Sherryl Woods - Yesterday's Love

She glanced over her shoulder and caught the frown on his face, the hard, no-nonsense line of his jaw. On second thought, he probably wouldn’t apologize.

When they reached the house, Victoria opened the kitchen door and stood aside to allow Tate to enter.

“Why don’t you have a seat? I’ll get the papers and bring them in here,” she suggested. “There’s lemonade in the fridge, if you’d like some.”

Lemonade? The corners of Tate’s mouth tilted up as he watched her disappear into the main part of the house, the long skirt adding a subtle emphasis to the naturally provocative sway of her hips. He couldn’t recall the last time anyone had offered him lemonade. Most of the women he knew had a Scotch on the rocks waiting for him when he walked in the door. He picked up two tall glasses from the counter by the sink, went to the refrigerator and filled them with ice. He found the huge pitcher of fresh-squeezed lemonade and poured them each a glass. He took a long, thirst-quenching swallow of the sweettart drink. It was perfect after that damnably hot trek through the field. He’d forgotten how good this stuff was. Maybe he was getting a little too jaded after all.

He sat on one of the high-backed chairs, tilted it on two legs and surveyed the room. It had a cheerful, homey feel to it. It was nothing like the pretentious glass and high-tech kitchens he was used to. In fact, he had a feeling Victoria Marshall had never heard of a food processor, much less used one. She’d probably squeezed every one of the lemons for this lemonade with her own hands. The thought proved disturbingly intriguing.

“Slow down, McAndrews. This woman is strictly off-limits,” he muttered aloud. Not only was Victoria Marshall the subject of an official IRS investigation, she was totally inappropriate for him. He liked his women sophisticated, fashionable and, most of all, uncommitted. From what he’d seen of Victoria she was about as worldly as a cloistered nun. As for her fashion sense, it would have been fine about one hundred years ago. And, worst of all, she was definitely the type of woman who needed commitments. She’d been reading Sonnets from the Portuguese , for crying out loud.

But she was gorgeous. Fragile. Like the lovely old porcelain doll he remembered his mother keeping in a place of honor in her bedroom. That doll had been his great-grandmother’s and would be passed along to his daughter if, as his mother reminded him frequently, he would only have the good sense to marry and settle down. He was suddenly struck by the fact that his mother probably would approve thoroughly of someone like Victoria.

“Uh-uh,” he muttered emphatically, irritated at the direction his thoughts had taken. He’d better get this over with now before he did something absolutely ridiculous and totally out of character, such as asking Victoria Marshall for a date. His mother might cheer, but Pete Harrison would have his hide for that breach of ethics.

“Where the hell is she?” he groused, lowering the chair to all four sturdy legs with a thud and stalking out of the kitchen. As he went from room to empty room looking for her, his dismay grew. How could she live like this? The place was a shambles. No wonder she’d left him in the kitchen. The wallpaper in the rest of the downstairs was peeling, the floors were warped and weathered, as though they’d spent weeks under floodwaters, and there wasn’t a stick of furniture in any of the rooms, unless you counted the old Victorian sofa which had stuffing popping out through holes in the upholstery. It looked as though it would be painfully uncomfortable under the best of repair.

“Victoria!”

“I’ll be right down. I’m just trying to get everything together.”

“I’ll come up.”

“Don’t do that,” she shouted back and he sensed an odd urgency in her voice. “The stairs—”

But before she could finish the warning, Tate had already reached the third step. As soon as he put his weight on it, he felt the stair wobble and heard the wood crack. His ankle twisted painfully and he fell backward, landing with a thud. The crash echoed throughout the house, followed by an explosion of exceptionally colorful curses as Tate lay on the floor, his ankle throbbing, his ego even more bruised than his body.

“Damn Pete Harrison and his so-called breeze of a case!” he growled ominously, completely undone by the emotional and physical shake-up of his life ever since he’d found Victoria Marshall in that damned tree. “I have a feeling I’d be in less danger checking out the head of the mob.”

Upstairs, Victoria listened to the cacophony of explosive sounds and winced. Obviously, her incomplete warning had been far too little, too late. Cautiously, she poked her head out the door of her makeshift office-storeroom and peered down into Tate McAndrews’s scowling face.

“Are you okay?”

He was getting gingerly to his feet, testing his ankle. “Nothing’s broken, if that’s what you mean.”

“I’m sorry. I tried to warn you.”

“So you did,” he admitted dryly. “How can you live like this?”

“Like what?” she asked, honestly puzzled by the question. She loved this old house and she’d never been happier anywhere else. It was exactly the sort of home she’d always dreamed of owning, a place with character, with all sorts of interesting nooks and crannies. It would be a terrific place for hide-and-seek.

“This place is falling apart.”

She looked at the wobbly stairs, the tattered wallpaper and the dangling light bulb that Tate could see from the downstairs hall. Even she had to admit it didn’t give the very best impression of the house. “You have to think in terms of potential,” she suggested.

“Potential?”

“Like the kitchen,” she explained, deciding that he needed concrete images. Men like Tate McAndrews always did. They seemed to have trouble dealing with the abstractions, with feelings and moods and ambiance.

“You mean the kitchen looked as bad as this?”

“Worse,” she admitted. “It was my third project. It turned out rather well, don’t you think?”

“You did the kitchen yourself?”

She wasn’t sure whether she should be pleased or insulted by his incredulous tone. She decided to remain neutral. “You’ve seen my tax return. Does it look like I could afford to hire somebody?”

“I guess not.”

“Well, then. Of course, if I’d gotten that refund….” Her voice trailed off forlornly.

“Forget it,” he advised. “You said the kitchen was your third project. What were the others?”

“The bedroom and bathroom.”

Despite himself, Tate was intrigued. Knowing he was going to hate himself later for allowing yet another distraction to keep him from wrapping up this audit and escaping to the relative safety of Cincinnati, he asked, “May I see?”

“Are you sure you want to risk the stairs?”

“Just tell me what the secret is.”

“I’ve fixed every other one,” she explained brightly, as though that were a perfectly sensible thing to do.

He looked down and saw what should have been obvious to him in the first place: every second step was made of new wood, polished and solid looking. The ones in-between were broken planks that looked no better than the floors he’d seen in the downstairs rooms. The third one was splintered where his weight had been too much for the dry-rotted wood.

“I should have guessed,” he said, taking giant-sized steps to join her. “Lead on. You can warn me where the booby traps are.”

“Careful,” she whispered conspiratorially. “You’ll hurt its feelings.”

“Houses don’t have feelings.”

“Of course they do. They have feelings and personalities all their own.”