Lucy Gordon - Hot Nights with...the Italian

A fantastic view, I can handle, Marisa thought as she moved off obediently. But do I really need a tragedy to go with it?

However, a glance over her shoulder showed that her new friend was still watching and smiling, so she gave a slight wave in return and trudged on.

As she got closer she saw that the wall’s white paintwork was dingy and peeling, and that the actual structure was crumbling in places, indicating that some serious attention was needed.

It also seemed to go on for ever, but eventually she realised she was approaching a narrow, rusting wrought-iron gate, and that this was standing ajar in a kind of mute invitation.

Beyond it, a weed-infested gravel path wound its way between a mass of rioting bushes and shrubs, and at its end, beckoning like a siren, was the glitter of blue that announced the promised view.

The breath caught in Marisa’s throat, and she pushed the gate wider so that she could walk through. She’d expected an outraged squeal from the ancient metal hinges, but there wasn’t a sound. Someone, she saw, had clearly been busy with an oil can.

This is what happens in late night thrillers on television , she told herself. And I’m always the one with her hands over her face, screaming Don’t do it! So it will serve me right if that gate swings shut behind me and traps me in here with some nameless horror lurking in the undergrowth .

But the gate, fortunately, displayed no desire to move, and the nameless horror probably had business elsewhere, so she walked briskly forward, avoiding the overhanging shrubs and bushes with their pollen-heavy blossoms that tried to impede her way.

There was a scent of jasmine in the air, and there were roses too, crowding everywhere in a rampant glory of pink, white and yellow. Marisa was no expert—her parents’ garden had been little more than a grass patch, while Julia had opted for a courtyard with designer tubs—but from her vacations in Tuscany she recognised oleanders mingling with masses of asters, pelargoniums, and clumps of tall graceful daisies, all wildly out of control.

Halfway down, the path forked abruptly to the right, and there, half-eclipsed by the bougainvillaea climbing all over it, was all that remained of a once pretty house. Its walls were still standing, but even from a distance Marisa could see that many of the roof tiles were missing, and that behind the screen of pink and purple flowers shutters were hanging loose from broken windows.

But there’d been attempts elsewhere to restore order. The grass had been cut in places, and over-intrusive branches cut down and stacked, presumably for burning.

In the centre of one cleared patch stood a fountain, where a naked nymph on tiptoe sadly tilted an urn which had not flowed with water for a very long time.

And straight ahead, at the end of the path, a lemon tree heavy with fruit stood like a sentinel, watching by the low wall that overlooked the bay.

Rather too low a wall, Marisa thought, when she took a wary peep over its edge and discovered a stomach-churning drop down the sheer and rocky cliff to the tumbling sea far below.

She stepped back hastily, and found herself colliding with an ancient wooden seat, which had been placed at a safe distance in the shade of the tree, suggesting that the garden’s owner might not have had much of a head for heights either.

That was probably the tragedy that her friend in the village had mentioned, she thought. An inadvertent stumble after too much limoncello by some unlucky soul, and a headlong dive into eternity.

She seated herself gingerly, wondering if the bench was still capable of bearing even her slight weight, but there was no imminent sign of collapse, so she allowed herself to lean back and take her first proper look at the panorama laid out in front of her.

One glance told her that ‘fantastic’ was indeed the word, and she silently blessed the woman who’d sent her here.

Over to her left she could see the cream, gold and terracotta of Amalfi town, looking as if it had grown like some sprawling rock plant out of the tall cliffs that sheltered it. The towering stone facades themselves gleamed like silver and amethyst in the morning sun under a dark green canopy of cypresses. And below the town the deep cerulean sea turned to jade and turquoise edged with foam as it spilled itself endlessly on the shingle shore.

She could even see the rooftop swimming pools of the hotels overlooking the port, and the sturdy outline of the medieval watchtower, which no longer scanned the horizon for pirates or enemies from neighbouring city states, but served food in its elegant restaurant instead. Beyond it lay Ravello, and if she turned to glance the other way she could see the dizzying tumble of Positano, and in the far distance a smudge that might even be Capri.

The horizon was barely visible, sky and sea merging seamlessly in an azure blur.

It was also very quiet. The sound of traffic along the ribbon of coast road was barely audible at this distance, and for the first time in weeks Marisa felt the tension within her—like the heaviness of unshed tears—beginning to ease, and something like peace take its place.

So good, she thought. So good to be truly alone and leave behind the pressure of other people’s expectations. To be free of the necessity of changing into yet another charming and expensive dress just to make occasional and stilted conversation across a dinner table with a young man whose smile never reached his eyes.

To be, just for a while, Marisa Brendon again and nothing more, with no apology for a marriage to haunt her.

She looked down at her hand, then slowly slid off her wedding ring, and buried it deep in her pocket.

There, she thought. Now I can pretend that I’m simply here on vacation, with my whole life ahead of me, free to enjoy no one’s company but my own.

Only to hear from behind her a small, mild cough which announced that she was not alone after all. That someone else was there, sharing her supposed solitude.

Startled, she jumped to her feet and turned, to find herself confronted by a small woman with rimless glasses and wisps of grey hair escaping from under a floppy linen sun hat. Her khaki trousers and shirt were smeared with earth and green stains, and she carried a small pair of pruning shears in one hand and a flat wicker basket full of trimmings in the other.

Oh, God , Marisa thought, embarrassed colour flooding her face. That house can’t be as derelict as I thought .

Aloud, she said, in halting and woefully incorrect Italian, ‘Please forgive me. I was not told that anyone lived here. I will leave at once.’

The newcomer’s brows lifted. ‘Another Englishwoman,’ said a gentle voice. ‘How very nice. And I’m afraid we’re both trespassers, my dear. I also came here one day to look at the view, but I saw a potentially beautiful space going to rack and ruin and I couldn’t resist the challenge. No one has ever objected,’ she added. ‘Probably because they think I’m mad to try.’

Her smile was kind. ‘So please don’t run away on my account. And I’m sorry if I startled you. You were a shock to me too, appearing so quietly. For a moment I thought Adriana had returned, and then I realised you were totally twenty-first century. Quite a relief, I have to say.’

She tugged off her thick gardening gloves and held out her hand. ‘I’m Dorothy Morton.’

‘Marisa Brendon.’ Well, I’ve done it now , Marisa thought as she returned the smile and the handshake. Crossed my own small Rubicon back to being single again .

‘Marisa,’ the older woman repeated thoughtfully. ‘Such a charming name. And Italian too, I believe?’

‘After my late godmother.’