Jodi Thomas - Sunrise Crossing

“We’ve still got a lot of work to go before they’re sanded and stained.”

“How’d you learn to create something so beautiful out of blocks of wood?” The question was out before he thought.

“My dad taught me. I had a playhouse with a staircase like this.”

Yancy smiled, glad he hadn’t upset her with his question. “I had a box in the vacant field next to our apartment once. I called it my hideout, until some homeless guy took it over.”

They both laughed.

When she picked up his coat as if it were now hers, he knew their night was over.

“Sorry about crying,” she said. “And for stealing your coat, which I’ll give back as soon as the nights warm.”

“No problem.” He moved to unlatch the door. “One thing I have to ask, Rabbit. Are you safe when you leave here?”

She nodded. “I stay in the shadows of the trees when I walk. I have a safe hideout to live in with no homeless folks nearby.”

“I hope it’s not made of cardboard.”

Standing on her toes, she kissed his cheek. “It’s not. See you tomorrow night.”

Yancy turned and let their lips touch, making the kiss more than a peck, but just short of passionate.

He felt her tremble again.

Without moving, he whispered against her moist lips, “You’ll always be safe here.”

She moved away, but he saw the truth in her rainy-day blue eyes. She believed him. Maybe she wasn’t afraid of him. Maybe she was more afraid of being close to anyone.

Standing in the open doorway, he watched her disappear into the night. He’d broken a rule tonight. He’d lied to the law and he didn’t care. He’d do it again and again if the lies would keep her safe.

He had no idea why she wanted to step out of her life.

All he knew was that he was glad she’d stepped into his.

CHAPTER TEN

Mauve Monday’s indecision

FOR THE NEXT few days, Parker tried to come up with a plan to get to Tori without anyone following her. She worried that her gallery needed her at the helm, but deep down she knew that wasn’t true. She left it often to visit artists and to travel with some of her collection. She went to other gallery shows all over the world. She’d set up the place to run as smoothly without her as when she was there.

Tori needed her. She had to find a way to get to the farm near Crossroads. The talented painter, like many gifted people, needed someone else to help her work through the everyday problems. Parker knew this firsthand—she had lived with an established sculptor her first year out of college who could demand six figures for his work, but couldn’t remember to pay the electricity bill.

They hadn’t worked out as lovers, but he’d given her the direction for her career. She’d loved the business part of the art world. She was fascinated with the details it took to put a show together, with discovering new talent and directing their careers. She sometimes thought of herself as the director and the artists were the actors. They got the spotlight, but deep down, she knew that a little part of their success belonged to her.

This she could do. Organize. Polish. In a way, it was a safe career. She didn’t have to prove her own talent; she simply had to show off others’.

But with the travel and the late nights, she’d never had time or any real desire to develop friendships or keep a lover longer than a season. Now, when she could really use someone she could trust, there was no one to call.

Tori must have felt that way in the airport that night. Parker knew she could be the artist’s friend, only who would be Parker’s friend?

Each night she watched the news. There must not have been much going on, because a few of the stations were doing nightly updates on Victoria Vilanie’s disappearance. They had experts saying it was obviously a kidnapping. They interviewed Victoria’s high school teachers and her first art instructor in college. All said that Tori was shy. One of the anchormen said that Victoria was one of the best young painters in the country and the world couldn’t afford to lose her.

Parker watched, knowing that when she disappeared to go check on Tori, no one would mention her on the news. More and more, she realized she had to step up and be a true friend. If she didn’t, the public would eat the shy little artist alive if they found her.

So, to be that friend, Parker had to make sure that no one followed her. No one would think that she also was vanishing. She had to make her leaving look like it was simply a business trip, nothing more.

As she planned, she forgot about how her leg felt weak and how her back often hurt. She forgot how sad the young doctor had looked when he’d stared at her. He hadn’t said she had cancer. He hadn’t had to. Parker had always known someday the curse of the Lacey clan would find her. “I don’t have time to die right now,” she said to herself. “I’ve got too much to do.”

She thought of calling Dr. Brown and telling him he’d just have to wait a few weeks before he “made her comfortable,” but she guessed he would have figured that out when he’d returned to her room and found she’d gone. She’d seen his number on her list of missed calls, but she refused to call his office back. Right now she had to convince her staff that she was traveling for work while she made plans to get away totally unnoticed by anyone who might think that she had a connection to Victoria Vilanie.

To disappear, she’d need some help from someone who either knew nothing about what she was doing or could be trusted completely. A saint or an idiot, she reasoned.

Slowly, she began compiling a mental list of all the people she’d called friends over the years. One by one she made calls.

Her lab partner in college didn’t remember knowing a Parker Lacey.

Her college roommate was eight months pregnant with her fourth kid and said she didn’t have time to chat.

Two old lovers wouldn’t take her call.

Her former boss had died two years ago.

The only neighbor she knew had moved a year ago, and Parker hadn’t noticed.

Parker paced the room like a caged lion. Surely, in thirty-seven years, she’d made one friend. She didn’t need a kidney; she only needed a favor. Someone to loan her a car or pick her up from the airport after one of her staff thought they were taking her to catch a plane.

Someone she could trade IDs with, maybe? No, that would be too much like a spy novel.

Even someone to give her a ride would be nice. Surely she knew a friend who would do a favor without asking too many questions.

As the days passed she realized she was being watched. If she didn’t plan carefully, she’d lead the FBI—or worse, the press—right to Tori.

Only Tori wanted her to come. Parker had to find a way. Once they were on the farm, they’d talk. Parker would help Tori plan; after all, planning was what she was good at.

Parker thought about how the brooding cowboy on the adjacent farm would react if press crews pulled up next to his land. He barely talked to her—or anyone else—the day she’d bought her farm.

The good thing about living next to a loner like him was that she didn’t have to worry about him spreading rumors of someone living at her place. She doubted he’d even noticed Tori there. If he had, he would have thought it was none of his business.

That one trait just might classify him as a friend in her book.

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