Lisa Appignanesi - Everyday Madness

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‘The small translucent bottle of shampoo outlived him. It was the kind you take home from hotels in distant places. For over a year it had sat on the shower shelf where he had left it. I looked at it every day.’After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. The dead of prior generations loomed large and haunting. Then, too, the cultural and political moment seemed to collude with her condition: everywhere people were dislocated and angry.In this electrifying and brave examination of an ordinary enough death and its aftermath, Appignanesi uses all her evocative and analytic powers to scrutinize her own and our society’s experience of grieving, the effects of loss and the potent, mythical space it occupies in our lives.With searing honesty, lashed by humour, she navigates us onto the terrain of childhood, the way it forms our feelings of love and hate, and steers us towards a less tumultuous version of the everyday.This book may be short, but life, death, madness, love, and grandchildren, are all there – seen through the eyes of a writer who is ever aware of the historical and current vagaries of woman’s condition.

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IN MAY, almost exactly six months after John had died, we held a memorial in Cambridge. A great deal of planning had gone into the event, not only by myself: his departmental administrator was key.

I had been looking forward to this ritual moment. Surely this would shift things, I told myself. The obsessive inner monologue would abate, the rage, the superstitions. I would no longer be quite so susceptible to the waves of grieving madness.

But I feared the event simultaneously. Universities are rarely altogether hospitable to those outsiders called partners. Close friends of ours had gathered from abroad, from America and Germany and France. His department, History and Philosophy of Science, of which he had been head for years, convened a day for students, former students and colleagues. A public memorial in the beautiful Great Hall at his college, King’s, followed, and finally drinks at the Whipple Museum of Science, which the department houses.

One-time students, colleagues and friends evoked a person I must also have known, since I had known John well, known his dedication, the breadth of his knowledge, his humour. Yet my mind kept wandering as soon as anything personal was mentioned, as if the only plot I could follow was the purely intellectual one. Everyone gave the impression of intimacy.

Neither did I always recognize the man evoked – had I so remade his image in myself that he could no longer be remembered, reassembled, reconstituted as other, outside myself? I struggled to recall half of the incidents at which I was purportedly present. I struggled to thank people graciously, even though I was so very grateful to them. I simply struggled. Remembering, putting the body and mind parts together again, seemed once more, and despite the passage of time, to reinvigorate shock and hostility. Only the Bach at the end of the proceedings, played by the talented Kryszia Osostowicz – the Sarabande in D from Partita No. 2, followed by the Largo in F Major from Sonata No. 3 – seemed to knit together ragged threads and provide peace. And the embrace of friends.

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