Robert Howard - ROBERT E. HOWARD Ultimate Collection – 300+ Cult Classics

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This carefully crafted ebook: «ROBERT E. HOWARD Ultimate Collection – 300+ Cult Classics, Adventure Novels, Western, Horror & Detective Stories, Historical Books (Including Poetry, Essays, Articles & Letters) – ALL in One Volume» is formatted for your eReader with a functional and detailed table of contents.
Robert Ervin Howard (1906 – 1936) was an American author who wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre. In the pages of the Depression-era pulp magazine Weird Tales, Howard created Conan the Barbarian, a character whose cultural impact has been compared to such icons as Batman, Count Dracula, James Bond, Sherlock Holmes, and Tarzan.
Table of Contents:
Fantasy Stories:
'Conan the Barbarian' Stories
The 'Kull' Stories
The 'Solomon Kane' Stories
The 'Bran Mak Morn' Stories
The 'Turlogh Dubh O'Brien' Stories
The 'James Allison' Stories
Other Fantasy Stories
Boxing Stories:
The 'Sailor Steve Costigan' Stories
Other Boxing Stories
Western Stories:
The 'Breckinridge Elkins' Stories
The 'Pike Bearfield' Stories
The 'Buckner Jeopardy Grimes' Stories
Other Western Stories
Historical Stories:
The 'El Borak' Stories
The 'Cormac Fitzgeoffrey' Stories
The 'Kirby O'Donnell' Stories
The 'Black Vulmea' Stories
The 'Helen Tavrel' Story
Other Historical Stories
Horror Stories:
The 'John Kirowan' Stories
The Faring Town Saga
The 'De Montour' Stories
The Weird West Stories
Other Weird Menace
Other Cthulhu Mythos Stories
Other Horror Stories
Detective Stories:
The 'Steve Harrison' Stories
Spicy Stories:
The 'Wild Bill Clanton' Stories
Poetry
Essays and Articles
Letters
A Tribute Poem

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Conan could predict Thutmekri's plans, from his knowledge of the man. He knew that it had been Thutmekri who had proposed the conquest of Punt to the kings of Zembabwei, which conquest was but one move toward their real goal – the capture of the Teeth of Gwahlur. Those wary kings would demand proof that the treasure really existed before they made any move. The jewels Thutmekri asked as a pledge would furnish that proof.

With positive evidence of the treasure's reality, the kings of Zimbabwei would move. Punt would be invaded simultaneously from the east and the west, but the Zembabwans would see to it that the Keshani did most of the fighting, and then, when both Punt and Keshan were exhausted from the struggle, the Zembabwans would crush both races, loot Keshan and take the treasure by force, if they had to destroy every building and torture every living human in the kingdom.

But there was always another possibility: if Thutmekri could get his hands on the hoard, it would be characteristic of the man to cheat his employers, steal the jewels for himself and decamp, leaving the Zembabwan emissaries holding the sack.

Conan believed that this consulting of the oracle was but a ruse to persuade the king of Keshan to accede to Thutmekri's wishes—for he never for a moment doubted that Gorulga was as subtle and devious as all the rest mixed up in this grand swindle. Conan had not approached the high priest himself, because in the game of bribery he would have no chance against Thutmekri, and to attempt it would be to play directly into the Stygian's hands. Gorulga could denounce the Cimmerian to the people, establish a reputation for integrity, and rid Thutmekri of his rival at one stroke. He wondered how Thutmekri had corrupted the high priest, and just what could be offered as a bribe to a man who had the greatest treasure in the world under his fingers.

At any rate he was sure that the oracle would be made to say that the gods willed it that Keshan would follow Thutmekri's wishes, and he was sure, too, that it would drop a few pointed remarks concerning himself. After that Keshia would be too hot for the Cimmerian, nor had Conan had any intention of returning when he rode way in the night.

The oracle chamber held no clue for him. He went forth into the great throne room and laid his hands on the throne. It was heavy, but he could tilt it up. The floor beneath, a thick marble dais, was solid. Again he sought the alcove. His mind clung to a secret crypt near the oracle. Painstakingly he began to tap along the walls, and presently his taps rang hollow at a spot opposite the mouth of the narrow corridor. Looking more closely he saw that the crack between the marble panel at that point and the next was wider than usual. He inserted a dagger point and pried.

