Bronwyn Scott - Tempted By His Secret Cinderella

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He’s falling for a princess… But she’s a commoner!An Allied at the Altar story: A madcap scheme to secure a patron for her father’s play finds Elidh Easton at a house party, dressed as Italian royalty! But Elidh catches the eye of their dashing host, Sutton Keynes, who has four weeks to find a noble bride. He’d never look twice at her normally – poor, plain and untitled – but in the moment, it’s easy to imagine they have a future!

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‘Yes, of course I remember,’ Elidh cut him off swiftly with a polite smile. If he got to talking about the old times, there’d be no reasoning with him. ‘But that was different. That was just for one night and it was for a free meal.’ Her father had promised to pay once their luggage had been retrieved, which it never was, and they’d scampered out of the inn before dawn to avoid detection. ‘This is about trapping a man into marriage.’ There were so many things wrong with the idea, she couldn’t begin to put them into words. She began with the most obvious. ‘He’ll be swarmed by women who are actually eligible for the honour. The odds are firmly against us, even if we were legitimately titled. We can’t risk so much on a gamble we have no hope of winning. He wouldn’t look twice at me and, if he did, he’d look straight through me and know. I haven’t the demeanour.’

‘The demeanour, bah! Do you remember when we toured Italy, Daughter? We played all the places—Naples, Florence, Rome, Turin, Milan.’ She didn’t have the heart to correct him. They had played those places. But not on the big city stages. The troupe had roamed in their caravan through the countryside, playing for various conti and duchi at their summer villas.

‘I remember.’ She remembered the warm nights, the lights in the darkness, the food, the wine. Her mother’s laughter as she charmed the noblemen. Those were good times when she was innocent and thought they were untouchable. She wasn’t so innocent any more.

‘You spent the summer in Italy with nobles, you were sixteen then. You managed beautifully. It will come back to you and, if you make a mistake, you shrug and you say “it is different in Italy.” Being foreign will cover a multitude of sins.’

‘But not a lack of clothing.’ Even if she could pull off the mannerisms, her wardrobe would give her away.

‘Nonsense. We have your mother’s costumes.’ Her father rose and moved about the room, flipping open trunks as he went, pulling out gown after gown in a whirlwind of silks and satins emerging from their tissue wrappings until the little room was a harem of colours, rich and lush, at odds with the grey pallor of the walls. ‘This one should do for an evening gown, there used to be a tiara that went with it.’ He rummaged deep into the trunks. Out came the velvet sacks of paste jewels and headpieces. They winked and twinkled in the gloom, looking exquisite at a distance. Looking real. ‘Rosie can help you alter them. She is still in Upper Clapton living with a sister. She can help us with costumes and maid duties. She played one often enough on stage, she should be an expert.’ Rosie had been her mother’s dresser and had played a maid both off and on stage.

Elidh was truly worried now. If her father was willing to alter her mother’s sacred costumes, he must be desperate indeed, all that more committed to his latest scheme. When he had an idea, he clung to it with tenacity. It would make her job of persuading him that much harder. ‘Father,’ she warned, ‘we’ll never get away with it.’ Perhaps the best way to reason with him was to play along, to pose obstacles carefully veiled as questions. ‘I don’t speak Italian, not much of it anyway.’

‘No one else does either. They will compliment you on your English. Your accent was flawless when you played Juliet on stage in Tuscany that one summer,’ her father said encouragingly, his eyes lighting again as he thought of the past. He held out his arms in an expansive gesture and turned about the room. ‘Everything we need is here. We have all of your mother’s costumes and our own ingenuity.’

Elidh tried one last time. ‘Even if you are right, it’s too much to risk on the hopes he’ll look my way.’

Her father gave a nod and tapped a knowing finger to his temple. ‘There’s more than one way to win at this. We’re not going solely for the young, rich eligible parti . That would be far too foolish. We will also be pursuing a patron. This party will gather the right sort of men I need access to in order to sell my play. If an Italian prince can convince them he’s found an Englishman to rival Shakespeare, they’ll listen.’

‘But you don’t have a play,’ Elidh put in bluntly. This was getting crazier by the moment.

‘Yes, I do. Nothing new, mind you, but I’ve given an old play a new title. It’s been years since it was out and it was only performed on the Continent. I’ve been thinking I simply haven’t had the chance to meet the right patron. After all, what sort of men buy plays in Bermondsey Street? My plan’s not so risky now, is it? There’s money to be made in the short term if nothing else, perhaps at cards if no one buys a play. I can wager some of our “jewels” for a stake.’

Dear heavens. Elidh wanted to reel and she was sitting down. Impersonating royalty, crashing an elite party, trying to court a wealthy man, trying to snare a patron, all the while fleecing people with the lure of false jewels on the side. Worst, her father was entirely convinced of his plan’s merits. She could see it in his eyes. Elidh tried a new strategy. If she couldn’t persuade him it was impossible to crash the party, perhaps she could persuade him about the dubious merits of actually succeeding. Success was not without consequences.

‘It’s mad genius to be sure, Father,’ she said sweetly. ‘Have you thought what happens, though, if we succeed? I would be trapping a man into marriage.’ Her father was a romantic at heart. He’d loved her mother deeply—surely such sentiment would work against him here?

‘Trapping him? It would hardly be that,’ he scoffed. ‘Being alone with a man in a garden with the sole intention of being caught kissing him is a trap. But when a man invites women to his home for the express and overt purpose of taking a wife, that is not a trap any more than the entire Season in London is a trap. Society doesn’t call it the Marriage Trap, they call it the Marriage Mart. This is no different.’ He wagged a finger at her. ‘And we are no different, miss, than anyone else attending the party.’ He talked as if going was a foregone conclusion.

‘We’d be impersonating royalty,’ Elidh reminded him once again. It was so easy to overlook that one detail amid all the madness surrounding it.

‘If you think anyone going to the party is really being themselves, you’re more naive than I thought.’ Her father frowned. ‘Those guests might bring their own names, but they’ll be impersonating their better selves and leaving their real selves at home. Those sorts always do.’

‘Then I pity this poor Sutton Keynes,’ Elidh said defiantly. ‘He has to choose from a room full of frauds and that’s no choice at all. If he chose me, I’d be no different than them, a false front for someone he doesn’t really know.’

‘You see!’ her father crowed. ‘No different. That’s what I’ve been saying. We’re just levelling the playing pitch. We’d be no different than anyone else there.’

‘If you’re right, he’ll fall in love with a princess.’

‘If I’m right, he’ll fall in love with you .’

Elidh studied the newspaper. ‘If you’re right, I’ll cost him his fortune. He would hate me for it. Saving his fortune is the whole motive behind his party.’ All the more reason her father’s idea was the height of madness. This Sutton Keynes couldn’t afford her.

Her father’s features softened and he looked at her gently. ‘A man who chooses money over my daughter isn’t the right man for her. It’s the classic quandary, isn’t it? Love or money? It’s the stuff playwrights dream of.’ Her father sighed happily, already imagining a hundred plots he would never write.

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