Kristin Hardy - Hot Moves

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Sassy heroines and irresistible heroes embark on sizzling sexual adventures as they play the game of modern love and lust. Expect fast paced reads with plenty of steamy encounters.Thea Mitchell has everything – almost. On the dance floor the gorgeous model-turned-dance-instructor abandons herself to the sensuous throb of the tango and…her imagination. But reality’s a different matter. A disastrous affair has left her with cold feet in the bedroom and no juicy gossip about her love life to serve up to her worried friends.Until Brady McMillan tempts her to believe that the perfect partner really does exist…and proves that his moves – on and off the dance floor – are as hot as she can handle!

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Turning on his heel, he strode away.

Thea stared at him, watching as he slid onto a stool and gestured for a drink. On the cake before her, a lone candle still sputtered.

“What was that all about?” Trish asked, mystified.

“Ignore him,” Paige advised. “He’s selling something.”

Delaney lifted her club soda. “Nope. Pickup line, no matter what he says.”

“No,” Cilla and Kelly said simultaneously. “That’s Derek Edes,” Cilla added.

Sabrina frowned. “I know that name.”

“You should. He’s only one of the biggest fashion photographers in the business, outside of maybe Richard Avedon.”

“Avedon?” Now Thea looked as mystified as Trish. “What does he want with me?”

“Your perfect skin?” Cilla shrugged. “Don’t ask me, ask him. He’s staring at you again, by the way.”

Thea shifted.

“Don’t look,” Paige ordered. “If he wanted to talk to you badly enough to come over here, he can wait. It’s your birthday.”

Cilla reached out for the business card, tapping it thoughtfully on the tabletop. “I say wait and call him Monday.”

“Or call his room,” Kelly added. “I think I read somewhere that he always stays at the Chateau Marmont when he comes to L. A.”

Thea rose. “No. I’m going to go find out what he wants.”

Delaney snorted. “That’s not hard, sweetie. You’re gorgeous and he’s male.”

Thea shook her head. “This isn’t sex. It’s something else,” she said. “I just don’t know what.”

And so they watched as she crossed the room with a feline grace that was partly the result of fifteen years of dance training, partly innate. They watched as she sat next to him, as he rested a casual, proprietary hand on the back of her stool. They stared as her mouth dropped open in shock, as the five minutes stretched into twenty.

And they watched as she crossed the room, finally, walking as though her feet weren’t touching the ground.

“So? What’s it all about?” Delaney demanded.

“A job,” Thea said, bemused. “He wants me to come to New York and model for a new cosmetics campaign he’s shooting.”

“What did you say?”

“Remember my birthday resolution?”

“To take more chances?”

She nodded, her eyes on Derek Edes, the blonde completely forgotten. “I said yes. I leave Monday.”

1

Portland , Oregon , 2007

“YOU’RE GOING TO SEATTLE for the weekend to drink beer?”

Brady McMillan looked up from the steel keg he was washing out in the pub’s microbrewery and grinned at his older brother. “Pour beer, Michael” he corrected, resting a hand against one of the gleaming copper tanks lined up behind him. “It’s a brewers’ festival. I’ll be bonding with the masses, making a good impression for McMillans’, comparing notes with my fellow brewmasters—”

“—and drinking beer,” Michael finished.

Brady’s lips twitched as he lifted the keg to drain onto the concrete floor. Water streamed down to the grates below the funnel-shaped bottoms of the tanks. “It’s a difficult job but someone’s got to do it. I’m willing to suffer to give McMillans’ the best beer possible.” Five feet away, on the other side of the low wooden barrier, lay the warm golden oak and leather of their flagship brewpub. Here behind the barrier was Brady’s territory of malts and worts, hops and hoses.

Michael folded his arms over his barrel chest. “Some people just use message boards.”

“There’s no substitute for face-to-face contact.”

“Or mouth to glass.”

“The taste, the aroma, the mouth feel—”

“The buzz.”

“What? I can’t hear you over the noise of all the people out in the pub drinking my beer.” Brady blinked guilelessly and set the keg upright. “Good thing I go to these festivals to stay on top of the trends.”

“Yeah, yeah, yeah. So it’s the beer that brings them back, but it’s the atmosphere in the pubs that gets ’em here in the first place.”

“No doubt. Lucky we’re both good at our jobs, isn’t it?” Michael was burly where Brady was lanky, darkhaired where Brady was blond, and Michael thrived on the business side of things whereas for Brady it was all about the beer and the people, in roughly that order.

“I think you could start offloading some of your brewing work and pitch in on the pubs some more. Like the Odeon Theater property. We need to go over some of the numbers. The deal’s supposed to close week after next and we’ve got to talk about the closing costs and go over some construction figures—”

“Oh, hey, look, the beer needs me,” Brady said quickly, lips twitching. “Wow. Bad timing. Wish I could help.”

Michael’s brows lowered. “You’re not making beer, you’re washing kegs.”

“Sterilizing,” Brady corrected.

“Whatever. This whole theater thing was your idea. You can at least pretend to be interested in the remodel.”

“I’m the beer guy and the idea man, remember? You’re the pub guy.”

“I’m willing to share the pub guy part.”

“Hah.” Brady held out his hand, pointing to a thin white scar on the side of his forefinger. “See that?”

“What?”

“That’s from the time you attacked me with your letter opener when I tried to open up QuickBooks.”

Michael took a closer look and snorted. “You got that playing mumblety-peg with Elliot Bingenheimer in third grade.”

“Oh, you can tell yourself that if it makes you feel better.” Brady flexed his hand meditatively. “They tell me I’ll be able to play Parcheesi again someday.”

“Yeah, that’s why you went rock climbing last week.”

“It’s physical therapy. Face it, Michael, you’re a control freak. You say you want to share your pub guy thing but you know you don’t.”

“Unlike you, say, who’s happy to delegate…oh, gee, that’s right, nothing,” he said lightly. “You know, you might be able to keep up brewing at four pubs, but when we add the new place, even you’re going to have to let go of some things. At least if you want to keep up with your kayaking and mountain biking schedule. We should hire a brewmaster for each place.”

“My name’s on it,” Brady said stubbornly. “I want to be sure it’s my beer.”

“Now who’s the control freak?”

Humor glimmered in Brady’s eyes. “All right.” He set the keg aside. “Even though I am just the beer and idea guy, let’s talk about your theater.”

“My theater? My theater, Mr. ‘This Is A One Of A Kind Property And We Have To Buy It Now’? Our theater,” Michael corrected. “Or it will be.”

Brady wiped off his hands and settled his ball cap more firmly on his head. “Yep. That it will.”

Some birthdays were rites of passage, Thea thought as she washed her hands in the blue glass basin in the bathroom of the L.A. restaurant. She discarded the drying napkin then stopped, staring at herself in the mirror. She wasn’t given to primping—she habitually skinned her hair back in a ponytail or braid, rarely bothered with cosmetics. With clever makeup and the right hairstyle, her full mouth and wideset eyes could take on a singular beauty—or so said the fashion editors and designers who’d paid a thousand dollars an hour for her time during the three years she’d modeled. Without the hair and makeup, Thea thought her features just looked overstated to the point of caricature on her angular face.

The bee-stung lips and soft gray-blue eyes came from her mother. The angular facial structure and sharp jaw came from her father, though his was always tight with bitterness or poised to deliver some cutting comment. She’d have preferred to look at herself and see nothing of either of them, but they were part of her physical makeup. Ingrained in her emotional makeup, too, no matter how hard she might battle to erase them.

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