Silently the panel swung open, revealing a niche in the wall, but nothing else. He swore feelingly. The aperture was empty, and it did not look as if it had ever served as a crypt for treasure. Leaning into the niche he saw a system of tiny holes in the wall, about on a level with a man's mouth. He peered through, and grunted understandingly. That was the wall that formed the partition between the alcove and the oracle chamber. Those holes had not been visible in the chamber. Conan grinned. This explained the mystery of the oracle, but it was a bit cruder than he had expected. Gorulga would plant either himself or some trusted minion in that niche, to talk through the holes, the credulous acolytes, black men all, would accept it as the veritable voice of Yelaya.

Remembering something, the Cimmerian drew forth the roll of parchment he had taken from the mummy and unrolled it carefully, as it seemed ready to fall to pieces with age. He scowled over the dim characters with which it was covered. In his roaming about the world the giant adventurer had picked up a wide smattering of knowledge, particularly including the speaking and reading of many alien tongues. Many a sheltered scholar would have been astonished at the Cimmerian's linguistic abilities, for he had experienced many adventures where knowledge of a strange language had meant the difference between life and death.

The characters were puzzling, at once familiar and unintelligible, and presently he discovered the reason. They were the characters of archaic Pelishtic, which possessed many points of difference from the modern script, with which he was familiar, and which, three centuries ago, had been modified by conquest by a nomad tribe. This older, purer script baffled him. He made out a recurrent phrase, however, which he recognized as a proper name: Bit-Yakin. He gathered that it was the name of the writer.

Scowling, his lips unconsciously moving as he struggled with the task, he blundered through the manuscript, finding much of it untranslatable and most of the rest of it obscure.

He gathered that the writer, the mysterious Bit-Yakin, had come from afar with his servants, and entered the valley of Alkmeenon. Much that followed was meaningless, interspersed as it was with unfamiliar phrases and characters. Such as he could translate seemed to indicate the passing of a very long period of time. The name of Yelaya was repeated frequently, and toward the last part of the manuscript it became apparent that Bit-Yakin knew that death was upon him. With a slight start Conan realized that the mummy in the cavern must be the remains of the writer of the manuscript, the mysterious Pelishti, Bit-Yakin. The man had died, as he had prophesied, and his servants, obviously, had placed him in that open crypt, high up on the cliffs, according to his instructions before his death.

It was strange that Bit-Yakin was not mentioned in any of the legends of Alkmeenon. Obviously he had come to the valley after it had been deserted by the original inhabitants—the manuscript indicated as much—but it seemed peculiar that the priests who came in the old days to consult the oracle had not seen the man or his servants. Conan felt sure that the mummy and this parchment was more than a hundred years old. Bit-Yakin had dwelt in the valley when the priests came of old to bow before dead Yelaya. Yet concerning him the legends were silent, telling only of a deserted city, haunted only by the dead.

Why had the man dwelt in this desolate spot, and to what unknown destination had his servants departed after disposing of their master's corpse?

Conan shrugged his shoulders and thrust the parchment back into his girdle—he started violently, the skin on the backs of his hands tingling. Startingly, shockingly in the slumberous stillness, there had boomed the deep strident clangor of a great gong!

He wheeled, crouching like a great cat, sword in hand, glaring down the narrow corridor from which the sound had seemed to come. Had the priests of Keshia arrived? This was improbable, he knew; they would not have had time to reach the valley. But that gong was indisputable evidence of human presence.

Conan was basically a direct-actionist. Such subtlety as he possessed had been acquired through contact with the more devious races. When taken off guard by some unexpected occurrence, he reverted instinctively to type. So now, instead of hiding or slipping away in the opposite direction as the average man might have done, he ran straight down the corridor in the direction of the sound. His sandals made no more sound than the pads of a panther would have made; his eyes were slits, his lips unconsciously asnarl. Panic had momentarily touched his soul at the shock of that unexpected reverberation, and the red rage of the primitive that is wakened by threat of peril, always lurked close to the surface of the Cimmerian.

He emerged presently from the winding corridor into a small open court. Something glinting in the sun caught his eye. It was the gong, a great gold disk, hanging from a gold arm extending from the crumbling wall. A brass mallet lay near, but there was no sound or sight of humanity. The surrounding arches gaped emptily. Conan crouched inside the doorway for what seemed a long time. There was no sound or movement throughout the great palace. His patience exhausted at last, he glided around the curve of the court, peering into the arches, ready to leap either way like a flash of light, or to strike right or left as a cobra strikes.

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