Penny Jordan - Sins

PENNY JORDAN

Sins

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

AVON

A division of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2009

Copyright © Penny Jordan 2009

Penny Jordan asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9781847560742

Ebook Edition © 2009 ISBN: 9780007331659

Version 2019-03-01

I would like to dedicate this book to all my readers, but especially to all the kind people who have written to tell me how much they enjoyed Silk and asking me when Sins would be coming out.

Copyright

Part One

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Part Two

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Chapter Fifty-Three

Chapter Fifty-Four

Part Three

Chapter Fifty-Five

Chapter Fifty-Six

Chapter Fifty-Seven

Chapter Fifty-Eight

Chapter Fifty-Nine

Chapter Sixty

Chapter Sixty-One

Chapter Sixty-Two

Epilogue

Acknowledgements

About the Author

By the Same Author

About the Publisher

Rose Pickford exhaled a small sigh of relief as she opened the door and stepped into the familiar scented warmth of her aunt Amber’s Walton Street shop, with its smell of vanilla and roses–the scent blended especially for her aunt.

One day–or so her aunt had told her–Rose would not just be managing the exclusive Chelsea shop where the furnishing fabrics from her aunt’s Macclesfield silk mill were sold, she would also be in charge of advising clients on the most stylish ways to redecorate their homes.

One day.

Right now, though, she was simply a raw, newly qualified art student, working as little more than a general dogsbody for Ivor Hammond, one of London’s most prestigious interior designers.

‘Hello, Rose, we’re just about to have a cup of tea. Would you like one?’

Rose smiled gratefully. ‘Yes, please, Anna.’

Anna Polaski, who currently managed the shop, had originally come to England with her musician husband, Paul, as refugees from Poland at the beginning of the Second World War. Anna was always very kind, and Rose suspected that she felt sorry for her–because she recognised that Rose, too, was, in a way, an ‘outsider’?

‘I hate January. It’s a horrid month, so cold and miserable,’ Rose said to Anna, as she pulled off the beautifully soft Italian leather gloves that had been a Christmas present from her aunt.

‘Pah, you call this cold? In Poland we have proper winters, with snow many feet deep,’ Anna told her. ‘We shall be having lunch soon,’ she added. ‘I have brought some homemade vegetable soup and you are welcome to join us.’

‘I’d love to,’ Rose replied, ‘but I can’t. I’ve got to be back by half-past one so that Piers can go out and measure up for a new commission.’

Piers Jeffries was Ivor’s senior assistant, a good-looking young man, who affected to like Rose and want to help her, but who at the same time seemed to have the knack of somehow working things so that whenever anything went wrong, she ended up being blamed. Piers might publicly sympathise with her and even take her side with their impatient and quick-tempered employer, but Rose suspected that privately he enjoyed her falls from grace.

‘I need to check the provenance of one of my great-uncle’s designs,’ Rose explained. ‘Ivor has a client who wants to use it and he’s enquired about its origins. The trouble is that he doesn’t know the name, he can only describe it.’

Anna gave a derisory snort. ‘And he thinks you’ll be able to find it in half an hour! Didn’t you remind him that we have over two hundred different designs available here from your great-uncle’s drawings?’

‘There’s a bit of a panic on. The client is impatient to get things moving, and Ivor has promised him the information this afternoon. Ivor doesn’t like it if we make things seem other than effortless. I think it’s one of the Greek frieze designs, so I’ll start with that book.’

‘You run upstairs then, and I’ll send Belinda up with a cup of tea for you.’

Whilst the ground floor of the Walton Street premises were used as a showroom, the pattern books were kept upstairs in the workroom, which was also used as an office.

Since her aunt kept meticulous record and pattern books, it didn’t take Rose very long to find the fabric for which she was searching. Decorated with an imposing Greek frieze border, the fabric came in four different colourways: a warm red, royal blue, dark green and a rich golden yellow. The border pattern came from an original frieze held in a London museum, which her great-uncle had sketched, the piece of stone frieze itself having been brought back from his Continental grand tour by the Earl of Carsworth in the 1780s, according to the notes with the samples.

After writing down this information Rose swallowed her now cold tea before making for the stairs.

Outside it was even colder than it had been earlier, with an east wind that knifed through her, despite the thick warmth of her navy-blue cashmere coat–a present from her aunt when she had started her job–a coat that created ‘the right impression’, Amber had said.