Untamed Italians
Innocent in the Italian’s Possession
Janette Kenny
Italian Tycoon, Secret Son
Lucy Gordon
Italian Marriage: In Name Only
Kathryn Ross
www.millsandboon.co.uk
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Cover
Title Page Untamed Italians Innocent in the Italian’s Possession Janette Kenny Italian Tycoon, Secret Son Lucy Gordon Italian Marriage: In Name Only Kathryn Ross www.millsandboon.co.uk
Innocent in the Italian’s Possession Innocent in the Italian’s Possession Janette Kenny
About the Author For as long as JANETTE KENNY can remember, plots and characters have taken up residence in her head. Her parents, both voracious readers, read her the classics when she was a child. That gave birth to a deep love for literature, and allowed her to travel to exotic locales—those found between the covers of books. Janette’s artist mother encouraged her yen to write. As an adolescent she began creating cartoons featuring her dad as the hero, with plots that focused on the misadventures on their family farm, and she stuffed them in the nightly newspaper for him to find. To her frustration, her sketches paled in comparison with her captions. Her first real writing began with fan fiction, taking favourite TV shows and writing episodes and endings she loved—happily ever after, of course. In her junior year of high school she told her literature teacher she intended to write for a living one day. His advice? Pursue the dream, but don’t quit the day-job. Though she dabbled with articles, she didn’t fully embrace her dream to write novels until years later, when she was a busy cosmetologist making a name for herself in her own salon. That was when she decided to write the type of stories she’d been reading—romances. Once the writing bug bit, an incurable passion consumed her to create stories and people them. Still, it was seven more years and that many novels before she saw her first historical romance published. Now that she’s also writing contemporary romances for Mills & Boon, she finally knows that a full-time career in writing is closer to reality. Janette shares her home and free time with a chow-shepherd mix pup she rescued from the pound, who aspires to be a lap dog. She invites you to visit her website at www.jankenny.com . She loves to hear from readers—e-mail her at janette@jankenny.com
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Italian Tycoon, Secret Son
About the Author
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Italian Marriage: In Name Only
About the Author
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Copyright
Innocent in the Italian’s Possession
Janette Kenny
For as long as JANETTE KENNYcan remember, plots and characters have taken up residence in her head. Her parents, both voracious readers, read her the classics when she was a child. That gave birth to a deep love for literature, and allowed her to travel to exotic locales—those found between the covers of books. Janette’s artist mother encouraged her yen to write. As an adolescent she began creating cartoons featuring her dad as the hero, with plots that focused on the misadventures on their family farm, and she stuffed them in the nightly newspaper for him to find. To her frustration, her sketches paled in comparison with her captions.
Her first real writing began with fan fiction, taking favourite TV shows and writing episodes and endings she loved—happily ever after, of course. In her junior year of high school she told her literature teacher she intended to write for a living one day. His advice? Pursue the dream, but don’t quit the day-job.
Though she dabbled with articles, she didn’t fully embrace her dream to write novels until years later, when she was a busy cosmetologist making a name for herself in her own salon. That was when she decided to write the type of stories she’d been reading—romances.
Once the writing bug bit, an incurable passion consumed her to create stories and people them. Still, it was seven more years and that many novels before she saw her first historical romance published. Now that she’s also writing contemporary romances for Mills & Boon, she finally knows that a full-time career in writing is closer to reality.
Janette shares her home and free time with a chow-shepherd mix pup she rescued from the pound, who aspires to be a lap dog. She invites you to visit her website at www.jankenny.com. She loves to hear from readers—e-mail her at janette@jankenny.com
GEMMA CARDONE hurried down the hall toward the executive suite of Marinetti Shipyard, heart pounding and nerves snapping like a ship’s sails. Church bells chimed six times, the distant echo clear in the quiet Tuscan morning.
Since the day she’d come to work in Viareggio nine months ago, she’d relished her leisurely morning walk to her office. Even inside the old building, the tall narrow windows reminded her of the arched portals of the stone train tunnel along Cinque Terre, giving a teasing glimpse of endless sky, the Ligurian Sea and the rugged cliffs that crashed into the water.
In the ancient village of Manarolo where she had been born and raised, the old-world buildings scrambled up the steep rocky cliffs as if clinging to the stone face like colorful gems.
On the same rugged cliffs grew the most magnificent grapes used to make a wine found nowhere else.
It was small and remote and older than time. Everywhere there were steps and narrow lanes. Yet she missed it dreadfully at times, for there was a peace there she’d never found anywhere else.
It was just the opposite here in Viareggio. It was close to Cinque Terre by sea, yet a world apart with a festive carnival and scores of ships and industry and more tourists than she’d ever seen in a season.
This seaside coastal town stretched along the endless sandy beaches, meeting the water in a gentle slope. The architecture was pure art nouveau and the pulse of the town was upbeat.
Every day she looked forward to coming to work for Cesare Marinetti at his shipyard. But not today.
Just one week ago a tragic accident had taken the life of Cesare’s wife and landed him in the hospital. Marinetti Shipyard had been shut down ever since, in mourning for Signora Marinetti and out of respect for the family.
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