Robin Jarvis - The Whitby Witches

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A glorious new edition of Robin Jarvis’s classic and the inspiration for The Power of Dark and its sequels. Contains bonus material specially produced for this Egmont Modern Classics title.When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they’ve known.Ben is gifted with ‘the sight’, which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed.Robin Jarvis started writing in 1988 and quickly became a bestselling author with his Deptford Mice and Whitby Witches series. The Whitby Witches is the book that inspired his latest series, which begins with The Power of Dark. You can find out more at www.robinjarvis.com or follow him on Twitter @robinjarvis1963

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The Whitby Witches - изображение 1 The Whitby Witches - изображение 2

First published in Great Britain in 1991 by Simon & Schuster Young Books

This edition published 2017 by Egmont UK Limited

The Yellow Building, 1 Nicholas Road, London W11 4AN

Text copyright © 1991 Robin Jarvis

The moral rights of the author have been asserted

First e-book edition 2017

ISBN 978 1 4052 8540 7

Ebook ISBN 978 1 7803 1775 5

www.egmont.co.uk

A CIP catalogue record for this title is available from the British Library

Map illustration copyright © 2017 Robin Jarvis

Cover and interior illustrations copyright © 2017 Rohan Eason

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet

The Whitby Witches - изображение 3

CONTENTS

Cover

Title Page

Copyright First published in Great Britain in 1991 by Simon & Schuster Young Books This edition published 2017 by Egmont UK Limited The Yellow Building, 1 Nicholas Road, London W11 4AN Text copyright © 1991 Robin Jarvis The moral rights of the author have been asserted First e-book edition 2017 ISBN 978 1 4052 8540 7 Ebook ISBN 978 1 7803 1775 5 www.egmont.co.uk A CIP catalogue record for this title is available from the British Library Map illustration copyright © 2017 Robin Jarvis Cover and interior illustrations copyright © 2017 Rohan Eason All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Stay safe online. Any website addresses listed in this book are correct at the time of going to print. However, Egmont is not responsible for content hosted by third parties. Please be aware that online content can be subject to change and websites can contain content that is unsuitable for children. We advise that all children are supervised when using the internet

I Difficult Cases

II Eurydice

III The Ladies’ Circle

IV The Aufwader

V A Grisly Catch

VI Cream Cakes and Death

VII The Figure on the Cliff

VIII Knife and Tooth

IX ‘But a Little Time to Live’

X Eurydice Again

XI The Half Child

XII Once in Nine Hundred Years

XIII Struggle at Sea

XIV The Empress of the Dark

Special Bonus Material

Look, look! Down on the sands of Tate Hill Pier; see there, my friend. Three small, strange figures – do you not see them? Listen to them calling to the cliff. Ah, the sound is lost on the wind. But, there, you must see them – they are searching for something. One of them stops and turns to us – its jet-black eyes glare up at me.

It is not quite dawn and the light is poor, perhaps that is why you cannot see. You tell me to come indoors, you say the damp morning has chilled me and take my arm. I glance back; the figures have gone. Can I have seen the fisher folk? The old whalers of Whitby town?

The boats will soon return with their catches. I must speak to no one. I shall let the fisher folk be and try to forget them. Perhaps when I sit by the fire, as my toes uncurl and my head begins to nod, that face shall haunt my dreams.

No, they are but childhood fancies and I am too old. The kettle whistles on the stove and I draw on the pipe which trembles in my shaking hand. Yes, it is a cold morning and I am chilled.

I DIFFICULT CASES Mrs Rodice perched herself on the edge of her spartan desk - фото 4

I

DIFFICULT CASES

Mrs Rodice perched herself on the edge of her spartan desk and sucked her watery afternoon tea through sullen lips. She was relieved, for two of her more trying charges had left today – she had put them on the train personally. A delicious shudder ran down her spine as she sank her small, irregular teeth into a dunked digestive. This was her favourite part of the day – a special, secretive hour when she could close the door and relax with her Royal Doulton and occasional romantic novel.

Margaret Rodice ran a hostel for children, those whose parents were dead, indifferent or ‘inside’. It was a difficult, demanding role: trying to manage a maximum of sixteen young people while at the whim of the local authority grant policy. If only Mr Rodice had not departed from the world so shortly after their wedding. She wondered how different her life would have been; perhaps there would have been children of her own – even a grandchild by now.

Mrs Rodice rattled the cup on its saucer in agitation and placed them both on her desk. She really must stop dwelling on the past. Donald was a vague shadow from her youth and she rarely thought of him now – up until recently, that is. But now that creepy little boy had gone and she hoped things would get back to normal. Oh, for the run-of-the-mill occurrences: the runaways, the girls who pinched, even (God forbid) nits would be welcome after the turmoil of the last three months.

She rose to peer out of the narrow window and watched the rain streak down over Leeds. After some minutes of contemplating, Mrs Rodice returned to her desk, but refrained from draining her cup. The tea leaves at the bottom would only remind her of the recent troubles.

‘Of course I was right to send that letter,’ she reassured herself. ‘Even if the old bat does know someone on the board, she had to be aware of what she was letting herself in for.’ Mrs Rodice shook her head at the folly of the old woman in question.

‘At her age! I ask you,’ she addressed the table lamp. ‘Well, it won’t last – it never does with them .’ A thin smile twitched her mouth. ‘Still,’ she muttered, shuffling her papers, ‘whatever happens, they’re not coming back here.’

She bent her greying head over the spread of forms and took up her pen purposefully, then with a tut of consternation looked up at the ceiling and groaned. ‘I hope Yvonne won’t wet again tonight.’

Ben stared out of the window and watched the green landscape race by. He pressed his face against the glass and the motion of the train vibrated through his nose.

‘Don’t do that,’ sighed the girl beside him, as she pulled him back to his seat.

The boy squirmed and plucked crumbs of sausage roll from his sweater. ‘Bored, Jen,’ he grumbled.

Jennet fished a comic out of a large blue canvas bag beside her and shoved it under her brother’s nose.

‘I’ve read it,’ he said, without bothering to look.

The girl let the comic sprawl on the table and turned away. Ben’s eyes flickered over the colourful pages. He pursed his mouth with his usual show of contempt and returned his attention to the window. A curtain of silence and resentment fell between the children.

The train slowed and pulled into Middlesborough. Ben twisted on his seat, his eyes following the people who got off. He was eight years old, a serious-looking boy with mousy hair and eyes which were set unusually deep below his frowning brows. His sister, Jennet, had the same oval face and unremarkable, blobby nose, but her long waving hair was darker and her eyes were less troubled.

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