Christine Rimmer - Donovan's Child

She scoffed. “I don’t think I’ll hold my breath.”

“He likes you.”

That made her laugh. “Oh, come on.”

“Seriously. He does. I know him well enough by now to read him a little, at least. He finds you fascinating. And attractive—both of which you are.”

Was Ben flirting with her? She slid him a look. He was still staring off into the middle distance. So maybe not. “Well, if you’re right, I would hate to see how he treats someone he doesn’t like.”

“He ignores them. He ignores almost everyone now. Just pretends they aren’t even there. Sends me or Olga to deal with them.”

She gathered her knees up to the side. “This evening, before dinner, someone arrived and was sent away, someone in a red Cadillac. I didn’t see who, but I heard a woman’s voice talking to Olga at the door….”

Ben shrugged. “People come by, now and then. When they get fed up with him not returning their calls. When they can’t take the waiting, the wondering if he’s all right, the stewing over what could be going on with him.”

“People like …?”

“Old friends. Mountain climbers he used to know, used to partner with. Beginning architects he once encouraged.”

“Old girlfriends, too?”

“Yes.” Ben sent her a patient glance. “Old girlfriends, too.”

She predicted, “Eventually, they’ll all give up on him. He’ll get what he seems to be after. To be completely alone.”

Ben’s dark eyes gleamed. “With his cook and his housekeeper and his engineer.”

She told him gently, “I didn’t mean that as a criticism of you.”

He smiled. A warm smile. “I know you didn’t.”

“I just don’t get what’s up with him.”

“Well, don’t worry. You’re not the only one.”

“How will he live, if he doesn’t work? This house alone must cost a fortune to run.”

“His books still make money.”

“But an architect needs clients. We’re not like painters or writers. We can’t go into a room and lock the door and turn out a masterpiece and then try to sell it….”

“I know,” Ben said softly. He admitted, “Eventually, there could be a problem. But not for a few years yet, anyway….” There was a silence. Ben was gazing off toward the courtyard again.

Finally, she said, “You seemed pretty stuffy at first.”

He chuckled. “Like the butler in one of those movies with Emma Thompson, right?”

“Pretty much. But now I realize you’re not like someone’s snobby butler, not in the least. You’re okay, Ben.”

He did look at her then. His dark eyes were so sad. “I was afraid, after the way he behaved at dinner, that he’d succeeded in chasing you off. I hope he hasn’t. He needs a little interaction, with someone other than Anton, or Olga. Or me.”

“A fresh victim, you mean.”

“No. I mean someone smart and tough and aggressively optimistic.”

“Aggressively optimistic? That’s a little scary.”

“I meant it in the best possible way.”

“Oh, right.”

“I meant someone able to keep up with him—I could use someone like that around here, too, when you come right down to it. Someone like you …”

“I wouldn’t say I’m exactly keeping up with him.”

“Well, I would.”

She drooped back against the couch cushions. “Okay, I’m still here. But it’s going to take a lot of chocolate, you know.”

“I’ll make sure that Anton keeps it coming.” He got up. “And I’ll let you get your rest.”

She waited until he reached the door before she said, “Good night.”

“‘Night, Abilene.” And he was gone.

“It’s not a horrible arrangement of the space,” Donovan announced when she entered the studio the next day. He was already at his desk, staring at his computer screens.

She saw that her design for the center was up on the computer at the desk she’d used the day before—which meant he was probably looking at the same thing on his two ginormous screens.

Just to be sure, she marched down the length of the room and sidled around to join him behind his desk.

Yep. It was her design. Up on display like a sacrificial offering at a summoning of demons. Ready to be ripped to shreds by the high priest of darkness.

He shot her an aggravated glance. “What? You do have a desk of your own, you know.”

She sidled in closer, and then leaned in to whisper in his ear. “But yours is so much bigger, so much … more impressive.”

He made a snarly sound. “Did I mention you annoy me?”

“Yes, you did. Don’t repeat yourself. It makes you seem unimaginative.” He smelled good. Clean. With a faint hint of some really nice aftershave. How could some one who smelled so good be such an ass?

It was a question for the ages.

“You’re crowding me,” he growled.

“Oh, I’m so sorry….” She straightened again, and stepped back from him, but only a fraction.

“No, you’re not—and I don’t like people lurking behind me, either.”

“Fair enough.” She slid around so she was beside him again, put her hand on his sacrificial slab of a desk and leaned in as close as before. “I slept well, surprisingly. And I’m feeling much better this morning, thank you.”

He turned his head slowly. Reluctantly. And met her eyes. “I didn’t ask how you slept.”

“But you should have asked.”

“Yeah. Well, don’t expect a lot of polite noises from me.”

She heaved a fake sigh. “I only wish.”

“If you absolutely have to lurk at my elbow, pay attention.” He turned back to the monitors, began clicking through the views. “Have you noticed?”

This close, she could see the hair follicles of his just-shaved beard. His skin was as golden and flawless from beside him as from several feet away. He must get outside now and then, to have such great color in his face. And his neck. And his strong, lean hands. “Noticed what?”

“It lacks a true parti. ” The parti, pronounced par-TEE , as in We are going to par-tee, was the central idea or concept for a building. In the process of creating a building design, the parti often changed many times.

She jumped to her own defense. “It does not lack a parti. ”

He sent her a look. “You never mentioned the parti. ”

“You didn’t ask.”

“Well, all right then. What is the parti? ” He let out a dry chuckle. “Nestled rectangles?”

Okay, his guess was way too close. She’d actually been thinking of the parti as learning rectangles . Which somehow seemed ham-handed and far too elementary, now he’d taken his scalpel of a tongue to it.

“What’s wrong with rectangles?” She sounded defensive and she knew it. “They’re classrooms. Activity rooms. A rectangle is a perfectly acceptable shape for a classroom.”

“Children deserve a learning space as open and receptive as their young minds.”

“Oh, wait. The great man speaks. I should write that down.”

“Yes, you should. You should carry a notebook around with you, and a pen, be ready to jot down every pearl of wisdom that drops from my lips.” He spoke with more irony than egotism.

And she almost laughed. “You know, you are amusing now and then—in your own totally self-absorbed way.”

“Thank you. I agree. And you need to start with some soft sketches. You need to get off the computer and go back to the beginning, start working with charcoal, pastels and crayons.”

“Starting over. Wonderful.”

“To truly gain control of a design,” he intoned, “one must first accept—even embrace—the feeling that everything is out of control.”