. And the lorry arrived to take the Category 2 waste away – that’s the animals’ innards and other bits we can’t use – to be rendered, and when it went round the side, I noticed Violet’s car. It’s not normally parked that far round, so I hadn’t seen it at first. Anyway, I looked for her everywhere I could think, and tried her mobile but there was no answer. I phoned Esther – my partner, who Violet lodges with – and she’s not there. I phoned Violet’s parents in Sheffield but there was no answer. Then I went to check the CCTV, and when I saw it was smashed, I called you.’

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