Mary Kubica - Pretty Baby

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Pretty Baby: краткое содержание, описание и аннотация

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A chance encounterShe sees the teenage girl on the train platform, standing in the pouring rain, clutching an infant in her arms. She boards a train and is whisked away. But she can't get the girl out of her head…An act of kindnessHeidi has always been charitable but her family are horrified when she returns home with a young woman named Willow and her baby in tow. Dishevelled and homeless, this girl could be a criminal – or worse. But despite the family's objections, Heidi offers them refuge.A tangled web of liesAs Willow begins to get back on her feet, disturbing clues into her past starts to emerge. Now Heidi must question if her motives for helping the stranger are unselfish or rooted in her own failures.Praise for Pretty Baby‘Pretty Baby is almost hypnotic and anything but predictable…This book will give insomniacs a compelling reason to sit up all night.’ – KirkusPraise for The Good GirlSelected as one of the Top Ten General Fiction Books of 2014 by Bookbag.co.uk'A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale' – Lisa Gardner‘A sensational climax seals the deal’ ‘I hesitate to use that terrible cliché ‘page-turner’, but this powerful debut thriller is just that. It grabs you from the moment it starts’ – Daily Mail'Pulse pounding' – Heather Gudenkauf'Sensational' – Metro'One of the trickiest, cleverest, most rewarding human interest crime tales of this year.' – Top 100 Amazon reviewer Katharine Kirby'Kubica’s powerful debut will encourage comparisons to Gone Girl… this girl has heart' – Publishers Weekly starred review‘Memorable and riveting’ – Lovereading.co.uk‘As a debut, this is a stunning, well-written novel – Kubica is an author to watch.’ – We Love This Book‘This psychological thriller gets right under your skin and leaves its mark. A tremendous read’ – The Sun‘A complex tale of deceit, jealousy, fear and love played out against the bustling, bright lights of Chicago … a stunning debut’ – Crimethrillergirl.com‘If you love a dark mystery, The Good Girl will keep you entranced from the very first page to the end. Likened to the bestselling Gone Girl by Gillian Flynn, this psychological thriller looks set to be a blockbuster – and it’s only Kubica’s first novel! … I can’t wait for more from this talented writer’ – Peterborough Evening Telegraph

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I’m about to make a break for it—from a mundane lunch meeting with a mundane coworker—when my cell phone rings, a return call from my dear friend Jennifer. I excuse myself and retreat from the lunchroom to my office to take the call, forgetting for a fleeting moment about the girl and child.

“You saved me,” I say as I plop into my chair, hard and cold and certainly not ergonomic.

“From...” Jennifer prompts.

“Taedium vitae.”

“In English?”

“Boredom,” I say.

On my desk sits a framed photo of Jennifer and Taylor, myself and Zoe, one of those photo booth strips from about four years ago, when the girls, eight years old, with their sunny, smiling faces and animated eyes, were still tolerant of being seen in public with their mothers. The girls sit on our laps, Taylor with her big, sad eyes and downward sloping smile, beside Zoe; Jennifer and me, heads smashed together so we all fit in the frame.

Jennifer divorced years ago. I’ve never met her ex, but from the picture she paints, he was inflexible and sour, given to nasty mood swings that resulted in perpetual fights and innumerous nights on the living room sofa (for Jennifer, that is; her ex was too stubborn to give up the bed).

“Taylor isn’t going through puberty, is she?” I ask, just like that. Having a best friend is a wonderful thing. There needs be no proofreading, no refinement, of the comments that come from my head.

“What do you mean? Like her period?”

“Yeah.”

“Not yet. Thank God,” she says, and just like that, I feel some great sense of relief.

But then, because of my tendency to overanalyze, my Achilles’ heel if ever there was one, “Do you think they should be menstruating?” I ask, having discovered on various internet searches that it can start as soon as eight, as late as thirteen. But the websites I scour suggest that menarche begins about two years after girls start developing breasts. Zoe, at twelve, is as flat as a pancake. “They’re not behind schedule or anything, are they?”

Jennifer hears the concern in my voice. She works as a clinical dietitian at a local hospital. She’s my go-to for all things medical, as if working in a hospital provides her with a free medical degree. “It’s not a big deal, Heidi. They all mature at their own pace. There’s no schedule ,” she assures me, and then she tells me that Zoe’s adolescence is something I cannot control. “Though I know you’ll try,” she goads, “because that’s just what you do.” The kind of blunt statement only a best friend can get away with. And I laugh, knowing it’s true.

