Sarah Mallory - To Catch a Husband...

‘I am afraid I may have damaged your reputation, Miss Wythenshawe,’ Mr Blackwood said bluntly.

‘Because you kissed me?’

He squeezed her fingers. ‘Just being alone here with me is enough to compromise you.’

‘I am not known here, sir. Neither are you. Who are they likely to tell?’

‘A few judicious coins in the right hands might secure the silence of anyone at this inn. Are you willing to trust that no one will find out about our being here together?’

She gave him a little smile. ‘What is the alternative, Mr Blackwood?’

He shrugged.

‘That we marry, I suppose.’

SARAH MALLORYwas born in Bristol, and now lives in an old farmhouse on the edge of the Pennines with her husband and family. She left grammar school at sixteen to work in companies as varied as stockbrokers, marine engineers, insurance brokers, biscuit manufacturers and even a quarrying company. Her first book was published shortly after the birth of her daughter. She has published more than a dozen books under the pen-name of Melinda Hammond, winning the Reviewers’ Choice Award in 2005 from Singletitles.com for Dance for a Diamond and the Historical Novel Society’s Editors’ Choice in November 2006 for Gentlemen in Question.

Previous novels by the same author:

THE WICKED BARON

MORE THAN A GOVERNESS

(part of On Mothering Sunday)

WICKED CAPTAIN, WAYWARD WIFE

THE EARL’S RUNAWAY BRIDE

DISGRACE AND DESIRE

AUTHOR NOTE

I live in the north of England, high on the Pennines, in an area of outstanding natural beauty. When I am out walking it is not uncommon to come across huge stone blocks tumbled amongst the trees in the bottom of some remote wooded valley—the remains of an early spinning mill. These mills were built more than two hundred years ago, when the industrial revolution was just beginning and water was needed to power the new machines used to spin wool, linen and cotton.

Inventions like the spinning mule and Arkwright’s water frame meant that people could spin better, faster, and produce more yarn than ever before to supply a growing market. The entrepreneurs who built and managed the mills were adventurers, working at the forefront of technology—and the innovations were as startling and exciting as anything to come out of Silicon Valley.

These new industrialists were hailed as heroes, adventurers, and I have long wanted to write about them. Daniel Blackwood is my first hero from this new breed of tough, resourceful industrialists. London Society of the 1780s doesn’t quite know what to make of this fiercely independent self-made man—and neither does my heroine, Kitty. I had great fun putting these two together and creating the battle of wills that ensued before they realised they were made for one another—I hope you enjoy their journey.

Kitty and Daniel’s story led me to some of the darker aspects of late-eighteenth-century society. The Abolition movement was gaining pace, with Anti-Slavery Societies being set up around the United Kingdom. There was certainly one in Sheffield at the time of my book, and 8,000 people signed a petition from the people of Sheffield to Parliament in 1793, calling for an end to the Slave Trade. However, to the best of my knowledge there was never a West Riding Anti-Slavery Society—an invention of my own for the purposes of the plot.

This was also an age when children were often exploited, but some mill owners were against this—for example Robert Owen, who built the New Lanark Mills in Scotland, introduced the revolutionary idea that children should not be allowed to work in the mills before the age of ten. For the sake of historical accuracy I could not remove children altogether from Daniel’s mills, but as a forward-thinking employer he does have schools and nursery buildings for the children of his workers and the apprentices.

Kitty and Daniel are a forward-thinking couple, and have very liberal views, but they are based on real characters—people who really did strive to improve the lot of the factory workers, and who fought for the abolition of the slave trade even though it was a risk to their own livelihood. The real heroes of the time.

To Doris Sweet

To Catch

A Husband …

Sarah Mallory

www.millsandboon.co.uk

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‘I am off to London, to seek my fortune!’

Kitty Wythenshawe glanced up hopefully at the young farmhand driving the gig. He did not look overly impressed with her announcement, but perhaps that was because he had known her for years and had always thought of her as the seamstress’s daughter—which, of course, she was—but now she was off to stay with her godmother. And her godmother was A Lady! Lady Leaconham, to be exact.

‘Well, Joshua?’ she demanded. ‘Are you not pleased for me?’

The lad moved the straw he was chewing from one side of his mouth to the other.

‘Nowt to do wi’ me.’

Kitty sighed but did not allow her companion’s indifference to damp her spirits. The overnight rain had given way to a beautiful spring morning, the sun had driven off the early mist from the moors and she could see the lapwings circling lazily over a distant field. It was as if Nature itself was smiling upon her adventure. Kitty glanced down at her olive-green walking dress with the yellow leaf motif embroidered down the front and around the hem. Mama and Aunt Jane had worked so hard for this occasion. She had never before had so many new clothes at one time.

‘Dunno what tha wants wi’ goin’ t’ Lunnon,’ remarked Joshua, suddenly becoming loquacious.

‘I have to find a husband,’ said Kitty, clasping her hands together in a sudden moment of anxiety. If only she could marry well then she could provide for Aunt Jane and Mama. They were both widows, eking out their meagre savings with a little dressmaking. Their home was a little cramped, to be sure, but Kitty had grown used to that. However, she was painfully aware that Mama and Aunt Jane were growing older and the cold, damp cottage was not so comfortable in winter, when the water would seep up through the earth floor and Mama’s joints would become stiff and painful, and Aunt Jane’s cough always became much worse. They were the daughters of a gentleman and this was not what they had been born to. Kitty knew it was her duty to improve their fortunes and if she had to sacrifice herself at the Matrimonial Altar then she would do it—not that it seemed to Kitty much of a sacrifice to marry a rich man: it was all very well to read novels where the heroine gave up everything to follow her heart, but Mama had married for love and Kitty did not think that she was particularly happy, living in such straitened circumstances. Indeed, had she and Aunt Jane not scrimped and saved every spare penny to give Kitty this one chance to go to London expressly for the purpose of achieving a good marriage?