Penny Joelson - Girl in the Window

First published in Great Britain in 2018 by Electric Monkey,

an imprint of Egmont UK Limited

The Yellow Building, 1 Nicholas Road, London W11 4AN

Text copyright © 2018 Penny Joelson

First e-book edition 2018

ISBN 978 1 4052 8616 9

Ebook ISBN 978 1 7803 1782 3

The moral rights of the author have been asserted

www.egmont.co.uk

A CIP catalogue record for this title is available from the British Library

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet.

For Cherry

‘There’s no one coming to look for me because no one even knows I’ve gone missing.’

Unrest (2017)

CONTENTS

Cover

Title Page

Copyright First published in Great Britain in 2018 by Electric Monkey, an imprint of Egmont UK Limited The Yellow Building, 1 Nicholas Road, London W11 4AN Text copyright © 2018 Penny Joelson First e-book edition 2018 ISBN 978 1 4052 8616 9 Ebook ISBN 978 1 7803 1782 3 The moral rights of the author have been asserted www.egmont.co.uk A CIP catalogue record for this title is available from the British Library All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet.

Dedication For Cherry

Epigraph ‘There’s no one coming to look for me because no one even knows I’ve gone missing.’ Unrest (2017)

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AUTHOR’S NOTE

ACKNOWLEDGEMENTS

USEFUL CONTACTS

Back series promotional page

No one sees me. I am a ghost. I am invisible. Life for me stopped still, one day – when I was not expecting it. Out there, I know that life goes on, that time moves forward, but it does so without me. I know I shouldn’t but I want to look once more – to take a peek out through the window at a world that is not mine. Do I dare?

1

It’s dark when I see her. I’m closing my curtains, ready for bed – and there’s a woman hurrying along our street towards the bus stop. There’s something intense about the way she’s moving. She darts like a bird. It’s as if she’s rushing to catch a bus – but there’s no bus there and no one waiting. The street is quiet. I’m not sure why I keep watching but I do. She’s skinny – with long, dark hair, maybe in her late teens, early twenties. She’s barely more than a silhouette in the darkness, but as she passes the street light, it casts her elongated shadow across the road. The glow highlights the long, thin cardigan she’s wearing. She pulls it tight around her, head bent against the chill November wind, but she goes past the bus stop without slowing down.

I see her glance round briefly as two cars pass. Now a silver car’s coming. It swerves and stops alongside her. Her head turns sharply. At the same moment, a man jumps out from the passenger side. He grabs the woman by the arm. She pulls away. They’re struggling – at least, that’s what it looks like. Within seconds, he’s opened the back door of the car and she’s in. He bangs the door shut and jumps back in the front. The car drives off, disappearing around the corner.

It happened so fast – but I’m certain she didn’t want to get into that car. The man was dragging her – forcing her in. I think he even had his hand over her mouth. I can barely believe it. I keep replaying it in my mind. My heart is thudding like a bass drum.

I’m staring out at the now empty street, still in shock, when a movement catches my eye. I look up at the house across the road, the window opposite mine. The curtain moved, I’m sure it did. Someone was looking out. Did they see what I just saw?

Should I call the police? There’s a couple in that house across the road – if one of them saw, maybe they’ve gone to call the police right now. But even so . . .

‘Mum!’ I yell, grabbing my phone. ‘Mum!’

She’s watching TV downstairs and I don’t think she heard me. Anyway, I don’t need her to tell me what to do, and I shouldn’t wait. I shouldn’t let them get too far away.

I sit on my bed and call 999. My hand is shaking. I’ve never done this before – never dealt with a real emergency. I ask for police.

There’s a calm voice at the end of the phone – a man’s voice. He listens and then starts asking me questions.

I give my name, Kasia Novak, and address, 47 New Weald Lane.

‘Did you get the car registration number?’ he asks.

I feel instantly devastated. Why didn’t I? ‘I’m sorry. No. It was all so fast,’ I tell him.

‘Don’t worry – you did the right thing to call. Any information you can give us will help. Can you describe the car?’

‘It was silver – a hatchback . . . I’m not sure what kind.’

I can describe the woman but I didn’t see the driver and only have a vague impression of the man who jumped out. I’m a useless witness.

‘Silver hatchback,’ he repeats, as if he’s writing it down. ‘We’ll get someone on to it straight away.’

‘Oh, and I think someone else might have seen it – across the road,’ I tell him. ‘I think there was someone at the window upstairs. They might even have called you too. It was number forty-eight.’

‘We’ll speak to them. Thank you for reporting the incident. Please call us if you remember any other details.’ He gives me another phone number and a case number, which I write on a scrap of paper.

I have a sinking feeling as I put the phone down. I wish I’d got the car reg. Maybe whoever was watching across the road did. I hope so.

‘Mum! Mum!’ I call again. She still doesn’t hear. I want to tell her. I need to tell her. I stand up, holding on to the window ledge for support, and then walk slowly out into the hallway, one hand pressed against the wall. My glands are throbbing in my neck and my legs are throbbing too – a constant dull, familiar ache.

‘Mum!’ No reply. I clutch the banister and put one foot gingerly on the top step. I’ve been thinking about trying to go downstairs for a few days, but I know now isn’t really the right moment. I’m too shaken up – on top of everything else.