Jenny Nimmo - Midnight for Charlie Bone

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Classic magic and mystery from one of Britain’s best-loved authors of fantasy adventure. Perfect for fans of Harry Potter, Eva Ibbotson, Cornelia Funke’s Inkheart and Shane Hegarty’s Darkmouth.An Academy for magic and special talents. A destiny unfulfilled. A secret legacy.The first instalment of the international best-selling fantasy series from Jenny Nimmo starring Charlie Bone.Since his father died, Charlie Bone has lived with his mother and her mother, in the house of his other grandmother, Grandma Bone. Looking at a picture of a couple with a baby and a cat, he suddenly discovers he can hear their voices. Although he tries to hide his new gift, Grandma Bone and her scary sisters soon find out, and send him to Bloor's Academy. Charlie quickly finds life at Bloor's pretty tough, with its strict rules and the malevolent head boy, Manfred, set against him. When Charlie discovers that the child in the photograph is being held, hypnotised, against her will, he and his new friends with 'gifts' try to awaken her. But can they overcome Manfred's sinister hypnotic gifts?Have you collected all of the Charlie Bone books?Midnight for Charlie Bone Charlie Bone and the Time Twister Charlie Bone and the Blue Boa Charlie Bone and the Castle of Mirrors Charlie Bone and the Hidden King Charlie Bone and the Wilderness Wolf Charlie Bone and the Shadow of Badlock Charlie Bone and the Red Knight Also look out for The Snow Spider trilogy.Dark, funny, crackling with magic’ author Artemis Cooper on Midnight for Charlie BoneA fast moving, dialogue driven romp with plenty of cliff-hangers for those first hooked into reading by Harry Potter’ Bookseller on Midnight for Charlie BoneJenny Nimmo is the acclaimed author of the Charlie Bone books for children. She has won several significant awards for her children’s books, including the Nestle Smarties Book Prize and the Tir na n-Og Welsh Arts Council award for The Snow Spider. She lives in Wales with her husband, David.

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Grandma Bone leant across the table. Her eyes sparkled mysteriously. ‘My sisters are coming to assess you, Charlie. And if it is found that you are worthy – that you are, as I suspect, endowed – then they will provide the necessary funds to send you to Bloor’s Academy.’

‘Me? At Bloor’s?’ Charlie was aghast. ‘It’s for geniuses.’

‘Don’t worry, love. You won’t pass the test,’ said Maisie confidently. She got up muttering, ‘Of course, it’s old Maisie who has to do all the preparation for our Lady Mucks, isn’t it? I don’t know why I bother.’

There was to be a dinner for the aunts, Charlie’s mother explained. The best silver, the finest crystal and the treasured porcelain, would be carried up from the cellar and laid in the chilly dining-room, a room that was only ever used when the Yewbeam aunts came. Maisie was defrosting chicken and fish and goodness knows what else, as fast as she could.

Charlie would have been worried if he hadn’t been completely convinced that he wouldn’t pass the aunts’ test. He remembered how he’d tried to paint a picture for them and failed miserably. How he’d unsuccessfully attempted to play a violin, a flute, a harp and a piano. He had put on the masks they provided: animals, clowns, pirates, cowboys and spacemen, but only managed to act the part of Charlie Bone. Finally, it had to be admitted that he was not gifted.

So as he waited for the great aunts to arrive, Charlie was not as fearful as he should have been.

Benjamin, on the other hand, was extremely fearful. Charlie was his best friend, his only friend. Anything that happened to Charlie would, indirectly, happen to him. Sinister events were closing in on his friend. Benjamin sat by his bedroom window and watched Charlie’s house. As darkness fell the street lamps came on and lights winked in the building behind the chestnut tree: in the basement, the attic and all the bedrooms. What was going on?

The wind intensified. Thunder and lightning coincided. That meant that the storm was right above. Benjamin clung to Runner Bean, and the big dog hid his face in Benjamin’s sleeve.

The street was now deserted except for three shadowy figures. On they came, a line of black umbrellas hiding all but the hems of three dark coats and six boots: four black and two red. In spite of the wind, there was a strange rhythm in their movements, almost as if a dance were taking place beneath those wide umbrellas. The figures stopped beside the chestnut tree, as Benjamin feared they would. And then they mounted the steps to Charlie’s house.

For the first time in his life, Benjamin was glad to be himself and not Charlie Bone.

At number nine the dining-table was laid, and damp logs smouldered in the grate. When the doorbell rang, Charlie was sent to answer it. The three great-aunts swept into the house, stamping their feet on the tiled floor and shaking out their wet umbrellas. Their coats were hurled across the hall, landing on Charlie as if he were a coatstand.

