Carol Townend - Lady Isobel's Champion

How could he?

For years Isobel had lived for some sign of attention from this man. Any sign would have done—a letter sent to the convent in Conques, perhaps… even a simple message. He had done nothing.

And now he had the impudence to wait until they were in a smoky inn to kiss her. In a whorehouse, to be precise. He was kissing her as a pretence, the devil. He didn’t want her. Her pulse thudded. She liked his kiss.

When a large hand crept to her cheek, cradling it in its palm, making tiny caressing circles with its fingertips, pleasure shot along every nerve. She bit back a moan. It was fortunate that his hand hid her face from onlookers. She felt hot and confused. He doesn’t want to do this. He doesn’t know me . In the years she had lived in the south he had not shown the slightest interest in her welfare. I am just another trophy to him. I am a prize. Lucien is marrying me for my inheritance .

And then his mouth was on hers again and her thoughts were scattered.

Duty, Honour, Truth, Valour

The tenets of the Knights of Champagne will be sorely tested in this exciting new Medieval series by Carol Townend.

The pounding of hooves, the cold snap of air, a knight’s colours flying high across the roaring crowd—nothing rivals a tourney. The chance to prove his worth is at the beating heart of any knight.

And tournaments bring other dangers too. Scoundrels, thieves, murderers and worse are all drawn towards a town bursting with deep pockets, flowing wine and wanton women.

Only these three knights stand in their way. But what of the women who stand beside them?

Find out in

Carol Townend’s

Knights of Champagne

Three Swordsmen for Three Ladies

CAROL TOWNENDhas been making up stories since she was a child. Whenever she comes across a tumbledown building, be it castle or cottage, she can’t help conjuring up the lives of the people who once lived there. Her Yorkshire forebears were friendly with the Brontë sisters. Perhaps their influence lingers…

Carol’s love of ancient and medieval history took her to London University, where she read History, and her first novel (published by Mills & Boon ®) won the Romantic Novelists’ Association’s New Writers’ Award. Currently she lives near Kew Gardens, with her husband and daughter. Visit her website at www.caroltownend.co.uk

Previous novels by the same author:

THE NOVICE BRIDE

AN HONOURABLE ROGUE

HIS CAPTIVE LADY

RUNAWAY LADY, CONQUERING LORD

HER BANISHED LORD

BOUND TO THE BARBARIAN *

CHAINED TO THE BARBARIAN *

BETROTHED TO THE BARBARIAN *

* Palace Brides trilogy

Did you know that some of these novels are also available as eBooks?

Visit www.millsandboon.co.uk

www.millsandboon.co.uk

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Arthurian myths and legends have been popular for hundreds of years. Dashing knights worship beautiful ladies, fight for honour—and sometimes lose honour! Some of the earliest versions of these stories were written in the twelfth century by an influential poet called Chrétien de Troyes. Troyes was the walled city in the county of Champagne where Chrétien lived and worked. His patron, Countess Marie of Champagne, was a princess—daughter of King Louis of France, and the legendary Eleanor of Aquitaine. Countess Marie’s splendid artistic court in Troyes rivalled Queen Eleanor’s in Poitiers.

The books in my Knights of Champagne mini-series are not an attempt to rework the Arthurian myths and legends. They are original romances set around the Troyes court. I wanted to tell the stories of some of the lords and ladies who might have inspired Chrétien—and I was keen to give the women a more active role, since Chrétien’s ladies tend to be too passive for today’s reader.

Apart from a brief glimpse of Count Henry and Countess Marie, my characters are all fictional. I have used the layout of the medieval city to create my Troyes, but these books are first and foremost fictional.

To Karen, with love

October 1173—in the east tower of Ravenshold, in the County of Champagne

With the tip of his dagger, Lucien Vernon, Comte d’Aveyron, prodded what looked suspiciously like a dead sparrow. ‘Is that what I think it is?’ He grimaced as he surveyed a table littered with leavings. There was a handful of tiny bones; any number of butterflies’ wings in a clay pot; and a mortar holding a gnarled fragment of bark that Lucien was pretty certain would never be seen in either kitchen or infirmary. The pestle was chipped, and the surface of the table was lost beneath a dusting of dead flies, leaf mast, beech nuts and acorns.

‘Dried bat?’ his friend Sir Raoul de Courtney suggested. ‘Or perhaps a toad?’ Raoul was examining a stoppered glass jar filled with cloudy liquid, his expression finely balanced between intense curiosity and disgust. Daylight was squeezing past a frill of cobwebs hanging in the lancet window. Holding the jar to the light, Raoul eyed the contents. ‘Mon Dieu!’ He dropped the jar on to the table with a thump that sent up a haze of dust. His lip curled, disgust had won out over curiosity. ‘Holy hell, Luc, haven’t you seen enough? Let’s get out of here.’

Lucien scrubbed at his face, fingers lingering for a moment on the ragged scar on his left temple. The scar was throbbing, as it had been since he had learned of Morwenna’s untimely death, as it always did when he thought of her. ‘My apologies, Raoul, I thought I might find something here, some explanation as to why Morwenna died. Did I tell you I had to bribe Father Thomas before he would permit her to be buried in the graveyard?’

Raoul shook his head, his eyes were sympathetic. ‘I heard that rumours of witchcraft were doing the rounds. Who started them this time, any idea?’

‘No. I had hoped to find answers here but …’ Lucien shook his head. A wave of regret swept through him—if only things could have turned out differently. He hadn’t seen Morwenna in what—two years?—and now she was gone. Guilt clawed his insides; regret was bitter in his mouth. He jerked his head at the table. ‘Despite all you see here, she was no witch.’

‘I know that.’

‘She was just … she was obsessed.’ Lucien dragged in air. The place smelt musty. It smelt of death. It was as though time had stopped at the top of the east tower—everything was frozen at the point of dissolution. ‘Morwenna wasn’t obsessed in the early days …’