Sylvie Kurtz - Pull Of The Moon

Valerie glanced at her watch, then sipped the last cold drop of the French vanilla coffee, clinging to her otherwise empty cup, and wished for more. Her restless feet paced the foyer, and her gaze speared into the hall, anticipating Nicolas Galloway’s return.

The slow bong of a grandfather clock reverberated from somewhere far inside and echoed in the chambers of her head. The baneful peal shot her back to the middle of the night when she’d woken up a prisoner in her tangled sheets, bitter terror clinging to her skin along with the sweat. She had an overpowering urge to rub the hairs writhing on the back of her neck, to run.

It’s just a house. And she wasn’t stressed. Tired because of the early flight, maybe, but not stressed. So there was no reason for her to think of the dream.

But the hall boring into the dark heart of the house had the cold breath of a mausoleum. The smell of dusty funeral roses drifting from it plucked at her memory. “One too many creepy black-and-white movie, Valerie.”

She toyed with the empty coffee cup, looking for a place to dispose of it. What was taking Nicolas Galloway so long? How long did it take to say, Hey, the person you’re expecting is here?

Faraway giggles echoed somewhere over her shoulder. Well, it was about time. Valerie turned toward the stairs and the foyer shifted before her, setting off a jerky projector-like run of memories she had no right to own.

As if the outside fog had crept inside, the edges of the room blurred. The cream paint on the walls darkened to caramel. A cut glass vase filled with pumpkin-colored mums appeared on the small marble-topped table. A gilded mirror reflected the bouquet, making it pop. A red kick ball sailed in from the open front door, bounced with a wet thwack on the polished pine floor and right into the vase, knocking it to the floor. Water, broken flowers and jagged pieces of glass spread over the floor like some sort of modern art mosaic. Two sets of children’s hands reached for the shards.

“It’s okay. Here. Nobody’ll know.”

One pulled open the drawer of the decorative table and hid the broken glass inside. The other gathered the flowers.

“Shh, don’t tell.”

Valerie shook her head and the smoky scene vanished. The table and mirror were still there, but the bouquet and vase were gone. She looked down at her coffee cup. “Wow, that was some potent stuff.”

Before she could stop herself, she stepped to the table and opened the drawer. Empty. “What, you expected to find broken glass?”

With a half laugh that rebounded against the ceiling of the foyer, she closed the drawer. She stopped midslide when the chandelier’s light caught the glint of something shiny trapped in the seams.

She ran a finger along the inside edge and gasped an “Ouch” when something pricked her skin. On the tip of her index finger stood a splinter of clear glass. She drew it out and sucked on the bead of blood left behind.

Doesn’t mean anything, she told herself. Could be from anything—a mirror, a lightbulb or a glass. Pocketing the bloody splinter, she willed her racing heart to slow. She left her hand balled inside the pocket of her blazer to dampen its shaking.

“Obviously, you’ve had too much coffee.” She shouldn’t have stopped for that last large cup. Bad for her nerves. Bad for her heart. Hadn’t the doctor warned her just last month to cut back to stop the palpitations?

She’d probably read about the vase incident during her research and it had stuck in her mind. Wouldn’t be the first time. This feeling of déjà vu happened to her more often than she liked to admit. She’d read something, see a photograph, and then, once she got on location, she’d have that feeling of having been there before.

But never this real. A tight feeling coiled in her gut.

“Get a grip.” Nothing to get spooked about. One of her high school teachers had called this ability of hers to recall almost everything she’d ever seen eidetic memory and seemed fascinated by it. Of course, that was after he’d accused her of cheating on a test, and she’d had to prove to him that everything on the page had come straight from her brain and not Mark Peach’s paper.

Spinning away from the scene of the mirage, she forced herself to concentrate on the collection of Currier & Ives prints, showing off the same scene of a country lane and pond in four seasons. The house in the background looked remarkably like Moongate Mansion. Maybe she could use them as a montage to show the passage of time.

“That’s better.” Work was her salvation. When it came to work, her fate was in her hands, not in some monster’s from a dream. She could do this. She’d done it hundreds of times before. The only pressure on her was the one she was putting on herself. “Stick to the plan.”

Houses, according to a psychologist she’d once interviewed for a segment on dream analysis, were a metaphor for the human psyche. This one seemed rusted in time. Haunted almost, like a restless mind. Maybe that’s what Rita wanted by looking back into the past—a cure. If she understood what had happened to Valentina, then she could let go of her child and finally find peace.

The floor of the hall thundered, and Nicolas Galloway reappeared, long, determined strides making short work of the distance between them.

“About time,” she mumbled, tugging her blazer back in place with her free hand.

His expression remained frozen in the feral position, and instead of an apology, he barked, “Follow me.”

Sheesh, he didn’t even pause to see if she followed, just assumed she would. She was used to following directions, but unbending commands were another thing. And she’d had just about enough of going through an intermediary to get to her appointment. “I really need to speak with Ms. Meadows.”

“You’re in luck. You’re getting your wish.”

As she scrambled after Nick, the raspberry brambles on the hall wallpaper shifted as if rustled by a breeze. The smell of burned toast stung her nose. The scraping of a knife against dry bread scratched at her brain.

“It’ll be just fine. See?” A woman’s voice. “Now, which do you want, strawberry or blueberry preserve?”

Valerie stopped and peered into the dining room, set with Lenox china, Pairpoint crystal and silver-plated dinnerware.

“What are you doing?”

At the boom of Nick’s voice, the image vanished, leaving behind an empty table and chairs. Valerie swiveled her head to look at Nick frowning at her from the library entrance. At least this time she remembered where the flash of memory had come from—the photograph from Victorian Homes of a Thanksgiving dinner at Moongate the year before Valentina disappeared. “I thought I smelled toast burning.”

“Someone’s bringing tea.” He disappeared into the room.

Valerie hurried to catch up with him. Tea was good. Tea meant Rita Meadows would let her see the archives. Tea meant that Nicolas Galloway owed her an apology—not that she was holding her breath for one. And maybe it also meant food. Which made her think of Mike. He was going to be royally cranky that she was taking so long. A well-fed Mike was a happy Mike, and a happy Mike got her good footage. Payback from Mike, on the other hand, was never a good thing.

“Sit,” Nick ordered.

Arguing right now would be a waste of breath, so she chose a wing chair that gave her width and height, and deposited her portfolio and purse on the floor at her feet and the empty coffee cup on the side table. She didn’t play games, but she didn’t make easy prey, either.

Nick paced the marble hearth of the fireplace as if he was drawing up some sort of war plan, and she pulled back her shoulders readying her defenses.