‘Pick them up, boy,’ commanded Aunt Lucretia, as Charlie scrambled beneath the wet garments. ‘They’re valuable moleskin, not rags.’

‘Now, don’t be harsh, Lucretia,’ said Aunt Eustacia. ‘Charlie’s got a secret to tell us, haven’t you, pet?’

‘Erm,’ mumbled Charlie.

‘Don’t be shy.’ Aunt Venetia, the youngest, came swaying up to him. ‘We want to know, everything.’

‘Yewbeams, come in. Come in!’ Grandma Bone called from the dining-room.

The three sisters sailed through the door; Lucretia, the eldest, first, Venetia, the youngest, last. Snatching glasses of sherry from Grandma Bone, they gathered round the dwindling fire, shaking their damp skirts and patting their abundant hair. Lucretia’s white as snow, Eustacia’s iron-grey, Venetia’s still black and folded round her head like raven’s wings.

Charlie backed away and made for the kitchen where Maisie and his mother were busy round the stove.

‘Take the soup in will you, Charlie,’ said his mother.

Charlie didn’t want to be alone with the great-aunts, but his mother looked hot and weary, so he did as she asked.

The soup tureen was very heavy. Charlie could feel the glint of Yewbeam eyes, following him round the long dining-table. He plonked the tureen on a mat and ran to fetch the bowls, before Grandma Bone could complain about the drop of soup that had spilled over.

When everything was ready, Grandma Bone rang a bell, which Charlie thought was rather silly. Everyone could see that the meal was on the table.

‘Why do we need a bell?’ he asked.

‘Tradition,’ snapped Grandma Bone. ‘And Paton has no sense of smell.’

‘But Uncle Paton never eats with us.’

‘Today,’ said Grandma Bone emphatically, ‘he will.’ ‘And there’s an end to it,’ said Maisie with a grin, which soon faded when the four sisters glared at her.

Uncle Paton arrived looking irritated, and the meal began. Maisie had done her best, but ten minutes was rather short notice to devise a meal of any distinction. The soup was salty, the chicken dry and the trifle had a sad, drowned look. No one complained, however. They ate fast and heartily.

Maisie and Charlie’s mother cleared the table. Paton and Charlie helped. And then it was time for the assessment. Charlie discovered that his mother was not allowed to be present. ‘I won’t go in there without you!’ he said. ‘I won’t.’

‘Charlie, you must,’ said his mother. ‘The Yewbeams hold the purse-strings. I have nothing.’

‘It beats me why you want Charlie to go to that ridiculous academy,’ said Maisie.

‘For his father’s sake,’ said Charlie’s mother.

Maisie clicked her tongue and said nothing more.

Charlie’s father was dead, so why did it matter so much? His mother wouldn’t tell him. She gave him a little push towards the dining-room and in he went.

‘I want my mum in here, or I won’t do it,’ said Charlie.

‘My, my, a boy who wants his mother,’ Aunt Venetia cooed.

‘A boy who wants his mother is a baby,’ said Aunt Lucretia sternly. ‘Time to grow up, Charlie. This is a Yewbeam affair. We don’t want distractions.’

At this point Uncle Paton tried to slip away, but his oldest sister called him back. ‘Paton, you’re needed. Do your duty, for once.’

Uncle Paton reluctantly slid into the chair she indicated.

Charlie was made to sit on one side of the table, facing the four sisters, Uncle Paton sat at the end. Charlie wondered how the assessment would be conducted. There appeared to be no musical instruments, no masks or paint brushes on the table. He waited. They watched him.

‘Where did he get that hair?’ Aunt Lucretia asked.

‘His mother’s side,’ said Grandma Bone. ‘A Welshman.’ She spoke as if Charlie were not there.

‘Ah!’ The three great-aunts sighed, disapprovingly.

Aunt Lucretia was fumbling in a large leather bag. At last she drew out a brown paper packet tied with black ribbon. She tugged the ribbon and the packet fell open, revealing a pile of ancient-looking photographs.

Grandma Bone pushed the packet over to Charlie, and the contents fanned out across the table.

‘What am I supposed to do with these?’ asked Charlie, who had a very good idea what they wanted him to do.

The great-aunts smiled encouragingly.

Charlie prayed that nothing would happen; that he could just glance at the dusty-looking collection and look away before he heard voices. But, one quick look told him that the people in the photographs were making a great deal of noise. They were playing instruments: cellos, pianos, violins. They were dancing, singing, laughing. Charlie pretended not to hear. He tried to push them away from him, towards Aunt Lucretia. She pushed them back.

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