And then the conversation shifts to the spring soccer season and what the girls think of their hot-pink uniforms, whether or not the Lucky Charms is an appropriate team name for a group of twelve-year-old girls, and the girls’ infatuation with their coach, a twentysomething college kid who didn’t make Loyola’s team. Coach Sam, who all the mothers think is dreamy. And there Jennifer and I are, gushing about his bushy brown hair, his dark, mysterious eyes, his soccer player build—the strength and agility, calf muscles like we’ve never seen—pushing all thoughts of Zoe’s emerging adolescence and that girl and her baby from my mind. The conversation drifts to boys, preteen boys, like Austin Bell, who all the girls adore. Including Zoe. Including Taylor. Jennifer admits to finding the words Mrs. Taylor Bell scribbled across her daughter’s notebook and I envision the pale skin of Zoe’s arm, the name Austin tattooed in pink, a heart over the i .

“In my day, it was Brian Bachmeier,” I admit, remembering the spiky locks that graced the boy’s head, the heterochromatic eyes, one blue, the other green. He moved to our junior high from San Diego, California, which was respect worthy in and of itself, but on top of it, the kid could dance, the Carlton and the jiggy, the tootsee roll. He was the envy of the other boys, the one the girls idolized.

I remember asking him to dance at my first boy-girl party. I remember he said no.

I think of Zoe. I think of Taylor. Maybe our girls aren’t so different after all.

There’s a knock on my door. I look up to see Dana, receptionist extraordinaire, beckoning me for a tutoring session with a twenty-three-year-old woman who was recently granted asylum from the country of Bhutan, a small South Asian country sandwiched between India and China. She’d been living in a refugee camp in nearby Nepal for much of her life, living in a bamboo hut with a dirt floor, surviving on food rations, until her father committed suicide and she sought shelter in the United States. She speaks Nepali.

I lay a hand over the receiver and whisper to Dana that I’ll be right there. “Work calls,” I tell Jennifer and we confirm the sleepover for Zoe and Taylor tonight at Jennifer’s home. Zoe is absolutely thrilled about it. So much so that she actually remembered to say goodbye this morning before she ran into school.

* * *

The day dawdles by at an excruciatingly slow speed. Outside the rain quiets, though the city skyline remains gray, the tops of skyscrapers lost in the ashen, obese clouds. When five o’clock rolls around, I say my goodbyes and ride the elevator down to the first floor. It’s rare that I leave the office at five o’clock, but on a night such as this—Zoe at a sleepover and Chris on a delayed flight that won’t arrive until after 10:00 p.m.—I take pleasure in having the condo all to myself, a simple delight that doesn’t happen too often. I’m relishing the idea of watching a chick flick all by myself, of lounging on the sofa in my warm, snuggly pajamas and devouring an entire bag of microwave popcorn all alone (and possibly following it up with a scoop of mint chocolate chip ice cream!).

Above me the clouds are beginning to disintegrate, the sun trying hard to don a lovely sunset behind the fissures in the clouds. The air is cold, an unsettling forty degrees and blowing. I slip my hands in a pair of leather gloves and drape a hood over my head, hurrying, with all the other evening commuters to the “L” station. I force my body into the congested train, where we stand like sardines in a can, smashed together, chugging along the winding, choppy track.

When I depart at the Fullerton Station, I make my way carefully down the wet steps. Beside me, a fellow commuter lights a cigarette and the scent of tobacco fills the air. There’s a nostalgic redolence to it: it reminds me of home. When I was a girl, living with my family outside of Cleveland in a 1970s Colonial home with the sponge-painted walls my mother adored, my father smoked Marlboro Reds, a half pack a day. He smoked in the garage, never in our home. Never in the car when he was with my brother and me. My mother simply wouldn’t allow it. He secreted the scent of tobacco from the pores of his skin. It was on his clothing, in his hair, on his hands. The garage was suffused with the smell; my mother claimed it oozed through the heavy metal door and into the kitchen, a thoroughly white kitchen—white cabinets, white countertops, a white refrigerator, a chunky farm table. In the morning, my father wouldn’t be out of bed five minutes before he was sneaking off to the garage with his coffee and Marlboro Reds. He’d come in, and I’d be at the table eating my Cocoa Puffs and he’d look at me with the most beguiling smile (I knew my mother had snagged a good one when she married my father) and tell me never to smoke, just like that, “Don’t ever smoke, Heidi. Never,” and he’d wash his hands and join me at the farm table for a bowl of Cocoa Puffs.

I’m thinking of my father as I make my way down the steps, my fingers instinctively reaching for the yellow gold wedding band that hangs on a chain around my neck. I trace the grooves and ridges of the ring, the words the beginning of forever etched on the inside.

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